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French Costume Drama of the 1950s

Author: Susan Hayward
Publisher: Intellect Books
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When political and civil unrest threatened France’s social order in the 1950s, French cinema provided audiences a seemingly unique form of escapism from such troubled times: a nostalgic look back to the France of the nineteenth and earlier centuries, with costume dramas set in the age of Napoleon, the Belle Époque, the Revolution and further back still to seventeenth-century swashbuckler adventures and tales of mystery and revenge. Film critics, have routinely dismissed this period and this genre of French cinema, overlooking its importance in terms of political cultural history. French Costume Drama of the 1950s redresses this balance, exploring a diverse range of films including Guitry’s Napoléon (1955), Vernay’s Le Comte de Monte Cristo (1953), and Le Chanois’ Les Misérables (1958) to expose the political cultural paradox between nostalgia for a lost past and the drive for modernization.


Dramatic Bibliography

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Publisher: 清华大学出版社有限公司
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The Showgirl Costume

Author: Jane Merrill
Publisher: McFarland
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Fashion is synonymous with change yet the iconic showgirl costume—feathers, sparkle and revealing clothes—has remained largely unchanged since the early 20th century. Beginning in the 1800s, a couture of the risqué evolved from Paris nightclubs to Las Vegas casinos. The concept of glamour itself was based on what Parisian courtesans and burlesque performers wore. A tall pretty girl with headdress, nude core with spangles, high heels and dramatic makeup became a Gallic symbol and later the trademark of Hollywood musicals. France exported costumes and millinery—as well as whole productions from the Moulin Rouge, the Lido and Folies Bergère —to the U.S. and the world. More recently, cabaret styling has translated into today’s day, sport and evening clothes.


French For Dummies Enhanced Edition

Author: Zoe Erotopoulos
Publisher: John Wiley & Sons
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The fast, informal way to learn to speak French - withintegrated audio clips throughout. Listento pronunciations and conversations. French is a beautiful language but quite difficult to learn.Whether you need to learn the language for a French class, or youtravel overseas for business or leisure, this enhanced edition ofFrench for Dummies can help. Written in an easy-to-followformat, with integrated audio clips, it gives you just whatyou need for basic communication in French. The enhanced editionincludes: Expanded coverage of necessary grammar, vocabulary, andpronunciations Useful exercises, practice questions, and amini-dictionary Business, an upcoming class, travel – whatever your reasonfor wanting to learn a new language but don't have time to take aclass, this enhanced edition of French For Dummies can get you wellon your way to becoming fluent in no time!


Cent ans de mise en sc ne lyrique en France env 1830 1930

Author: H. Robert Cohen
Publisher: Pendragon Press
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An essential handbook for anyone involved in the staging of opera, over six hundred works are represented in this catalogue.


French s Acting Edition of Plays Dramas Extravaganzas Farces

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Valois Tapestries

Author: F A Yates
Publisher: Routledge
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First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.


Jean Cocteau and the French scene

Author: Daniel Abadie
Publisher: Abbeville Pr
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This illustrated collection of essays on Cocteau's relationship to theatre, ballet, music, film, visual art, and literature provides a portrait of the man, the artist and twentieth-century French culture


The Jealous Wife

Author: George Colman
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Henry V

Author: Kevin Ewert
Publisher: Macmillan International Higher Education
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Under cover of being a rousing adventure story, Shakespeare's Henry V manages to become something much more open and complex - a play whose possible meanings point in many directions, often all at once. In this Handbook, chapters on critical assessment and performance history take the reader in some of those many directions - from unproblematic reflection of an Elizabethan World Picture to cultural materialist reappraisal of how power works, and from Olivier's brilliant technicolor pageant to the National Theatre's 2003 reengagement with the play at the start of the Iraq war. Focusing on stage directions, implied action in the dialogue, and various production choices available at key moments, a theatrically aware commentary encourages the imagining of a physical narrative where the play's meanings and our responses are shaped by the constantly shifting stage action. Multiple, competing voices and often daring structural choices make Henry V an invigorating occasion for theatre. With a fresh and engaging style, this Handbook explores all the spiky, disruptive and debatable aspects of a tale Shakespeare could have told in a simple, straightforward and heroic fashion, but chose not to.