Faithful Place

A Novel

Faithful Place

From Tana French, author of The Witch Elm, “the most important crime novelist to emerge in the past 10 years” (The Washington Post), the bestseller called “the most stunning of her books” (The New York Times) and a finalist for the Edgar Award. Back in 1985, Frank Mackey was a nineteen-year-old kid with a dream of escaping hisi family's cramped flat on Faithful Place and running away to London with his girl, Rosie Daly. But on the night they were supposed to leave, Rosie didn't show. Frank took it for granted that she'd dumped him-probably because of his alcoholic father, nutcase mother, and generally dysfunctional family. He never went home again. Neither did Rosie. Then, twenty-two years later, Rosie's suitcase shows up behind a fireplace in a derelict house on Faithful Place, and Frank, now a detective in the Dublin Undercover squad, is going home whether he likes it or not.

Faithful Place

Faithful Place

'Breathtaking -- an elaborately twisted ballad of class resentments, family burdens, regret and passion' The Washington Post 'An author of exceptional talent and insight' Sunday Independent 'In all your life, only a few moments matter. I was lucky. I got to see one of mine face to face, and recognise it for what it was.' The course of Frank Mackey's life is set by one defining moment when he was nineteen. The time his girlfriend, Rosie Daly, failed to turn up for their rendezvous in Faithful Place, failed to run away with him to London as planned. Frank never heard from, or of, her again. Twenty years on, Frank is still in Dublin, working as an undercover cop. He's cut all ties with his dysfunctional family. Until his sister calls to say that Rosie's suitcase has been found ...

