Based on the original and authoritative Revels texts, Plays on Women brings together four plays that dramatize the lives of women in Shakespeare’s England.
Author: David M. Bevington
Publisher: Manchester University Press
Based on the original and authoritative Revels texts, Plays on Women brings together four plays that dramatize the lives of women in Shakespeare’s England. Presenting both domestic tragedy and city comedy, the anthology depicts women as witty tricksters and heart-breaking victims, adulteresses and faithful wives. In each play, the women break out of familiar roles, challenging both theatrical and social convention to offer the pleasures of laughter, pathos and suspense. McLuskie's introduction uses the latest interdisciplinary research to explore the dynamic relationship between women, the theatre and the social world. The annotation unravels the complexities of language and performance that sustain the plays’ stunning theatrical power.
This book re-examines the evidence, setting Arden among his comtemporaries in a more realistic setting. According to a deposition in a court case in 1548, Thomas born in 1508 and died when he was 43 years old.
Author: Patricia Hyde
Category: County officials and employees
The 'myth' of Thomas Arden refers to the play "The Tragedie of Arden of Feversham and Blackwill" presented in 1592 describing the murder of Thomas Arden by his wife. This book re-examines the evidence, setting Arden among his comtemporaries in a more realistic setting. According to a deposition in a court case in 1548, Thomas born in 1508 and died when he was 43 years old.
Arden of Faversham (original spelling: Arden of Feversham) is an Elizabethan play, entered into the Register of the Stationers Company on 3 April 1592, and printed later that same year by Edward White.
Arden of Faversham (original spelling: Arden of Feversham) is an Elizabethan play, entered into the Register of the Stationers Company on 3 April 1592, and printed later that same year by Edward White. It depicts the murder of Thomas Arden by his wife Alice Arden and her lover, and their subsequent discovery and punishment. The play is notable as perhaps the earliest surviving example of domestic tragedy, a form of Renaissance play which dramatized recent and local crimes rather than far-off and historical events.
As the introduction to this edition shows, sexual and material covetousness is the central theme running through the play, which is commonly rated 'unquestionably the best of all Elizabethan domestic tragedies'.
Author: Tom Lockwood
Publisher: A&C Black
This 'lamentable and true tragedy', as it is announced on its title page, dramatises a domestic murder of the sort that nowadays scandalises and thrills the readers of tabloid newspapers. Although the title advertises 'the great malice and dissimulation of a wicked woman' and her 'unsatiable desire of filthie lust', the unknown playwright with great dramatic skill and psychological insight manages to balance the motivations of all the main characters. Thomas Arden, one of the rapacious landlords so reviled in mid-Elizabethan social drama, was murdered at his own house in Faversham, Kent, in 1551. His murderers, it turned out, had been hired by his wife Alice, thrall to Mosby, who hoped to rise socially by marrying a rich widow. As the introduction to this edition shows, sexual and material covetousness is the central theme running through the play, which is commonly rated 'unquestionably the best of all Elizabethan domestic tragedies'.
Arden of Faversham (1592) and A Yorkshire Tragedy (1608) are both based on chronicles or pamphlets describing authentic murders, while A Woman Killed with Kindness (1603) by Thomas Heywood is a fictional creation, considered his masterpiece ...
Author: Keith Sturgess
Publisher: Penguin UK
Elizabethan domestic tragedies depicted the workings of Fortune in the lives of ordinary people, telling stories of sin, discovery, punishment and divine mercy, with their settings and characterization often enhanced by a highly entertaining blend of realism and sensationalism. Only some half-dozen survive to offset the dramas of kings and nobles in the tragedies of Shakespeare and his peers. They combined journalism and entertainment with a didactic concern, and their plots were often derived from contemporary events. Arden of Faversham (1592) and A Yorkshire Tragedy (1608) are both based on chronicles or pamphlets describing authentic murders, while A Woman Killed with Kindness (1603) by Thomas Heywood is a fictional creation, considered his masterpiece.
Determining the Shakspeare Canon makes the case for adding Arden of Faversham and A Lover's Complaint to editions of Shakespeare's Complete Works.
Author: MacDonald P. Jackson
Publisher: Oxford University Press, USA
Category: Literary Criticism
Determining the Shakspeare Canon aims to solve two key problems of the Shakespeare canon. It makes the case for adding Arden of Faversham, first published anonymously in 1592, to editions of Shakespeare's Complete Works, as a play to which Shakespeare contributed the central scenes. Consequently, it adds to the mounting evidence that early in his career Shakespeare, like other playwrights of the time, collaborated with other playwrightsin the writing of scripts, as was common at the time. MacDonald P. Jackson also considers A Lover's Complaint, published within the quarto of Shakespeare's Sonnets in 1609. Its authenticity has been vigorously challenged. Hereit is shown that the poem should be accepted as Shakespeare's and that it belongs to a sequence that he himself organized. Our reading of the sonnets is affected by this conclusion.
