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VideoHound s Golden Movie Retriever

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VideoHound s Golden Movie Retriever 1996

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Videohound s Golden Movie Retriever 1997

Author: Visible Ink
Publisher: Gale Cengage
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The alternative life raft in a sea of similarity, VideoHound competes on content, categories, and indexing, but the dramatic difference is the attitude. Irreverent, slightly tongue-in-cheek, the Hound never takes himself too seriously. The 1997 edition, fully expanded and updated with 1,000 new entries, provides information and opinions on 22,000-plus videos--more than any other guide on the market--including documentaties, made-for-TV movies, and animated features. Includes Web site entertainment directory.


VideoHound s Golden Movie Retriever

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VideoHound s Golden Movie Retriever 2000

Author: Martin Connors
Publisher: Gale / Cengage Learning
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Describes and rates more than twenty thousand videos, and provides indexes by theme, awards, actors, actresses, and directors


Take Five Organizational Behavior Alive

Author: Joseph E. Champoux
Publisher: Archway Publishing
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Movies can be great teaching tools for everything from behavior theories and concepts to ethical dilemmas. For instance, when John (Jack Lemmon) and Max (Walter Matthau) must decide in Grumpier Old Men whether to go to Max’s wedding or once again try to catch the most elusive fish in the lake, “Catfish Hunter,” they aren’t sure what to do. In Take Five: Organizational Behavior Alive, cinema instructor and expert Joseph E. Champoux presents carefully selected film scenes that showcase organizational behavior concepts and issues that can be used at the undergraduate, graduate, and executive levels. Classics like The Godfather, contemporary films like Morning Glory, and even animated films that rely on computer graphics technology all offer valuable insights into understanding organizational behavior. There are even overlooked gems such as James and the Giant Peach, which includes an underappreciated scene showcasing work force diversity. Each scene that’s presented includes questions to ask yourself as well as space to write down your own observations. There’s also a list of concepts and examples that you can check off as you see them in a scene.


Videoland

Author: Daniel Herbert
Publisher: Univ of California Press
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Videoland offers a comprehensive view of the "tangible phase" of consumer video, when Americans largely accessed movies as material commodities at video rental stores. Video stores served as a vital locus of movie culture from the early 1980s until the early 2000s, changing the way Americans socialized around movies and collectively made movies meaningful. When films became tangible as magnetic tapes and plastic discs, movie culture flowed out from the theater and the living room, entered the public retail space, and became conflated with shopping and salesmanship. In this process, video stores served as a crucial embodiment of movie culture’s historical move toward increased flexibility, adaptability, and customization. In addition to charting the historical rise and fall of the rental industry, Herbert explores the architectural design of video stores, the social dynamics of retail encounters, the video distribution industry, the proliferation of video recommendation guides, and the often surprising persistence of the video store as an adaptable social space of consumer culture. Drawing on ethnographic fieldwork, cultural geography, and archival research, Videoland provides a wide-ranging exploration of the pivotal role video stores played in the history of motion pictures, and is a must-read for students and scholars of media history.


Reference Sources for Small and Medium sized Libraries

Author: Scott Kennedy
Publisher: American Library Association
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An annotated bibliography lists reference sources for those academic and public libraries that can't buy everything but want the best for their patrons


Videohound s Golden Movie Retriever 1992

Author: David J Weiner
Publisher: Visible Ink Press
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Actors of the Spaghetti Westerns

Author: James Prickette
Publisher: Xlibris Corporation
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Musical accompaniment were jazzed up renditions that basically fit the art form like a glove with a stylish beat that usually pounded out the action as the story unfolded. The music set the mood and the audiences followed. Most of these films would never reach America during the era, even though they were generally aimed at the American film goers. The Actors who went to Italy and got involved in these lucrative new genre spinoffs all enjoyed star status, recognition and glow of the limelight that came with it. These are the Actors were talking about here.