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Four Contemporary Novels

Author: Kerry McSweeney
Publisher: McGill-Queen's Press - MQUP
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Four Contemporary Novelists offer accounts of the fiction of Angus Wilson, Brian Moore, John Fowles, and V. S. Naipaul. The author has charted the development of each writer; identified dominant themes, controlling techniques, and informing sensibility; explained what each has tried to accomplish and compare theory to practice; provided an appropriate context for appreciation and evaluation of all parts of each canon; and made qualitative discriminations.


The American Popular Novel After World War II

Author: David Willbern
Publisher: McFarland
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Through the perspectives of selected best-selling novels from the end of World War II to the end of the 20th century—including The Catcher in the Rye, To Kill a Mockingbird, The Godfather, Jaws, Beloved, The Silence of the Lambs, and Jurassic Park—this book examines the crucial issues the U.S. was experiencing during those decades. These novels represent the voices of popular conversations, as Americans considered issues of family, class, racism and sexism, feminism, economic ambition, sexual violence, war, law, religion and science. Through the windows of fiction, the book surveys the Cold War and anti-communism, the prefeminist era of the 1950s and the sexual revolution of the 1970s, forms of corporate power in the 1960s and 1980s, the traumatic legacies of slavery and Vietnam, the American fascination with lawyers, cops and criminals, alternate styles of romance in the era of late capitalism, our abiding distrust of science, and our steadfast wonder about the Great Mysteries.


The War Veteran in Film

Author: Emmett Early
Publisher: McFarland
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Movies have provided a record of the war veteran as he was viewed within his own culture and within the culture in which the movies were produced. Thus, movies account for a significant portion of what people “know” about the war veteran and how he fared during and after the war. In this book, the author examines 125 movies from the classical era to the 20th century that feature the war veteran. The author provides commentary on specific categories the films can be organized into and notes similarities between films produced in different periods. The categories deal with the wounded veteran returning home (e.g., The Sun Also Rises, The Best Years of Our Lives, Born on the Fourth of July, The Manchurian Candidate); the veteran struggling with guilt, revenge and post-traumatic stress disorder (Anatomy of a Murder, Lethal Weapon, Desert Bloom, In Country, Jacob’s Ladder); the war veteran returning in disguise (Ulysses, Ivanhoe, The Seventh Seal, The Man in the Gray Flannel Suit); the war veteran as a social symbol (Dances with Wolves, Gosford Park, The Legend of Bagger Vance, The Big Chill, Gods and Monsters, Cornered); the war veteran in action (The Born Losers, Conspiracy Theory, She Wore a Yellow Ribbon, Saint Jack, Looking for Mr. Goodbar); and the war veteran before, during and after the war (The Deer Hunter, Forrest Gump).


The New York Times Book Review

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Bulletin from Virginia Kirkus Service

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Library Journal

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Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.


India Today

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India Today International

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Erotic Stories for Punjabi Widows

Author: Balli Kaur Jaswal
Publisher: HarperCollins
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Reese Witherspoon’s Book Club Pick A lively, sexy, and thought-provoking East-meets-West story about community, friendship, and women’s lives at all ages—a spicy and alluring mix of Together Tea and Calendar Girls. Every woman has a secret life . . . Nikki lives in cosmopolitan West London, where she tends bar at the local pub. The daughter of Indian immigrants, she’s spent most of her twenty-odd years distancing herself from the traditional Sikh community of her childhood, preferring a more independent (that is, Western) life. When her father’s death leaves the family financially strapped, Nikki, a law school dropout, impulsively takes a job teaching a "creative writing" course at the community center in the beating heart of London’s close-knit Punjabi community. Because of a miscommunication, the proper Sikh widows who show up are expecting to learn basic English literacy, not the art of short-story writing. When one of the widows finds a book of sexy stories in English and shares it with the class, Nikki realizes that beneath their white dupattas, her students have a wealth of fantasies and memories. Eager to liberate these modest women, she teaches them how to express their untold stories, unleashing creativity of the most unexpected—and exciting—kind. As more women are drawn to the class, Nikki warns her students to keep their work secret from the Brotherhood, a group of highly conservative young men who have appointed themselves the community’s "moral police." But when the widows’ gossip offers shocking insights into the death of a young wife—a modern woman like Nikki—and some of the class erotica is shared among friends, it sparks a scandal that threatens them all.


Southern Writers

Author: Joseph M. Flora
Publisher: LSU Press
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This new edition of Southern Writers assumes its distinguished predecessor's place as the essential reference on literary artists of the American South. Broadly expanded and thoroughly revised, it boasts 604 entries-nearly double the earlier edition's-written by 264 scholars. For every figure major and minor, from the venerable and canonical to the fresh and innovative, a biographical sketch and chronological list of published works provide comprehensive, concise, up-to-date information. Here in one convenient source are the South's novelists and short story writers, poets and dramatists, memoirists and essayists, journalists, scholars, and biographers from the colonial period to the twenty-first century. What constitutes a "southern writer" is always a matter for debate. Editors Joseph M. Flora and Amber Vogel have used a generous definition that turns on having a significant connection to the region, in either a personal or literary sense. New to this volume are younger writers who have emerged in the quarter century since the dictionary's original publication, as well as older talents previously unknown or unacknowledged. For almost every writer found in the previous edition, a new biography has been commissioned. Drawn from the very best minds on southern literature and covering the full spectrum of its practitioners, Southern Writers is an indispensable reference book for anyone intrigued by the subject.