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Bleak House

Author: Charles Dickens
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The law courts prevailing over the case of Jarndyce & Jarndyce are overwhelming in their pedantic, futile red-tape bureaucratic adherence to old principles and are partly based on Dickens' time as a young law clerk. With a massive cast of characters--many with ingeniously comic names--and his most complex plot, Bleak House is believed by many to be Dickens' greatest work. This is a free digital copy of a book that has been carefully scanned by Google as part of a project to make the world's books discoverable online. To make this print edition available as an ebook, we have extracted the text using Optical Character Recognition (OCR) technology and submitted it to a review process to ensure its accuracy and legibility across different screen sizes and devices. Google is proud to partner with libraries to make this book available to readers everywhere.


Bleak House

Author: Charles Dickens
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Bleak House

Author: Charles Dickens
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Bleak House follows the fortunes and relationships of three characters whose fates are tied to the obscure inheritance case of Jarndyce v. Jarndyce, which is tied up in endless litigation. While many deserving and undeserving claim the inheritance, it is ironically being devoured in legal costs.


The British Library Directory

Author: St. James Press
Publisher: St James Pr
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The British National Bibliography

Author: Arthur James Wells
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Bookman s Price Index

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Book auction Records

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Book Auction Records

Author: Frank Karslake
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A priced and annotated annual record of London, New York, Montreal, Melbourne, Edinburgh and Glasgow book-auctions.


Savage Reprisals Bleak House Madame Bovary Buddenbrooks

Author: Peter Gay
Publisher: W. W. Norton & Company
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A revelatory work that examines the intricate relationship between history and literature, truth and fiction—with some surprising conclusions. Focusing on three literary masterpieces—Charles Dickens's Bleak House (1853), Gustave Flaubert's Madame Bovary (1857), and Thomas Mann's Buddenbrooks (1901)—Peter Gay, a leading cultural historian, demonstrates that there is more than one way to read a novel. Typically, readers believe that fiction, especially the Realist novels that dominated Western culture for most of the nineteenth century and beyond, is based on historical truth and that great novels possess a documentary value. That trust, Gay brilliantly shows, is misplaced; novels take their own path to reality. Using Dickens, Flaubert, and Mann as his examples, Gay explores their world, their craftsmanship, and their minds. In the process, he discovers that all three share one overriding quality: a resentment and rage against the society that sustains the novel itself. Using their stylish writing as a form of revenge, they deal out savage reprisals, which have become part of our Western literary canon. A New York Times Notable Book and a Best Book of 2002.


San Francisco Focus

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