Release on 2004 | by Jorge Luis Borges,Andrew Hurley
Author: Jorge Luis Borges,Andrew Hurley
Pubpsher: Penguin Classics
In his writing, Borges always combined high seriousness with a wicked sense of fun. Here he reveals his delight in re-creating (or making up) colorful stories from the Orient, the Islamic world, and the Wild West, as well as his horrified fascination with knife fights, political and personal betrayal, and bloodthirsty revenge. Sparkling with the sheer exuberant pleasure of story-telling, this collection marked the emergence of an utterly distinctive literary voice.
From 1933 to 1934, Jorge Luis Borges, the master of fiction whose work would change the literary world, published a series of "falsifications and distortions" in the Buenos Aires newspaper Critica. These "falsifications" used as their starting point the lives of real villains and desperados. Borges then elaborated using all of the anecdotes and myths about these historical characters, creating what amounted to "nonfictional fictions." The entire series was then published in book form as A Universal History of Infamy. Now Rhys Hughes, a Welshman of some infamy himself, has summoned his vast storytelling powers to create A New Universal History of Infamy, with all-new historical characters as the focus of his nonfiction fictions. Come along on a wild ride with unsavory types of every description. Entertaining and erudite at the same time, Hughes' book also includes some of the literary parodies Borges himself delighted in creating. With an introduction by noted critic John Clute and an afterword by Michael Simanoff. Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.
Available for the first time in English, Signs of Borges is widely regarded as the best single book on the work of Jorge Luis Borges. With a critical sensibility informed by Barthes, Lacan, Foucault, Blanchot, and the entire body of Borges scholarship, Sylvia Molloy explores the problem of meaning in Borges's work by remaining true to the uncanniness that is its foundation. Borges's sustained practice of the uncanny gives rise in his texts to endless tensions between illusion and meaning, and to the competing desires for fragmentation, dispersal, and stability. Molloy traces the movement of Borges's own writing by repeatedly spanning the boundaries of genre and cutting across the conventional separations of narrative, lyric and essay, fact and fiction. Rather than seeking to resolve the tensions and conflicts, she preserves and develops them, thereby maintaining the potential of these texts to disturb. At the site of these tensions, Molloy locates the play between meaning and meaninglessness that occurs in Borges's texts. From this vantage point his strategies of deception, recourse to simulacra, inquisitorial urge to unsettle binarism, and distrust of the permanent--all that makes Borges Borges--are examined with unmatched skill and acuity. Elegantly written and translated, Signs of Borges presents a remarkable and dynamic view of one of the most international and compelling writers of this century. It will be of great interest to all students of twentieth-century literature, particularly to students of Latin American literature.
This volume brings together a collection of essays on Borges by leading scholar Jaime Alazraki. Together the essays constitute an introduction to important aspects of Borges' oeuvre, including the influence of the Kabbalah, structure and style in the fiction, Borges' poetry, and Borges' impact on Latin American literature.
This volume is an introduction to the relationship between psychoanalysis and literature. Jean-Michel Rabaté takes Sigmund Freud as his point of departure, studying in detail Freud's integration of literature in the training of psychoanalysts and how literature provided crucial terms for his myriad theories, such as the Oedipus complex. Rabaté subsequently surveys other theoreticians such as Wilfred Bion, Marie Bonaparte, Carl Jung, Jacques Lacan, and Slavoj Žižek. This Introduction is organized thematically, examining in detail important terms like deferred action, fantasy, hysteria, paranoia, sublimation, the uncanny, trauma, and perversion. Using examples from Miguel de Cervantes and William Shakespeare to Sophie Calle and Yann Martel, Rabaté demonstrates that the psychoanalytic approach to literature, despite its erstwhile controversy, has recently reemerged as a dynamic method of interpretation.