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Dr Horrible s Sing along Blog

Author: Joss Whedon
Publisher: Titan Books (UK)
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Presents the full shooting script of the musical motion picture, and includes sheet music, costume designs, cast and crew interviews, and production stills.


The Whedonverse Catalog

Author: Don Macnaughtan
Publisher: McFarland
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"The author describes all of Whedon's work, covering both the original texts of the Whedonverse, along with secondary materials focusing on Whedon's projects, including 2000 books, essays, articles, documentaries and dissertations"--


Dr Horrible

Author: Zack Whedon
Publisher: Dark Horse Comics (Single Issues)
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From the Joss Whedon-helmed web movie _Dr. Horrible's Sing-Along Blog_ comes the origin story of the next greatest supervillain of all time_DR. HORRIBLE! Zack Whedon and artist Jo��lle Jones (_Token_, _Troublemaker_) establish how a young, impressionable, but _brilliant_ Dr. Horrible was drawn into a world of crime. Readers are reacquainted with the charming, brawny, crime-fighting superhero extraordinaire Captain Hammer when Dr. Horrible crosses paths with his greatest enemy in an all-out showdown of immeasurable proportions. Special guest appearances include Dr. Horrible's love interest, Penny; his sidekick, Moist; and a meter man. Fans of Joss Whedon and the smash-hit musical _Dr. Horrible's Sing-Along Blog_ will not want to miss this! Please note that this one-shot issue is included in the digital comic collection _Dr. Horrible and Other Horrible Stories_, also available in the Dark Horse Digital Store.


Christianity in the Public Square Literatures of Politics Protest and Social Justice

Author: Anthony R. Grasso, CSC, Editor
Publisher: Lulu.com
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Proceedings of the Conference on Christianity & Literature Northeast Regional Meeting, Nov. 2-3, 2012 King's College, Wilkes-Barre, PA Rev. Anthony R. Grasso, CSC, Ph. D., Editor


The World of Musicals An Encyclopedia of Stage Screen and Song 2 volumes

Author: Mark A. Robinson
Publisher: ABC-CLIO
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This wide-ranging, two-volume encyclopedia of musicals old and new will captivate young fans—and prove invaluable to those contemplating staging a musical production. • Offers 700 alphabetically arranged entries related to musicals in theatre, film, and television • Spans the history of musical theatre from Gilbert and Sullivan operettas in the late 1800s to the present • Concentrates on musicals that are historically important and/or of mainstream interest, as well as those that might be examined in a high school music, music history, or theatre class • Features a teacher-friendly guide to the most popular musicals performed by high schools, discussing casting/characters, costume needs, notes on the difficulty of the music, and more • Includes a selected bibliography, discography, and videography as well as a chronology capturing key events in the history of the musical


Reading Joss Whedon

Author: Rhonda V. Wilcox
Publisher: Syracuse University Press
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In an age when geek chic has come to define mainstream pop culture, few writers and producers inspire more admiration and response than Joss Whedon. From Buffy the Vampire Slayer to Much Ado About Nothing, from Dr. Horrible's Sing-Along Blog to The Avengers, the works of Whedon have been the focus of increasing academic attention. This collection of articles represents some of the best work covering a wide array of topics that clarify Whedon's importance, including considerations of narrative and visual techniques, myth construction, symbolism, gender, heroism, and the business side of television. The editors argue that Whedon's work is of both social and aesthetic significance; that he creates "canonical television." He is a master of his artistic medium and has managed this success on broadcast networks rather than on cable. From the focus on a single episode to the exploration of an entire season, from the discussion of a particular narrative technique to a recounting of the history of Whedon studies, this collection will both entertain and educate those exploring Whedon scholarship for the first time and those planning to teach a course on his works.


Buffy Ballads and Bad Guys Who Sing

Author: Kendra Preston Leonard
Publisher: Scarecrow Press
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When writer and director Joss Whedon created the character Buffy the Vampire Slayer, he could hardly have expected the resulting academic interest in his work. Yet almost six years after the end of Buffy on television, Buffy studies—and academic work on Whedon's expanding oeuvre—continue to grow. Now with three hugely popular television shows, Buffy the Vampire Slayer, Angel, and Firefly, and the film Serenity all available on DVD, scholars are evaluating countless aspects of the Whedon universe (or "Whedonverse"). Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon studies the significant role that music plays in these works, from Buffy the Vampire Slayer to the internet musical Dr. Horrible's Sing-Along Blog. Kendra Preston Leonard has collected a varying selection of essays that explore music and sound in Joss Whedon's works. The essays investigate both diegetic and non-diegetic music, considering music from various sources, including the shows' original scores, music performed by the characters themselves, and music contributed by such artists as Michelle Branch, The Sex Pistols, and Sarah McLachlan, as well as classical composers like Camille Saint-Saëns and Johannes Brahms. The approaches incorporate historical and theoretical musicology, feminist and queer musicology, media studies, cultural history, and interdisciplinary readings. The book also explores the compositions written by Whedon himself: the theme music for Firefly, and two fully integrated musicals, the Buffy episode "Once More, With Feeling" and Dr. Horrible's Sing-Along Blog. With several musical examples, a table with a full breakdown of the Danse Macabre scene from the acclaimed Buffy episode "Hush," and an index, this volume will be fascinating to students and scholars of science-fiction, television, film, and popular culture.


