Adolphe Appia

INTRODUCTION: ADOLPHE APPIA, 1862—1928 Adolphe Appia, “Theatrical
experiences and personal investigations', an essay of 1921: see pp. 2248 of this
volume. 2 Adolphe Appia, Die Mari/t and die Inseenierung (Munich, 1899), p. 48.

Adolphe Appia

Adolphe Appia swept away the foundations of traditional theatre and set the agenda for the development of theatrical practice this century. In Adolphe Appia: Texts on Theatre, Richard Beacham brings together for the first time selections from all his major writings. The publication of these essays, many of which have long been unavailable in English, represents a significant addition to our understanding of the development of theatrical art. It will be an invaluable sourcebook for theatre students and welcomed as an important contribution to the literature of the modern stage.

Adolphe Appia Artist and Visionary of the Modern Theatre

Preface The work of Adolphe Appia is gradually attracting the attention and
recognition it deserves. This is particularly welcome in the case of the English-
speaking world, where despite recognition of Appia's extraordinary importance
by some ...

Adolphe Appia  Artist and Visionary of the Modern Theatre

First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

Adolphe Appia

Adolphe Appia


Adolphe Appia

Adolphe Appia


Adolphe Appia 1862 1928

Adolphe Appia 1862 1928


L Oeuvre D Art Vivant

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process.

L Oeuvre D Art Vivant

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Looking Into the Abyss

Adolphe Appia , “ Eurhythmics and Light , ” 1912 Now , God be praised , that to
believing souls Gives light in darkness , comfort in despair ! — Shakespeare ,
King Henry VI , Part 2 The images we create upon the stage are inevitably
codified ...

Looking Into the Abyss

Theater is, first and foremost, a visual art; Looking Into the Abyss examines the ways in which the visual theater affects our understanding of the dramatic event. Arnold Aronson, an internationally prominent historian and theorist of theater set design, opens with an overview of scenographic concepts, including postmodern design and the use of new media in the theater, and continues with analyses of the work of specific designers (including Richard Foreman and David Rockwell) and scenographic responses to playwrights like Chekhov and Tony Kushner. These essays serve to open a dialogue that will bring the physical aspect of theater back into its proper place: an element as integral to the performance as the spoken word, and they will inspire theater-goers to become more aware of their role as seers of the theater. Arnold Aronson is Professor of Theater, Columbia University. He is author of American Avant-Garde Theatre: A History; Architect of Dreams: The Theatrical Vision of Joseph Urban; American Set Design; and The History and Theory of Environmental Scenography.

Dance and Modernism in Irish and German Literature and Culture

Adolphe Appia (1862–1928) was a recluse, although he corresponded frequently
with Jaques-Dalcroze, advising him on scenography and stage design. “Appia's
theme was an action in relationship with an architecture,” according to his ...

Dance and Modernism in Irish and German Literature and Culture

A collection of scholarly articles and essays by dancers and scholars of ethnochoreology, dance studies, drama studies, cultural studies, literature, and architecture, Dance and Modernism in Irish and German Literature and Culture: Connections in Motion explores Irish-German connections through dance in choreographic processes and on stage, in literary texts, dance documentation, film, and architecture from the 1920s to today. The contributors discuss modernism, with a specific focus on modern dance, and its impact on different art forms and discourses in Irish and German culture. Within this framework, dance is regarded both as a motif and a specific form of spatial movement, which allows for the transgression of medial and disciplinary boundaries as well as gender, social, or cultural differences. Part 1 of the collection focuses on Irish-German cultural connections made through dance, while part 2 studies the role of dance in Irish and German literature, visual art, and architecture.

Performance Design

Adolphe Appia, “Ideas on a Reform of Our Mise en Scène” Swiss designer
Adolphe Appia spoke the language of music, movement, light, and space. In fact,
he was among the first theatre practitioners or theoreticians to talk about space
and its ...

Performance Design

This book gathers together a group of international artists, architects, scenographers, performers, and theorists to establish Performance Design as a fluid and emerging field, which explores the speculative and projective acts of designing performance and performing design. The theoretical essays and realised projects offer a lively and stimulating range of performative expressions across disciplines, where design artefacts -- objects, gestures, images, occasions and environments -- are aligned to performance through notions of embodiment, action and event. Performance Design is presented as an aesthetic practice that harnesses and orchestrates the dynamic forces of the lived world, as well as the participatory role of a co-creative audience, to provide a critical tool for reflecting, confronting and realigning worldviews.