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Die Journalisten

Author: Gustav Freytag
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Die Journalisten Lustpiel in Vier Acten

Author: Gustav Freytag
Publisher: Wentworth Press
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Die Journalisten

Author: Walter Dallam Toy
Publisher: Forgotten Books
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Excerpt from Die Journalisten: Lustspiel in Vier Akten In 1867 the Liberal party of Erfurt elect'ed him to a seat in the North German Parliament; but he had no gifts as a practical politician, and at the expiration of his term was glad to return to his studies. With the exception of a short time which he spent as guest of the Crown Prince of Prussia, at the headquarters of the Third Army, during the F ranco - German war, F reytag took no further part in public life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The Global Journalist in the 21st Century

Author: David Hugh Weaver
Publisher: Routledge
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The Global Journalist in the 21st Century systematically assesses the demographics, education, socialization, professional attitudes and working conditions of journalists in various countries around the world. This book updates the original Global Journalist (1998) volume with new data, adding more than a dozen countries, and provides material on comparative research about journalists that will be useful to those interested in doing their own studies. The editors put together this collection working under the assumption that journalists' backgrounds, working conditions and ideas are related to what is reported (and how it is covered) in the various news media round the world, in spite of societal and organizational constraints, and that this news coverage matters in terms of world public opinion and policies. Outstanding features include: Coverage of 33 nations located around the globe, based on recent surveys conducted among representative samples of local journalists Comprehensive analyses by well-known media scholars from each country A section on comparative studies of journalists An appendix with a collection of survey questions used in various nations to question journalists As the most comprehensive and reliable source on journalists around the world, The Global Journalist will serve as the primary source for evaluating the state of journalism. As such, it promises to become a standard reference among journalism, media, and communication students and researchers around the world.


The Michigan Alumnus

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Publisher: UM Libraries
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In v.1-8 the final number consists of the Commencement annual.


Media Perspectives for the 21st Century

Author: Stylianos Papathanassopoulos
Publisher: Routledge
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Media Perspectives for the 21st Century brings together key international scholars to explore concepts, topics and issues concerning the communication environment in contemporary democratic societies.


The Lost One

Author: Stephen D. Youngkin
Publisher: University Press of Kentucky
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Often typecast as a menacing figure, Peter Lorre achieved Hollywood fame first as a featured player and later as a character actor, trademarking his screen performances with a delicately strung balance between good and evil. His portrayal of the child murderer in Fritz Lang's masterpiece M (1931) catapulted him to international fame. Lang said of Lorre: "He gave one of the best performances in film history and certainly the best in his life." Today, the Hungarian-born actor is also recognized for his riveting performances in The Man Who Knew Too Much (1934), The Maltese Falcon (1941), and Casablanca (1942). Lorre arrived in America in 1934 expecting to shed his screen image as a villain. He even tried to lose his signature accent, but Hollywood repeatedly cast him as an outsider who hinted at things better left unknown. Seeking greater control over his career, Lorre established his own production company. His unofficial "graylisting" by the House Committee on Un-American Activities, however, left him with little work. He returned to Germany, where he co-authored, directed, and starred in the film Der Verlorene (The Lost One) in 1951. German audiences rejected Lorre's dark vision of their recent past, and the actor returned to America, wearily accepting roles that parodied his sinister movie personality.The first biography of this major actor, The Lost One: A Life of Peter Lorre draws upon more than three hundred interviews, including conversations with directors Fritz Lang, Alfred Hitchcock, Billy Wilder, John Huston, Frank Capra, and Rouben Mamoulian, who speak candidly about Lorre, both the man and the actor. Author Stephen D. Youngkin examines for the first time Lorre's pivotal relationship with German dramatist Bertolt Brecht, his experience as an émigré from Hitler's Germany, his battle with drug addiction, and his struggle with the choice between celebrity and intellectual respectability.Separating the enigmatic person from the persona long associated with one of classic Hollywood's most recognizable faces, The Lost One is the definitive account of a life triumphant and yet tragically riddled with many failed possibilities.


Gluck und Die Oper

Author: Adolf Bernhard Marx
Publisher: Cambridge University Press
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Adolf Bernhard Marx (1795-1866), the music critic and composer, spent much of his career as professor of music in Berlin and was a friend and mentor of Mendelssohn. His publications included an influential textbook on composition and a biography of Beethoven. The preface to this two-volume study, published in 1863, ranks Gluck (1714-87) wtih Handel, Mozart and Beethoven at the pinnacle of musical achievement. Marx describes Gluck's radical innovations in operatic composition in the context of the wider European tradition, and sets them in a chronological account of the composer's life. Volume 2 covers Gluck's later life, including his residence in Paris during the 1770s, where he enjoyed the patronage of Marie-Antoinette but encountered controversies and intrigues. Marx discusses operas including Iphigénie en Aulide and Armide, illustrating his analyses with music examples. The substantial appendix contains longer music extracts, a facsimile manuscript page, and an index of works.


The German Right 1860 1920

Author: James N. Retallack
Publisher: University of Toronto Press
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With unification as a nation state under Bismarck in 1871, Germany experienced the advent of mass politics. The dynamic political culture that emerged challenged the adaptability of the 'interlocking directorate of the Right.' This work examines how the authoritarian imagination inspired the Right and how political pragmatism constrained it.


The German Speaking World

Author: Patrick Stevenson
Publisher: Routledge
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This accessible textbook offers students the opportunity to explore for themselves a wide range of sociolinguistic issues relating to the German language and its role in societies around the world. It is written for undergraduate students who have a sound practical knowledge of German but who have little or no knowledge of linguistics or sociolinguistics. It combines text with practical exercises and discussion questions to stimulate readers to think for themselves and to tackle specific problems. In Part One Patrick Stevenson invites readers to investigate and reflect on issues about the status and function of the German language in relation to its speakers and to speakers of other languages with which it comes into contact. In Part Two the focus shifts to the forms and functions of individual features of the language. This involves, for example, identifying features of regional speech forms, analysing similarities and differences between written and spoken German, or looking at the 'social meaning' underlying different forms of address. Part Three explores the relationship between the German language and the nature of 'Germanness'. It concentrates on people's attitudes towards the language, the ways in which it is changing, and their views on what it represents for them.