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Character is destiny

Author: Christopher V. Trinacty
Publisher: ProQuest
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The characters of Seneca's tragedies are inherently intertextual. The stories of Medea, Phaedra, Hippolytus, and the Trojan women had been told numerous times before Seneca's renditions. Seneca utilizes previous accounts in order to place his tragedy in the literary tradition, in effect, establishing a dialogue between his work and those of his predecessors. Seneca refers to Ovid's poetry continuously in the tragedies, and he expects his readers to recognize that these allusions establish continuity between his works and Ovid's. Seneca creatively incorporates the epic and elegiac works of Ovid to further delineate his characters' thoughts and deeds, as well as to define the literary aims of his tragedies. Seneca's intertextual relationship with Ovid reveals Seneca's interpretation of Ovid's poetry, and his desire to surpass Ovid's representations of these characters. Seneca provides alternative views of his tragic characters as they oscillate between various personae. These personae are informed by Ovid's poetry as well as the mythological tradition, and Seneca reveals the tragic outcome of his characters' actions. My study of the intertextual relationship between Seneca and Ovid demonstrates the variety of ways intertextuality can be used for character development, plot elaboration, and metapoetic criticism.


The Dido Episode and the Aeneid

Author: Richard Ciro Monti
Publisher: BRILL
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The Works of Virgil

Author: Virgil
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Medievalia et Humanistica No 39

Author: Reinhold F. Glei
Publisher: Rowman & Littlefield
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Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Volume 39 showcases a broad range of medieval scholarship, including six original articles and seven review notices.


The Oxford Handbook of Medieval Latin Literature

Author: Ralph Hexter
Publisher: Oxford University Press
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The twenty-eight essays in this Handbook represent the best of current thinking in the study of Latin language and literature in the Middle Ages. The insights offered by the collective of authors not only illuminate the field of medieval Latin literature but shed new light on broader questions of literary history, cultural interaction, world literature, and language in history and society. The contributors to this volume--a collection of both senior scholars and gifted young thinkers--vividly illustrate the field's complexities on a wide range of topics through carefully chosen examples and challenges to settled answers of the past. At the same time, they suggest future possibilities for the necessarily provisional and open-ended work essential to the pursuit of medieval Latin studies. While advanced specialists will find much here to engage and at times to provoke them, this handbook successfully orients non-specialists and students to this thriving field of study. The overall approach of The Oxford Handbook of Medieval Latin Literature makes this volume an essential resource for students of the ancient world interested in the prolonged after-life of the classical period's cultural complexes, for medieval historians, for scholars of other medieval literary traditions, and for all those interested in delving more deeply into the fascinating more-than-millennium that forms the bridge between the ancient Mediterranean world and what we consider modernity.


The Works of Vergil

Author: Virgil
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Past Participles from Latin Into Romance

Author: Richard Laurent
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P Vergili Maronis opera Notes

Author: Virgil
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The Altar and the City

Author: Mario A. Di Cesare
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Virgil Aeneid X

Author: Virgil
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