The author of Arden of Faversham is unknown. The play was first published in
London in 1592, although it may have been both written and performed several
years earlier. Various theories have been advanced over the years regarding its
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
Category: Literary Criticism
A Study Guide for Anonymous's "Arden of Faversham," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
Release on 2017-07-17 | by William Shakespeare (Apocryphal)
Arden. of. Faversham. This play was entered into the Register of the Stationers
Company on 3 April 1592, and printed later that same year by Edward White. It
depicts the murder of Arden by his wife Alice and her lover, and their subsequent
Author: William Shakespeare (Apocryphal)
Publisher: Delphi Classics
This eBook features the unabridged text of ‘Arden of Faversham’ from the bestselling edition of ‘The Complete Works of William Shakespeare’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Shakespeare includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Arden of Faversham’ * Beautifully illustrated with images related to Shakespeare’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
As M. L. Wine claims, "From the late fifteen-eighties on into the nineties, London
companies frequently toured the southern provinces, with stopovers at Faversham; and it would be surprising if they did not take Arden on tour with them
when it ...
Author: Marguerite A. Tassi
Publisher: Susquehanna University Press
In Elizabethan England, dramatists and painters were both achieving the greatest degree of artistic excellence yet witnessed, but they were also in a state of transition, vying for social status and patronage, as well as struggling against religious reformers' accusations of idolatry and eroticism. This interdisciplinary study brings to light the radical, inventive ways in which dramatists such as Shakespeare, Lyly, and Marston appropriated painting and subtly competed with painters to advance their own art and defend theater against Puritan attacks. They transformed painting into a provocative stage property and trope that enhanced the language of their scripts and the audience's imaginative participation in the drama. At the same time, they reflected a profound ambivalence towards painting by staging scenes with painters and pictures that emphasized the dangerous powers inherent in visual images and image-making.
The issue is separate from the debate on Shakespearean authorship, which addresses the authorship of the works traditionally attributed to Shakespeare.
Author: William Shakespeare
This carefully crafted ebook: "The Complete Apocryphal Plays of William Shakespeare" is formatted for your eReader with a functional and detailed table of contents. The Shakespeare Apocrypha is a group of plays and poems that have sometimes been attributed to William Shakespeare, but whose attribution is questionable for various reasons. The issue is separate from the debate on Shakespearean authorship, which addresses the authorship of the works traditionally attributed to Shakespeare. Table of Contents: Arden Of Faversham A Yorkshire Tragedy The Lamentable Tragedy Of Locrine Mucedorus The King's Son Of Valentia, And Amadine, The King's Daughter Of Arragon. The London Prodigal The Puritaine Widdow The Second Maiden's Tragedy Sir John Oldcastle Lord Cromwell King Edward The Third Edmund Ironside Sir Thomas More Faire Em A Fairy Tale In Two Acts The Merry Devill Of Edmonton Thomas Of Woodstock William Shakespeare (1564 – 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and a few other verses, the authorship of some of which is uncertain.
Anon . , Arden of Faversham First performed 1592 First published 1592 In the
epilogue to Arden of Faversham , the murder of private ' wrongdoing of Alice and
Mosby with the Arden , a wealthy landowner from Faversham in Kent , ' public ...
Author: Simon Barker
Publisher: Psychology Press
Category: Literary Criticism
"The Renaissance saw a dramatic explosion of such force that, four hundred years later, its plays are still amongst the most frequently performed and studied we have. This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and comprehensively annotated texts of the following plays: The Spanish Tragedy (Thomas Kyd); Arden of Faversham (Anon.); Edward II (Christopher Marlowe); A Woman Killed with Kindness (Thomas Heywood); The Tragedy of Mariam (Elizabeth Cary); The Masque of Blackness (Ben Jonson); The Knight of the Burning Pestle (Francis Beaumont); Epicoene, or the Silent Woman (Ben Jonson); The Roaring Girl (Thomas Middleton and Thomas Dekker); The Changeling (Thomas Middleton and William Rowley); and 'Tis Pity She's a Whore (John Ford).".
THE UNKNOWN AUTHOR OF ARDEN OF FAVERSHAM When Arden of Faversham was first published in 1592, its title-page gave no indication of its
authorship. This was not in the least unusual: Thomas Kyd's The Spanish
Author: Martin Wiggins
Publisher: Oxford University Press
This unique edition brings together four plays concerned with 'domestic' themes: Arden of Faversham, Heywood's A Woman Killed with Kindness and The English Traveller, and Dekker, Rowley and Ford's The Witch of Edmonton. Texts are in modern spelling, accompanied by a critical introduction, wide-ranging annotation and bibliography.
ARDEN OF FAVERSHAM . THE BOOK OF DAYS . PLUGGING LOBSTERS '
CLAWQ a and well - favoured of shape and countenance , ' a murder . Some of
the people saw a long rushe formed a criminal connection with a paramour , or