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1001 Photographs You Must See Before You Die

Author: Paul Lowe
Publisher: Cassell Illustrated
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Is photography art, documentary or both? Should images simply reveal the world we live in, or provoke us to think, act and react? 1001 Photographs You Must See Before You Die is a visually arresting and invaluable guide to the history and practice of photography. Sweeping through the arts, fashion, society, war, peace, science and nature, the images in this enticing book are as eye-catching as the commentary is engaging. Some you have seen, others will be unfamiliar, but what all the photographs have in common is their ability to move you, shock you and open up the notion of what it is to be human. Organized chronologically by the date that each image was made, and featuring a reproduction of each photograph, the selection provides some fascinating and unexpected juxtapositions. Insightful text uncovers the creative process behind each image, revealing its visual, aesthetic and historic significance. Why was the photograph taken? Was it set up? What was the intention? How did the world react? From Roger Fenton to William Eggleston, from Henry Fox Talbot to Nick Knight, and from Henri Cartier-Bresson to Dorothea Lange, all the photographers featured in this book transgressed the boundaries of the camera with a skill and spirit that helped to develop their field into a highly evocative art form. Packed with information that will entertain, inform, educate and surprise you, 1001 Photographs You Must See Before You Die is an essential reference for all lovers of photography.


1001 Photographs You Must See in Your Lifetime

Author: Paul Lowe
Publisher: Rizzoli Universe Promotional Books
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A new generation, enabled by selfie sticks and social media, is being drawn to photography, and this is the perfect book to inspire and illuminate their appreciation of the full and rich history of this seminal art form and its many genres and techniques. Award-winning photographer, critic, and educator Paul Lowe presents a carefully curated selection of the greatest still images--visually arresting, aesthetically complex, and historically significant--from the medium's earliest days to the present. Included are photographs from all over the globe, taken by both female and male photographers: famous iconic images, key signature works by notable photographers, and less familiar images that are nevertheless essential viewing. From 1850 to the present, from daguerreotype to digital, this book embraces all genres--documentary, portrait, photojournalistic, and more--as it traces the development of photography to the present day. It is organized chronologically with text that accompanies each photograph providing historical context and technical details. Each work is indexed by artist and by title, making it easy to find specific works and the oeuvres of particular photographers throughout the volume. Whether a gift or a self-purchase, this guide to the history and practice of photography is a must for budding amateurs and experienced practitioners alike.


1001 images of dogs

Author: Rh Value Publishing
Publisher: Gramercy
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An encyclopedia gathers a full range of information on virtually every variety of dog, each captured in full-color photographs, for hours of pleasant browsing for any dog-lover.


Federal Rules of Evidence Rules Legislative History Commentary and Authority

Author: Glen Weissenberger
Publisher: LexisNexis
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This one-volume treatise provides clear and concise explanations for the application and practical effect of each Rule of Evidence--a valuable resource for any Evidence student. This treatise was recently cited as "the authoritative text" on federal evidence law (United States v. Schlesinger, 372 F. Supp. 2d 711, 720 (E.D.N.Y. 2005)). Annually supplemented and complete, this edition contains a careful examination of the most recent changes in the Federal Rules. This edition includes a detailed line-by-line summary and analysis of the newest Federal Rule of Evidence, Rule 502, which sets forth certain important new limitations on the waiver of the attorney-client privilege and work product protection. It also discusses the Supreme Court's latest decision in Kansas v. Ventris (2009), concerning the extent to which a witness may be impeached with prior inconsistent statements that were obtained in violation of witness's constitutional rights. And of course it includes an extensive discussion of four landmark Supreme Court decisions, Crawford v. Washington (2004), Davis v. Washington (2006), Whorton v. Bockting(2007), and Giles v. California (2008), which have completely rewritten the law governing the right of a criminal defendant to rely on the Confrontation Clause to obtain the exclusion of otherwise admissible hearsay.


1001 images of aircraft

Author: Francois Gross
Publisher: Crescent
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1001 images of horses

Author: Bertrand Leclair
Publisher: Gramercy Books
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Depicts the various breeds of horse and the ways they are used, equestrian careers, and horses and foals in action and at rest


Encyclopedia of Twentieth Century Photography 3 Volume Set

Author: Lynne Warren
Publisher: Routledge
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The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.


Encyclopedia of Twentieth Century Photography Lynne Warren

Author: Routledge, Taylor & Francis Group
Publisher: Bukupedia
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Editor’s note : These definitions err on the side of succinctness and are intended to be beginning points for the serious student. An attempt to standardize terminology commonly found in the medium of fine arts photographs that avoids copyrighted term or trade names (‘‘dye-destruction print’’ in lieu of ‘‘Cibachrome’’ and so on) has been made using guidelines set forth by the J. Paul Getty Institute. In acknowledgment of the increase in collecting vintage prints and the perennial interest in historical processes, many nineteenth century processes and obsolete terms are included. Cross referencing within the glossary is indicated by italics; encyclopedia entries are indicated by small capitals. Additive colors The primary colors of red, green and blue which are mixed to form all other colors in photo- graphic reproduction. See entry COLOR THEORY: NATURAL AND SYNTHETIC . Agfacolor Trade name for a subtractive color film manufactured by the European company Agfa-Gevaert; analogous to Kodachrome and Ansocolor. Albumen print Prints obtained from a process in wide use during the nineteenth century in which paper is prepared with an albumen emulsion obtained from egg whites and made light sensitive with a silver nitrate solution. See also Collodion process ; Dry plate processes . Amberlith An orange acetate historically used for masking mechanicals during the process of preparing plates for commercial printing. The area so masked photographs as black to the camera, printing clear on the resulting positive film. See also Rubylith . Ambrotype An image created by the collodion process, historically on glass, which gives the illusion of being positive when placed against a dark backing, often a layer of black lacquer, paper, or velvet. Also see Ferrotype . Anamorphic image An image featuring differing scales of magnification across the picture plane, especially varying along the vertical and horizontal axes, with the result being extreme distortion. Aniline A rapid-drying oil-based solvent used in the preparation of dyes and inks for photographic applications. Aniline process A method of making prints directly from line art (drawings) on translucent materials bypassing the need for a negative. Also see Diazo process . Aniline printing See Flexography . Angle of incidence The measurement in degrees in terms of the deviation from the perpendicular of the angle at which light hits a surface. Angle of view The measurement in degrees of the angle formed by lines projected from the optical center of a lens to the edges of the field of view. This measurement is used to identify lenses and their appropriateness to capture various widths or degrees of actual space in a photographic representation, thus an extreme telephoto lens captures between 6 and 15


Structures of Image Collections

Author: Howard F. Greisdorf
Publisher: Greenwood Publishing Group
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Human beings have always had a penchant for collecting images. The challenge today is that almost anything and everything in the world is available as a viewable image. Consequently, say O'Connor and Greisdorf, image collections can no longer be the result of ad hoc processes rooted in antiquated methodologies. To this end, they present the reader with an interdisciplinary approach to the principles, practices and belief systems underlying categorization and image management. The book is divided into three parts: defining the nature of images; describing how images are used; and explaining how and why images are collected (including the mechanics of storage and accessibility). Individual chapters contain a historical perspective on the subject matter and supporting research. Liberally enhanced with illustrations from the authors' own collections. For anyone who cognitively engages with image collections either vocationally or avocationally.


Minnesota Statutes

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