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Everything in Its Right Place

Author: Hans Christian Andersen
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Everything in Its Right Place

Author: Brad Osborn
Publisher: Oxford University Press
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More than any rock artist since The Beatles, Radiohead's music inhabits the sweet spot between two extremes: on the one hand, music that is wholly conventional and conforms to all expectations of established rock styles, and, on the other hand, music so radically experimental that it thwarts any learned notions. While averting mainstream trends but still achieving a significant level of success in both US and UK charts, Radiohead's music includes many surprises and subverted expectations, yet remains accessible within a framework of music traditions. In Everything in its Right Place: Analyzing Radiohead, Brad Osborn reveals the functioning of this reconciliation of extremes in various aspects of Radiohead's music, analyzing the unexpected shifts in song structure, the deformation of standard 4/4 backbeats, the digital manipulation of familiar rock 'n' roll instrumentation, and the expected resolutions of traditional cadence structures. Expanding on recent work in musical perception, focusing particularly on form, rhythm and meter, timbre, and harmony, Everything in its Right Place treats Radiohead's recordings as rich sonic ecosystems in which a listener participates in an individual search for meaning, bringing along expectations learned from popular music, classical music, or even Radiohead's own compositional idiolect. Radiohead's violations of these subjective expectation-realization chains prompt the listener to search more deeply for meaning within corresponding lyrics, biographical details of the band, or intertextual relationships with music, literature, or film. Synthesizing insights from a range of new methodologies in the theory of pop and rock, and specifically designed for integration into music theory courses for upper level undergraduates, Everything in its Right Place is sure to find wide readership among scholars and students, as well as avid listeners who seek a deeper understanding of Radiohead's distinctive juxtapositional style.


Everything in Its Right Place Inadvertent Intravenous Injection of Enteral Formula Without Misconnection

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Everything in Its Right Place

Author: Joseph Almog
Publisher: Oxford University Press
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In this work, Joseph Almog develops the unitarian and universalist metaphysics of Spinoza. Spinoza's ground zero thesis is that everything (including God, mathematics, morals, our own thoughts) finds its place within Spinoza's (capital N) Nature. It is the place that each thing occupies within the grid of Nature - from God on down the cosmic tree of being - that determines its fundamental (lowercase n) nature. This leads, as in the Ethics, to a final chapter on what it meant to Spinoza to live in symbiosis with Nature and, therefore, to be one with it - and with God.


Everything in Its Right Place

Author: Drew Rogers
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Being in high school can be tough for a lot of teens. This is one of millions that felt he no longer had a place on this earth. Having high profile parents you'd think he would have had it easy at a school, that isn't the case for Bruno Powell, he is struggling to find inner peace and self love, his head makes up these scenarios with artists he listens to just to make some of the days bearable. Being a senior, top of his class, and a well behaved student he is trying to keep strong and finish off these final months of high school. This is Bruno's story. You are about to dive into the mind of a teenager, tread lightly as Bruno is a very imaginative person. Thank you.


Jooyeon Park Everything in Its Right Place

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Everything in Its Right Place

Author: George Howard
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"George's background spanning technology, media, and music is a perfect combination to lay the groundwork for what is to come. He lays it out, right here." - Bill Tai, Partner Emeritus, Charles River Ventures. In Everything In Its Right Place artists, such as Imogen Heap and Ryan Leslie; world-class entrepreneurs/Venture Capitalists, such as Andy Weisman and Bill Tai; innovators, such as DA Wallach and Benji Rogers, and numerous others provide direct and informative first-hand accounts of not only their visions for Blockchain, but the ways in which they are currently utilizing the technology. The ways in which Blockchain technology will impact the music industry is examined thoroughly, but, as is so often the case, the music industry is a sort of Canary in a Coal Mine; as it goes, so too go other industries. Given these stakes, an understanding of Blockchain is imperative for anyone interested in significant emerging technologies and its applicability to a variety of industries. Artists - visual, musical, or otherwise - really must educate themselves about these emerging technologies, or suffer the fate of being exploited by those who do. George Howard is passionate in his hope that some of the pieces compiled in this book inspire those who believe, as he does, in the power of leveraging Blockchain technology (or any other technologies) in a manner that results in more artists not simply sustaining, but thriving on their own terms. After all, art is an empathy machine and, thus/as it follows, more art equals less war.


The Anglo American Magazine

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Radiohead

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An Ordered Love

Author: Louis J. Kern
Publisher: UNC Press Books
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An Ordered Love is the first detailed study of sex roles in the utopian communities that proposed alternatives to monogamous marriage: The Shakers (1779-1890), the Mormons (1843-90), and the Oneida Community (1848-79). The lives of men and women changed substantially when they joined one of the utopian communities. Louis J. Kern challenges the commonly held belief that Mormon polygamy was uniformly downgrading to women and that Oneida pantagamy and Shaker celibacy were liberating for them. Rather, Kern asserts that changes in sexual behavior and roles for women occurred in ideological environments that assumed women were inferior and needed male guidance. An elemental distrust of women denied the Victorian belief in their moral superiority, attacked the sanctity of the maternal role, and institutionalized the dominance of men over women. These utopias accepted the revolutionary idea that the pleasure bond was the essence of marriage. They provided their members with a highly developed theological and ideological position that helped them cope with the ambiguities and anxieties they felt during a difficult transitional stage in social mores. Analysis of the theological doctrines of these communities indicates how pervasive sexual questions were in the minds of the utopians and how closely they were related to both reform (social perfection) and salvation (individual perfection). These communities saw sex as the point at which the demands of individual selfishness and the social requirements of self-sacrifice were in most open conflict. They did not offer their members sexual license, but rather they established ideals of sexual orderliness and moral stability and sought to provide a refuge from the rampant sexual anxieties of Victorian culture. Kern examines the critical importance of considerations of sexuality and sexual behavior in these communities, recognizing their value as indications of larger social and cultural tensions. Using the insights of history, psychology, and sociology, he investigates the relationships between the individual and society, ideology and behavior, and thought and action as expressed in the sexual life of these three communities. Previously unused manuscript sources on the Oneida Community and Shaker journals and daybooks reveal interesting and sometimes startling information on sexual behavior and attitudes.