Primitivism, Cubism, Abstraction

The Early Twentieth Century

Primitivism, Cubism, Abstraction

On art in the early 20th century

Abstraction and the Holocaust

Abstraction and the Holocaust

Mark Godfrey looks closely at a series of American art and architectural projects that respond to the memory of the Holocaust. He investigates how abstract artists and architects have negotiated Holocaust memory without representing the Holocaust figuratively or symbolically.

Cultural Critique and Abstraction

Marianne Moore and the Avant-garde

Cultural Critique and Abstraction

This study of Marianne Moore and the visual arts focuses on how art productions serve to break down and re-create cultural practice, proving that culture is a mutable organism, reluctant to change, but not impervious to it. In doing so, author Elisabeth W. Joyce shows that, even though Moore may have restricted herself to the quiet, provincial life of Brooklyn, her poetry attests to her resistance to the constrictions imposed by the predominating bourgeoisie. This study presents the bifurcation between modernism and the avant-garde where, while the modernists retreated from engagement in society, the avant-gardistes remained focused on political and social issues in order to critique stifling cultural phenomena so that art could effect cultural changes. In taking this stance, instead of viewing Moore's poetry as typically and provincially American, Joyce places her in the international and radical art movements of the early twentieth century.

3 X Abstraction

New Methods of Drawing, Hilma Af Klint, Emma Kunz, Agnes Martin

3 X Abstraction

An engaging look at three women artists' pathbreaking explorationof abstraction

Comic Abstraction

Image Breaking, Image Making

Comic Abstraction

In recent years a number of artists have transmuted the lexicon of comic strips and films, cartoons and animation into a new, representational mode of 'comic abstraction'. From Julie Mehretu's intricately layered paintings to Arturo Herrera's psychological collages, the world of comic abstraction reflects the intensely personal relationship that many contemporary artists maintain with the political makeup of the world. Bridging the rift between abstract form and social consciousness in ways that are both critical and playful, this exhibition presents the first investigation into the experimental outgrowths of comic abstraction.

Wallace Stevens and the Aesthetics of Abstraction

Wallace Stevens and the Aesthetics of Abstraction

Edward Ragg's study was the first to examine the role of abstraction throughout the work of Wallace Stevens. By tracing the poet's interest in abstraction from Harmonium through to his later works, Ragg argues that Stevens only fully appreciated and refined this interest within his later career. Ragg's detailed close-readings highlight the poet's absorption of late nineteenth century and early twentieth century painting, as well as the examples of philosophers and other poets' work. Wallace Stevens and the Aesthetics of Abstraction will appeal to those studying Stevens as well as anyone interested in the relations between poetry and painting. This valuable study embraces revealing philosophical and artistic perspectives, analyzing Stevens' place within and resistance to Modernist debates concerning literature, painting, representation and 'the imagination'.

Meinong and Husserl on Abstraction and Universals

From Hume Studies I to Logical Investigations II

Meinong and Husserl on Abstraction and Universals

The influence of Franz Brentano in twentieth century philosophy has been extensive. His two most famous and outstanding pupils were Alexius Meinong and Edmund Husserl. These two are closely related not only regarding their common background in the school of Brentano, but also in their common concern with problems arising from British empiricism. Such a problem is to be found in the nominalist views of Locke, Berkeley, and Hume and their concomitant theories of general ideas. While Meinong's early work continues in the empiricist tradition by characterizing general ideas in terms of abstraction and not in terms of general objects (universals) as their correlates, Husserl's Logical Investigationsare committed to the claim that general ideas can be described only as ideas which refer to general objects. In Meinong and Husserl on Abstraction and Universalsthe epistemological, psychological, and ontological aspects of these theories are examined and compared. Included is also a translation of Abstraction and Comparing(1900) by Meinong.

Data Abstraction And Program Design

From Object-Based To Object-Oriented Programming

Data Abstraction And Program Design

This student text explores large-scale program design in the object-oriented paradigm, with an emphasis on data abstraction. It assumes knowledge of an imperative language such as PASCAL and provides examples in C++ and ADA.

Abstraction and Representation

Essays on the Cultural Evolution of Thinking

Abstraction and Representation

This book deals with the development of thinking under different cultural conditions, focusing on the evolution of mathematical thinking in the history of science and education. Starting from Piaget's genetic epistemology, it provides a conceptual framework for describing and explaining the development of cognition by reflective abstractions from systems of actions.

Multiple Abstraction Hierarchies for Mobile Robot Operation in Large Environments

Multiple Abstraction Hierarchies for Mobile Robot Operation in Large Environments

This book focuses on the performance of mobile robots through the use of multi-hierarchical symbolic representations of the environment. To perform deliberative actions, a robot must possess some symbolic representation of its workspace, but representations of real environments can become so large that they must be conveniently arranged to facilitate and, in some cases, make possible their use. Practical solutions tested on real robots, for example a robotic wheelchair, are provided.