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En Attendant Godot

Author: Samuel Beckett
Publisher: Grove Press
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As Vladimir and Estragon await the arrival of Godot, they discuss their lives and consider hanging themselves, but choose to wait for Godot instead, in the hope that he can tell them what their purpose is, in a new bilingual edition of the classic play honoring the centennial of the Nobel laureate's birth. $50,000 ad/promo.


Samuel Beckett s Waiting for Godot

Author: William Hutchings
Publisher: Greenwood Publishing Group
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Texts -- Meaning -- Intellectual contexts -- Dramatic art -- Performance.


The Making of Samuel Beckett s Malone Meurt Malone Dies

Author: Dirk van Hulle
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"This volume analyses the genesis of Beckett's novel Malone meurt /Malone dies. Written in French in 1947-1948, and translated into English by the author in 1954-1956, it is the second part of the so-called "Trilogy," preceded by Molloy and followed by L'Innommable/The Unnamable. Because Malone's account approximates a diary, this book starts from H. Porter Abbott's notion of 'diary fiction' to examine the surviving manuscripts, typescripts, and pre-book publication extracts. Even though the writing process of Malone meurt almost coincides with the progression of the narrative, illustrating what Louis Hay has called "écriture à processus," Beckett made substantial changes to the text, which can be interpreted as a critique of Honoré de Balzac's programmatic writing method. This analysis extends to the genesis of Malone Dies (Beckett's English translation of the novel), which alludes to Balzac's novel Louis Lambert. in order to show that self-translation is a crucial and integral part of Beckett's bilingual autographic project"--Back cover.


Samuel Beckett s Waiting for Godot

Author: Mark Taylor-Batty
Publisher: A&C Black
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"An impressively complete survey of the play in its cultural, theatrical, historical and political contexts." - David Bradby, co-editor of Contemporary Theatre Review Samuel Beckett's Waiting for Godot is not only an indisputably important and influential dramatic text -it is also one of the most significant western cultural landmarks of the twentieth century. Originally written in French, the play first amazed and appalled Parisian theatre-goers and critics before receiving a harshly dismissive initial critical response in Britain in 1955. Its influence since then on the international stage has been significant, impacting on generations of actors, directors and audiences.


Rhetoric

Author: Michael Hawcroft
Publisher: Oxford University Press on Demand
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Setting out the principles of rhetoric with a wide range of illustrative examples in the first chapter, the author then explores rhetoric at work in different genres, via a close reading of texts


Dantean Dialogues

Author: Margaret (Maggie) Kilgour
Publisher: University of Toronto Press
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Dantean Dialogues is a collection of essays by some of the world's most outstanding Dante scholars., These essays enter into conversation with the main themes of the scholarship of Amilcare Iannucci (d. 2007), one of the leading researchers on Dante of his generation and arguably Canada’s finest scholar of the Italian poet. The essays focus on the major themes of Iannucci’s work, including the development of Dante’s early poetry, Dante’s relation to classical and biblical sources, and Dante’s reception. The contributors cover crucial aspects of Dante’s work, from the authority of the New Life to the novelty of his early poetry, to key episodes in the Comedy, to the poem’s afterlife. Together, the essays show how Iannucci’s reading of central cruxes in Dante’s texts continues to inspire Dante studies – a testament to his continuing influence and profound intellectual legacy.