Complex TV

Author: Jason Mittell
Publisher: NYU Press
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Over the past two decades, new technologies, changing viewer practices, and the proliferation of genres and channels has transformed American television. One of the most notable impacts of these shifts is the emergence of highly complex and elaborate forms of serial narrative, resulting in a robust period of formal experimentation and risky programming rarely seen in a medium that is typically viewed as formulaic and convention bound. Complex TV offers a sustained analysis of the poetics of television narrative, focusing on how storytelling has changed in recent years and how viewers make sense of these innovations. Through close analyses of key programs, including The Wire, Lost, Breaking Bad, The Sopranos, Veronica Mars, Curb Your Enthusiasm, and Mad Men the book traces the emergence of this narrative mode, focusing on issues such as viewer comprehension, transmedia storytelling, serial authorship, character change, and cultural evaluation. Developing a television-specific set of narrative theories, Complex TV argues that television is the most vital and important storytelling medium of our time.


TV Horror

Author: Lorna Jowett
Publisher: I.B.Tauris
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Horror is one of the most pervasive of contemporary TV genres with shows like True Blood, Being Human, The Walking Dead and American Horror Story making a bloody splash across our television screens. Yet not too long ago critics and horror writers claimed that television and horror were incompatible bedfellows. TV Horror: Investigating the Dark Side of the Small Screen explores the often contradictory relationship between horror and television and shows how this most adaptable genre has continued to be a part of the broadcast landscape, unsettling audiences and pushing the boundaries of acceptability. Lorna Jowett and Stacey Abbott demonstrate how TV horror continues to provoke and terrify audiences by bringing the monstrous and the supernatural into the home, whether through adaptations of Stephen King and classic horror novels, or by reworking the gothic and surrealism in Twin Peaks and Carnivàle. They uncover the omnipresence of horror in mainstream television from procedural dramas to children’s television and, through close analysis of landmark TV auteurs including Rod Serling, Nigel Kneale, Dan Curtis and Steven Moffat, as well as case studies of Dark Shadows, Dexter, The League of Gentlemen, Pushing Daisies, Torchwood, and Supernatural. They expand debates about the nature of horror by exploring its evolution on television. The historical breadth of the discussion, alongside detailed analysis of an exciting and diverse selection of television series, makes this book a must-have for those studying TV genre, as well as for anyone with a taste for the gruesome and the macabre.


Comedy Web Series

Author: Source Wikipedia
Publisher: Booksllc.Net
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 147. Chapters: ItsJustSomeRandomGuy, The Guild, Dr. Horrible's Sing-Along Blog, The Angry Video Game Nerd, That Guy with the Glasses, Homestar Runner, Statler and Waldorf: From the Balcony, The Legend of Neil, Husbands (sitcom), Auto-tune the News, Dorm Life, You Suck At Photoshop (web series), Tom Green's House Tonight, Imaginary Bitches, The Annoying Orange, Ask a Ninja, Yacht Rock, Diary of a Bad Man, LoadingReadyRun, Something Remote, Internet Killed Television, Mr. Deity, Childrens Hospital, Lester and Charlie, Trailer Made, Consolevania, Submissions Only, Awkward Black Girl, The Yogscast, Funday PawPet Show, Mega64, Chad Vader: Day Shift Manager, The Nostalgia Critic, Wainy Days, Spellfury, The League (Internet), Cube News 1, Pure Pwnage, Woke Up Dead, The Office: The Accountants, New Stage, Very Mary-Kate, Video Game High School, Gorgeous Tiny Chicken Machine Show, Behind the Music that Sucks, Lucidity (web series), Cataclysmo and the Time Boys, Dream Maker, Dead Grandma. Excerpt: ItsJustSomeRandomGuy is the alias of Michael Agrusso, an American voice acting teacher, writer, and performer working and living in Los Angeles, California. The channel is the source of the YouTube video parody series "Hi, I'm a Marvel...and I'm a DC," which spoofs Apple's Get a Mac television commercials, known for their opening lines, "Hello, I'm a Mac..." ..".And I'm a PC." In late February/early March 1997, Agrusso read the Internet news that the films based on the DC Comics characters The Flash and Wonder Woman both lost their directors due to creative differences with Warner Brothers on the same day. In contrast, several future films based on Marvel Comics characters were in production. He later saw a "Get a Mac" commercial, which he was inspired to use to parody the contrast success of Marvel and DC film productions. ItsJustSomeRandomGuy...