Faithful Place

Faithful Place

The "expertly rendered, gripping new novel" (Janet Maslin, The New York Times)-from the bestselling author of In the Woods and The Likeness. Tana French's In the Woods and The Likeness captivated readers by introducing them to her unique, character-driven style. Her singular skill at creating richly drawn, complex worlds makes her novels not mere whodunits but brilliant and satisfying novels about memory, identity, loss, and what defines us as humans. With Faithful Place, the highly praised third novel about the Dublin Murder squad, French takes readers into the mind of Frank Mackey, the hotheaded mastermind of The Likeness, as he wrestles with his own past and the family, the lover, and the neighborhood he thought he'd left behind for good. Amazon.com Review Stef Penney, author of The Invisible Ones, interviews Tana French Stef Penney: You have created a tapestry of interlocking characters who all work in law enforcement in Dublin, and so far you’ve turned the spotlight on three different police officers. . . Do you have a favorite? Have you found some harder to inhabit than others? Tana French: Frank Mackey in Faithful Place was by far the most fun to write because he’s got that dark, abrasive Dublin sense of humor that surfaces even--or especially--at life’s worst moments. The hardest to get into was Scorcher Kennedy, in my new book, Broken Harbour--I’ve just finished the edits. I think it’s to do with the gap between the way Frank saw him in Faithful Place, where he was a supporting character, and the way he sees himself. Frank sees a rule-bound, up-himself, irritating git; but from Scorcher’s point of view, he’s a man struggling desperately to do the right thing in a world where you have to trust in the rules because your own mind is too fragile and slippery to trust. There’s a huge gap between the two perspectives, and it wasn’t easy to switch. That perspective shift is one of the things I enjoy most about writing a series of books, where a secondary character in one book becomes the narrator in the next--it lets me explore the way truth can be mutable and subjective, shaped by people’s own needs as much as by objective reality--but it’s also the toughest part of it. Penney: You’re known for writing about Dublin. Can you see yourself going anywhere else as the setting for a book? French: I’ll be sticking with Dublin--for the foreseeable future, anyway. It’s the only city where I know all the little details--the sense of humor, the connotations of the accents, where to get a good pint and where not to go after dark. Setting a book in a place I didn’t know this intimately would feel very dislocated. I think crime is very deeply rooted in its setting--it happens everywhere but the form it takes is shaped by the fears and desires of the society where it happens--and so crime novels are rooted in setting, too. Both In the Woods and The Likeness deal with the relationship between past and present--how to balance the two without destroying either--and that’s a question that Ireland’s been struggling (and often failing) to deal with over the past twenty years. It wasn’t a deliberate choice to make the books “relevant”; it’s just that since the issue was a central part of the world I lived in while I was coming up with the books, it soaked into them. If I set a book anywhere else, that connection wouldn’t be there. Plus, I love Dublin. I care about its fears and desires with a passion that I don’t feel for any other place. Faithful Place, especially, is a love song to Dublin, its bad side as well as its good. I can’t imagine writing about somewhere I don’t care about so strongly. Penney: The Mackeys in Faithful Place are extraordinarily vivid, but it’s a terrifying, bleak portrait of family life. Does this relate to anything in your life? Or, if not, what made you interested in writing about such a family? French: Thank God, my family’s nothing like the Mackeys! I had an unfashionably happy childhood. But I’ve always been most interested in writing about things I don’t know about. That’s at the heart of Faithful Place, in a lot of ways. It’s about a big family, and a viciously dysfunctional one, neither of which I’ve experienced. And it’s also about a family that’s very deeply rooted in Dublin, and specifically in the centuries-old community of Faithful Place. Those roots have shaped everything the Mackeys are. I’ve always been fascinated by that kind of rooted life because it’s something I’ll never have--my parents have a handful of nationalities between them, I grew up in several continents, I’m an international brat. . . Writing about something so far from my own life is the closest I’ll ever come to understanding it. Penney: Down to nuts and bolts: How do you write? Are you very disciplined? I imagine you must be since you’re quite prolific! French: Hah, I wish. I’m not one of nature’s disciplined types. Back in college, I had a reputation for going into the library only to convince other people to come out for coffee, and I haven’t changed that much. Every morning, I fight the urge to call my friends and see if I can persuade anyone to come out and play. These days, though, my disciplined side almost always wins. I work six days a week, about seven hours a day. What makes the difference is that I love what I do and I feel ridiculously lucky to be doing it. After years of acting, where you’re dependent on other people to decide whether you’re allowed to work or not, being able to work every day feels like a massive gift. That considerably lessens the urge to goof off. Penney: Any TV or film adaptations in the works? Because there should be! If yes, how did you find the experience? French: Paramount has optioned The Likeness and In the Woods, and I’ve just heard that Likeness is in development. I’m not totally clear on exactly what that means, but it sounds very cool but slightly intimidating. I’m dying to see what comes out at the other end, but I deliberately didn’t even try to ask for any role in the adaptation process because anything I know about writing fiction is probably worthless when it comes to writing film. They’re such utterly different genres that the book’s going to have to change in ways I can’t begin to picture. Penney: I loved the mythic quality of the backstory in In the Woods--and the fact that in the end you refused to answer the question. Did you encounter any resistance from publishers over the ending? French: No resistance from publishers. I was expecting it, because the ending does break genre convention--I was all ready to argue my case that this was the only ending with integrity and anything else would be forced and artificial, sacrificing character truth for cheap closure. But none of the editors ever suggested changing it. I do get e-mails from readers who hate the ending. Fair enough; the genre comes with expectation of closure and the book doesn’t provide it, and some people have real trouble with that. But I also get e-mails from readers who love the ending and who would have been furious if I’d sacrificed that integrity in order to stick to the rules. There was no way I could have written something that would make both types of readers happy. All I could do was write the best book I could and hope there were enough people out there who like the same kind of thing that I do. From Publishers Weekly Starred Review. French's emotionally searing third novel of the Dublin murder squad (after The Likeness) shows the Irish author getting better with each book. In 1985, 19-yearold Frank Mackey and his girlfriend, Rosie Daly, made secret plans to elope to England and start a new life together far away from their families, particularly the hard-drinking Mackeys. But when Rosie doesn't meet Frank the night they're meant to leave and he finds a note, Frank assumes she's left him behind. For 22 years, Frank, who becomes an undercover cop, stays away from Faithful Place, his childhood Dublin neighborhood. When his younger sister, Jackie, calls to tell him that someone found Rosie's suitcase hidden in an abandoned house, Frank reluctantly returns. Now everything he thought he knew is turned upside down: did Rosie really leave that night, or did someone stop her before she could? French, who briefly introduced Mackey in The Likeness, is adept at seamlessly blending suspenseful whodunit elements with Frank's familial demons. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Psalms for Everyone Part II Psalms 73-150

Psalms for Everyone Part II Psalms 73-150

More than any other part of the Old Testament, the book of Psalms reveals to us the intimacy possible between God and humanity. As songs and prayers of praise and lament, the psalms are unsurpassed in their variety, depth and range. They encompass the whole breadth of human emotion: hatred and love, despair and joy, resentment and gratitude, fear of abandonment and deep trust. They encourage us to be honest and thorough in our dealings with God, and they teach us how to praise him, seek him and rest in him. Using personal anecdote, a witty and lively style, and drawing on his considerable theological knowledge, John Goldingay takes us deep into the unfolding story of the Old Testament.

