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Critical Approaches to African Cinema Discourse

Author: Nwachukwu Frank Ukadike
Publisher: Lexington Books
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This book emphasizes the plurality of African cinema through a variety of themes and critical approaches that illuminate the scope of the mobilizing techniques for its proliferation, as well as its deep concern for methods of production, film aesthetics, theory, and criticism. Critical Approaches to African Cinema Discourse will offer scholars and students in film, media, and cultural studies, as well as in history, and Black and African studies, a broader understanding of African cinema as a cultural art. The contributors show that it is informed not only by ideological determinants but also by the concern to boost perspectives for reading African film images that may or may not belong to the conventional interpretations proffered in Euro-American critical paradigms.


A Companion to Contemporary French Cinema

Author: Alistair Fox
Publisher: John Wiley & Sons
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A Companion to Contemporary French Cinema presents a comprehensive collection of original essays addressing all aspects of French cinema from 1990 to the present day. Features original contributions from top film scholars relating to all aspects of contemporary French cinema Includes new research on matters relating to the political economy of contemporary French cinema, developments in cinema policy, audience attendance, and the types, building, and renovation of theaters Utilizes groundbreaking research on cinema beyond the fiction film and the cinema-theater such as documentary, amateur, and digital filmmaking Contains an unusually large range of methodological approaches and perspectives, including those of genre, gender, auteur, industry, economic, star, postcolonial and psychoanalytic studies Includes essays by important French cinema scholars from France, the U.S., and New Zealand, many of whose work is here presented in English for the first time


La Haine

Author: Ginette Vincendeau
Publisher: I.B.Tauris
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Released in 1995, La Haine is the black and white chronicle of 24 hours in the life of a mixed-race young male trio from a run-down Parisian suburb. The work of a then unknown young team (director and actors were all under 30), it became hugely and unexpectedly successful, launching director Mathieu Kassovitz and lead player Vincent Cassel to stardom.The film's combination of hard-hitting social exposé, stylish black and white cinematography and hip-hop culture also turned it into an enduring cult movie with younger viewers. With great style and insight, Ginette Vincendeau provides a thorough understanding of the context of the film's making, its narrative tension, stylistic sophistication and ideological ambiguity and of its extraordinary success nationally and internationally. She thus explains why, out of so many films about disaffected youth, La Haine is the one that caught the imagination, becoming an instant classic.


A la Rencontre Du Cinema FranCais Analyse Genre Histoire

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Publisher: Yale University Press
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Media education in 1990s Europe

Author: Len Masterman
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IRIS

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Cinema as History

Author: André Loiselle
Publisher: Toronto International Film Festival
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With a career spanning more than five decades, director and cinematographer Michel Brault is one of the most influential figures in Québécois cinema. Cinema as History: Michel Brault and Modern Quebec is André Loiselle’s study of his life and his work. Brault’s early works, including Les Raquetteurs (co-directed with Gilles Groulx) and Pour la Suite du Monde (co-directed with Pierre Perrault) reflected a hitherto unacknowledged and unfulfilled need on the part of Québécois society to see their own culture reflected onscreen—and helped spark a cultural renaissance in Quebec. His 1974 fiction feature Les Ordres, which deals with the FLQ crisis and the invocation of the War Measures Act by then prime minister Pierre Trudeau, has consistently been listed as one of the best Québécois and Canadian films. Brault’s work as cinematographer has been equally essential, with groundbreaking films like Claude Jutra’s Mon Oncle Antoine (1971) and Francis Mankiewicz’s Les Bons Débarras (1980). He was a key contributor to the development of the cinema-verité movement, serving as cinematographer on French director Jean Rouch’s legendary Chronique dun Été (1961). André Loiselle’s study of Brault’s work and career moves beyond traditional auteurist studies to explore how Brault’s work reflected (and in some cases helped instigate) changes in Quebec society over four decades. More than any other filmmaker, Brault managed to capture the culture’s zeitgeist. Distributed in Canada by Wilfrid Laurier University Press. Distributed outside Canada by Indiana University Press.


Jean Luc Godard Cinema Historian

Author: Michael Witt
Publisher: Indiana University Press
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Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cinéma has pioneered how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard’s landmark work as both a specimen of an artist's vision and a philosophical statement on the history of film. Witt contextualizes Godard's theories and approaches to historiography and provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard's groundbreaking ideas on the history of cinema.


The cinema of France

Author: Phil Powrie
Publisher: Wallflower Press
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An in-depth look at some of the best and most influential French films of all time, The Cinema of France contains 24 essays, each on an individual film. The book features works from the silent period and Poetic Realism, through the stylistic developments of the New Wave, and up to more contemporary challenging films, from directors such as Abel Gance, Jean Renoir, Marcel Carn?, Fran?ois Truffaut, Jean-Luc Godard, Alain Resnais, Agn?s Varda and Luc Besson. Set in chronological order, The Cinema of France includes in-depth studies of films such as Un Chien Andalou (1929), Les Vacances de Monsieur Hulot (1953), Le Samoura? (1967), Shoah (1985), Jean de Florette (1986), Les Visiteurs (1993) and La Haine (1995).


French Cinema in the 1990s

Author: Phil Powrie
Publisher: Oxford University Press, USA
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This book of essays is the first to explore French films in the 1990s. It focuses on continuity with the 1980s in terms of genres and preoccupations such as definitions of a national cinema, the heritage film, gay/lesbian issues, and ethnic issues. It also explores key differences between the two decades in film and examines the issues of community and political reflection.