Enchanted Hunters The Power of Stories in Childhood

Enchanted Hunters is an ambitious and lyrical attempt to understand the power of
reading in children's lives, a brilliant and wide-ranging analysis of the stories that
compel children's most intense involvement. By bringing together ideas from ...

Enchanted Hunters  The Power of Stories in Childhood

Highly illuminating for parents, vital for students and book lovers alike, Enchanted Hunters transforms our understanding of why children should read. Ever wondered why little children love listening to stories, why older ones get lost in certain books? In this enthralling work, Maria Tatar challenges many of our assumptions about childhood reading. Much as our culture pays lip service to the importance of literature, we rarely examine the creative and cognitive benefits of reading from infancy through adolescence. By exploring how beauty and horror operated in C.S. Lewis’s Chronicles of Narnia, Philip Pullman’s His Dark Materials, J.K. Rowling’s Harry Potter novels, and many other narratives, Tatar provides a delightful work for parents, teachers, and general readers, not just examining how and what children read but also showing through vivid examples how literature transports and transforms children with its intoxicating, captivating, and occasionally terrifying energy. In the tradition of Bruno Bettelheim’s landmark The Uses of Enchantment, Tatar’s book is not only a compelling journey into the world of childhood but a trip back for adult readers as well.

Hide and Seek

has been “safely solipsized" (62). What has changed between the time of the
masturbation scene and the seduction at the Enchanted Hunters is simply that
the narrative has literalized the metaphorical and shown the captive for the
despot she ...

Hide and Seek

In response to widespread cultural fantasies about the child--including childhood innocence, the child as origin of the adult, the fetal emergence of subjectivity, and the "inner child" movement--Hide and Seek examines representations of the child in fiction, psychoanalysis, and popular culture. Concentrating on the "go-between" function of the child in nineteenth- and twentieth-century American and British fiction, Virginia Blum shows how selected children in the works of L. P. Hartley, Charles Dickens, Henry James, and Vladimir Nabokov were actually fictional messengers who ultimately were unsuccessful at reconciling impasses in the adult world. Throughout her book Blum draws on pop images of real and fictional children, ranging from the Baby Jessica case, in which the idea of "real" paternity and family bonds comes to the mythic fore, to the film Home Alone, in which the abandoned child becomes protector of his family's hearth and home. Hide and Seek raises provocative questions about the ways in which our culture fetishizes the idea of the child at the same time that we treat with comparative indifference the conditions under which many real children actually live. "A work of striking originality and consistent intellectual honesty, forcing us into genuinely profound and darkly uncomfortable areas of speculation." -- James R. Kincaid, author of Child-Loving: The Erotic Child and Victorian Culture

Vladimir Nabokov

Humbert had tried to corner Lolita in a room in the Enchanted Hunters, but it was
she who turned to him and invited him to take his prey. Now at Pavor Manor he
has tried to stage a final curtain call for the author of The Enchanted Hunters, but
 ...

Vladimir Nabokov

The story of Nabokov's life continues with his arrival in the United States in 1940. He found that supporting himself and his family was not easy--until the astonishing success of Lolita catapulted him to world fame and financial security.The story of Nabokov's life continues with his arrival in the United States in 1940. He found that supporting himself and his family was not easy--until the astonishing success of Lolita catapulted him to world fame and financial security.

Stalking Nabokov

It protrudes pattern but sometimes provokes by suggesting significant
implications it nevertheless withholds. The hotel name, The Enchanted Hunters,
obtrudes in a first reading of Lolita, especially as the goal of Humbert's quest to
possess ...

Stalking Nabokov

At the age of twenty-one, Brian Boyd wrote a thesis on Vladimir Nabokov that the famous author called "brilliant." After gaining exclusive access to the writer's archives, he wrote a two-part, award-winning biography, Vladimir Nabokov: The Russian Years (1990) and Vladimir Nabokov: The American Years (1991). This collection features essays written by Boyd since completing the biography, incorporating material he gleaned from his research as well as new discoveries and formulations. Boyd confronts Nabokov's life, career, and legacy; his art, science, and thought; his subtle humor and puzzle-like storytelling; his complex psychological portraits; and his inheritance from, reworking of, and affinities with Shakespeare, Pushkin, Tolstoy, and Machado de Assis. Boyd offers new ways of reading Nabokov's best English-language works: Lolita, Pale Fire, Ada, and the unparalleled autobiography, Speak, Memory, and he discloses otherwise unknown information about the author's world. Sharing his personal reflections, Boyd recounts the adventures, hardships, and revelations of researching Nabokov's biography and his unusual finds in the archives, including materials still awaiting publication. The first to focus on Nabokov's metaphysics, Boyd cautions against their being used as the key to unlock all of the author's secrets, showing instead the many other rooms in Nabokov's castle of fiction that need exploring, such as his humor, narrative invention, and psychological insight into characters and readers alike. Appreciating Nabokov as novelist, memoirist, poet, translator, scientist, and individual, Boyd helps us understand more than ever the author's multifaceted genius.