Relationships Unfiltered

Help for Youth Workers, Volunteers, and Parents on Creating Authentic Relationships

Relationships Unfiltered

For more than 50 years, relational or incarnational ministry has been a major focus in youth ministry. But for too long, those relationships have been used as tools—as a means to an end—where adults try to influence students to accept, know, trust, believe, or participate in something. While our motives may be good, it’s possible that by focusing on these goals, we’re not ministering the whole person. When we choose not to engage in the full life of a student, we run the risk of failing them and our ministry. In this thoughtful and insightful book, Andrew Root challenges us to reconsider our motives and begin to consider simply being with and doing life alongside teenagers with no agenda other than to love them right where they are, by place-sharing. As he shares stories of his (and others’) successes and failures in relational youth ministry, you’ll find practical ideas to help you recreate the role of relationships in your youth ministry. If you’re involved in the lives of teenagers, whether as a youth pastor, volunteer youth worker, church leader, or parent, you’ll want to read this book and work together to discover the value of place-sharing in the lives of teens. You’ll see that it’s time to tear down the old structure of relational youth ministry and start again.

The Letters of Heloise and Abelard

A Translation of Their Collected Correspondence and Related Writings

The Letters of Heloise and Abelard

The letters of Heloise and Abelard will remain one of the great, romantic and intellectual documents of human civilization while they, themselves, are probably second only to Romeo and Juliet in the fame accrued by tragic lovers. Here for the first time in Mart Martin McLaughlin's edition is the complete correspendence with commentary.

Meditations for Your Heart

Nourishment for Your Soul

Meditations for Your Heart

Elder Toni Whitaker Minister of the Gospel of JesusChrist Called out of darkness, into the Glorious Light. Passionate, to retrieve the lost sheep. A mouthpiece in tribute to God Almighty. Prayer: That None be Left Behind! Reference Scripture: Luke 15: 3-7. Inspirational/Motivational Speaker, Artist, Psalmist, Poet. "This book is truly a heart check certain to intensify your love life!" "Life-restoring prayers that empower Christians to overcome daily trials and tribulations." "Teaches us to trust God, He's always there!"- Gloria Perkins, England

A Star Called Henry

A Star Called Henry

A new edition to commemorate the centenary of the 1916 Easter Rising. With an introduction by Roy Foster. Born in the Dublin slums of 1901, his father a one-legged whorehouse bouncer and settler of scores, Henry Smart has to grow up fast. By the time he can walk he's out robbing and begging, often cold and always hungry, but a prince of the streets. By Easter Monday, 1916, he's fourteen years old and already six-foot-two, a soldier in the Irish Citizen Army. A year later he's ready to die for Ireland again, a rebel, a Fenian and a killer. With his father's wooden leg as his weapon, Henry becomes a Republican legend - one of Michael Collins' boys, a cop killer, an assassin on a stolen bike.

The Secret Place

A Novel

The Secret Place

“An absolutely mesmerizing read. . . . Tana French is simply this: a truly great writer.” —Gillian Flynn Read the New York Times bestseller by Tana French, author of The Witch Elm and “the most important crime novelist to emerge in the past 10 years” (The Washington Post). A year ago a boy was found murdered at a girlsʼ boarding school, and the case was never solved. Detective Stephen Moran has been waiting for his chance to join Dublin’s Murder Squad when sixteen-year-old Holly Mackey arrives in his office with a photo of the boy with the caption: “I KNOW WHO KILLED HIM.” Stephen joins with Detective Antoinette Conway to reopen the case—beneath the watchful eye of Holly’s father, fellow detective Frank Mackey. With the clues leading back to Holly’s close-knit group of friends, to their rival clique, and to the tangle of relationships that bound them all to the murdered boy, the private underworld of teenage girls turns out to be more mysterious and more dangerous than the detectives imagined.