Waiting for Godot and Happy Days

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Publisher: Macmillan International Higher Education
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Absurdity in Samuel Becketts Waiting for Godot

Author: Lea Lorena Jerns
Publisher: GRIN Verlag
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Seminar paper from the year 2013 in the subject English - Literature, Works, grade: 1,0, Humboldt-University of Berlin (Anglistik und Amerikanistik), course: Innovative Twentieth-Century Theatre, language: English, abstract: In what way does Samuel Beckett create absurdity in his play "Waiting for Godot" and what is it that makes the “game” with the absurdity so unique and therefore Samuel Beckett’s play to one of the most authentic representatives of the "Theatre of the Absurd"? Samuel Beckett was born in 1906 in Dublin and died in 1989 in Paris. He was an Anglo-Irish author and wrote in French as well as in English. Furthermore, he wrote poems and novels and worked as a theatre director. Samuel Beckett is considered the master of absurdity. (cf. Schwanitz 323) The central theme in his works is the meaninglessness of the human existence. (cf. Wunderlich) He was friends with James Joyce and was impressed by Joyce’s “stream of consciousness” – a special literary method that James Joyce used. The idea of the “stream of consciousness” is an on-going process of associating things, i.e. the idea of getting inside into the uncontrolled process of thinking of a person. Waiting for Godot (1954) is Beckett’s translation of his own original French version that is called "En attendant Godot" (1952). In 1969 he received the Nobel Price for Literature, but he did not accept the price because people thought "Waiting for Godot" would be a potential religious play. According to Beckett that was wrong and that is why he decided to refuse the price. Finally, Samuel Beckett was the most unique, singular writer in English/French since 1945.


French Global

Author: Christie McDonald
Publisher: Columbia University Press
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Recasting French literary history in terms of the cultures and peoples that interacted within and outside of France's national boundaries, this volume offers a new way of looking at the history of a national literature, along with a truly global and contemporary understanding of language, literature, and culture. The relationship between France's national territory and other regions of the world where French is spoken and written (most of them former colonies) has long been central to discussions of "Francophonie." Boldly expanding such discussions to the whole range of French literature, the essays in this volume explore spaces, mobilities, and multiplicities from the Middle Ages to today. They rethink literary history not in terms of national boundaries, as traditional literary histories have done, but in terms of a global paradigm that emphasizes border crossings and encounters with "others." Contributors offer new ways of reading canonical texts and considering other texts that are not part of the traditional canon. By emphasizing diverse conceptions of language, text, space, and nation, these essays establish a model approach that remains sensitive to the specificities of time and place and to the theoretical concerns informing the study of national literatures in the twenty-first century.


Plays by Samuel Beckett

Author: Source Wikipedia
Publisher: University-Press.org
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Commentary (plays not included). Pages: 93. Chapters: Waiting for Godot, Act Without Words I, Play, Breath, Krapp's Last Tape, All That Fall, Embers, Happy Days, Rough for Radio II, Eh Joe, Quad, What Where, Footfalls, Words and Music, Cascando, From an Abandoned Work, Ghost Trio, Ohio Impromptu, Rockaby, ... but the clouds ..., The Old Tune, Come and Go, Catastrophe, Not I, A Piece of Monologue, That Time, Rough for Theatre II, Act Without Words II, Nacht und Traume, Endgame, Eleutheria. Excerpt: Waiting for Godot ( -oh) is an absurdist play by Samuel Beckett, in which two characters, Vladimir and Estragon, wait endlessly and in vain for someone named Godot to arrive. Godot's absence, as well as numerous other aspects of the play, have led to many different interpretations since the play's premiere. It was voted "the most significant English language play of the 20th century." Waiting for Godot is Beckett's translation of his own original French version, En attendant Godot, and is subtitled (in English only) "a tragicomedy in two acts." The original French text was composed between 9 October 1948 and 29 January 1949. The premiere was on 5 January 1953 in the Theatre de Babylone, Paris. The production was directed by Roger Blin, who also played the role of Pozzo. Waiting for Godot follows two days in the lives of a pair of men who divert themselves while they wait expectantly and in vain for someone named Godot to arrive. They claim him as an acquaintance but in fact hardly know him, admitting that they would not recognise him were they to see him. To occupy themselves, they eat, sleep, converse, argue, sing, play games, exercise, swap hats, and contemplate suicide - anything "to hold the terrible silence at bay." The play opens with the character Estragon struggling to remove his boot from his foot. Estragon eventually gives up, ...