Nabokov s Shakespeare

Humbert and Dolly spend the night in room number 342 at the Enchanted
Hunters Hotel (itself an echo of the play “The Enchanted Hunters” by Clare Quilty)
. Humbert informs the readers that he and Lolita stopped at 342 hotels and
motels ...

Nabokov s Shakespeare

Nabokov's Shakespeare is a comprehensive study of an important and interesting literary relationship. It explores the many and deep ways in which the works of Shakespeare, the greatest writer of the English language, penetrate the novels of Vladimir Nabokov, one of the finest English prose stylists of the twentieth century. As a Russian youth, Nabokov read all of Shakespeare, in English. He claimed a shared birthday with the Bard, and some of his most highly regarded novels (Lolita, Pale Fire and Ada) are infused with Shakespeare and Shakespeareanisms. Nabokov uses Shakespeare and Shakespeare's works in a surprisingly wide variety of ways, from the most casual references to deep thematic links. Schuman provides a taxonomy of Nabokov's Shakespeareanisms; a quantitative analysis of Shakespeare in Nabokov; an examination of Nabokov's Russian works, his early English novels, the non-novelistic writings (poetry, criticism, stories), Nabokov's major works, and his final novels; and a discussion of the nature of literary relationships and influence. With a Foreword by Brian Boyd.

Literature and Sensation

This leads us back to the Enchanted Hunters motif , and the idea of the hunter
hunted , and of sex and chastity as linked with hunting and pursuit . Humbert ,
stalking Lolita , finds himself hunted by Charlotte , and " captured ” in marriage .

Literature and Sensation

The essays in this volume cover literature and sensation in all its facets, drawing upon a range of approaches from evolutionary theory, theories of mind, perception, philosophy and aesthetics. The works considered are drawn from various literary periods and genres.

Lolita

The folkloristic figure of the enchanted hunter is perhaps not as well defined or
commonly employed as the folk characters of the fairy princess ... One quality
generally associated with these hunters is their skill with guns or bows and
arrows .

Lolita

Presents a selection of literary criticism focusing on Vladimir Nabokov's controversial character, including critical extracts and essays from noted critics

Still Life

Thankfully, I didn't know what had happened to the Hunter's previous owner (
allegedly gunned down), and the scene in Lolita where Humbert Humbert takes
the nymphet to the seductive Enchanted Hunters hotel had escaped my mind. I
was ...

Still Life

It's easy to dismiss taxidermy as a kitschy or morbid sideline, the realm of trophy fish and jackalopes or an anachronistic throwback to the dusty diorama. Yet theirs is a world of intrepid hunter-explorers, eccentric naturalists, and gifted museum artisans, all devoted to the paradoxical pursuit of creating the illusion of life. Into this subculture of insanely passionate animal lovers ventures journalist Melissa Milgrom, whose journey stretches from the anachronistic family workshop of the last chief taxidermist for the American Museum of Natural History to the studio where an English sculptor, granddaughter of a surrealist artist, preserves the animals for Damien Hirst's most disturbing artworks. She wanders through Mr. Potter's Museum of Curiosities in the final days of its existence to watch dealers vie for preserved Victorian oddities, and visits the Smithsonian's offsite lab, where taxidermists transform zoo skins into vivacious beasts. She tags along with a Canadian bear trapper and former Roy Orbison impersonator--the three-time World Taxidermy Champion--as he resurrects an extinct Irish elk using DNA studies and Paleolithic cave art for reference; she even ultimately picks up a scalpel and stuffs her own squirrel. Transformed from a curious onlooker to an empathetic participant, Milgrom takes us deep into the world of taxidermy and reveals its uncanny appeal.

California Folklore Quarterly

Nabokov mimics this phallic symbolism and sexual significance of the hunter in
his depiction of Humbert. Humbert first sleeps with Lo at the inn with “the
seductive name of The Enchanted Hunters” (p. 110). After Humbert has arranged
his ...

California Folklore Quarterly


The Annotated Lolita

In other words, I did not know—and would not have cared, if I did—that actually
The Enchanted Hunters was a quite recent and technically original composition
which had been produced for the first time only three or four months ago by a ...

The Annotated Lolita

The annotated text of this modern classic. It assiduously illuminates the extravagant wordplay and the frequent literary allusions, parodies, and cross-references. Edited with a preface, introduction and notes by Alfred Appel, Jr.