HEART OF DARKNESS * AN OUTPOST OF PROGRESS * KARAIN * YOUTH The finest of all Conrad's tales, 'Heart of Darkness' is set in an atmosphere of mystery and menace, and tells of Marlow's perilous journey up the Congo River to relieve his employer's agent, the renowned and formidable Mr Kurtz. What he sees on his journey, and his eventual encounter with Kurtz, horrify and perplex him, and call into question the very bases of civilization and human nature. Endlessly reinterpreted by critics and adapted for film, radio, and television, the story shows Conrad at his most intense and sophisticated. The other three tales in this volume depict corruption and obsession, and question racial assumptions. Set in the exotic surroundings of Africa, Malaysia. and the east, they variously appraise the glamour, folly, and rapacity of imperial adventure. This revised edition uses the English first edition texts and has a new chronology and bibliography. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
For many years Heart of Darkness has been considered a great novella, one of a few great short novels in the Western canon. Because it addresses directly the ambiguity of good and evil, when it was first published the novel foreshadowed many of the themes and stylistic devices that define modern literature. One of Conrad's finest stories, loosely based on the author's experience of rescuing a company agent from a remote station in the heart of the Congo, Heart of Darkness is set in an atmosphere of mystery and lurking danger, and tells of Marlow's perilous journey up the Congo River to relieve his employer's agent, the fabled and terrifying Mr. Kurtz. What Marlow sees on his journey horrifies and perplexes him, and what his encounter with Kurtz reveals calls into question all of his assumptions about civilization and human nature. Endlessly reinterpreted by critics and read in schools by countless students, the novel has been adapted numerous times for film-most famously Apocalypse Now-and shows Conrad at his finest, most intense, and most sophisticated. Heart of Darkness was originally published in Blackwood's Edinburgh Magazine in 1899 and published in book form in 1902. The present text derives from Doubleday's collected edition of Conrad's works, published in 1920-1921.
Heart of Darkness is a short and vividly brutal account of colonial enterprise that has as much in common with the jaded Evelyn Waugh of Black Mischief as it does with any of Conrad's direct contemporaries in the late nineteenth century. It is accompanied in this volume by the tales with which it has been published since 1902, the autobiographical short story "Youth," and the less personal but more substantial tale of an old man's fall from fortune, "The End of the Tether." Though these stories differ considerably in style and content from his later novels, much of his reputation rests upon the words contained in this volume.
The Cambridge Companion to Joseph Conrad offers a wide-ranging introduction to the fiction of Joseph Conrad, one of the most influential novelists of the twentieth century. Through a series of essays by leading Conrad scholars aimed at both students and the general reader, the volume stimulates an informed appreciation of Conrad's work based on an understanding of his cultural and historical situations and fictional techniques. A chronology and overview of Conrad's life precede chapters that explore significant issues in his major writings, and deal in depth with individual works. These are followed by discussions of the special nature of Conrad's narrative techniques, his complex relationships with late-Victorian imperialism and with literary Modernism, and his influence on other writers and artists. Each essay provides guidance to further reading, and a concluding chapter surveys the body of Conrad criticism.
This is the first full-length study of emerging Anglo-American science fiction’s relation to the history, discourses, and ideologies of colonialism and imperialism. Nearly all scholars and critics of early science fiction acknowledge that colonialism is an important and relevant part of its historical context, and recent scholarship has emphasized imperialism’s impact on late Victorian Gothic and adventure fiction and on Anglo-American popular and literary culture in general. John Rieder argues that colonial history and ideology are crucial components of science fiction’s displaced references to history and its engagement in ideological production. He proposes that the profound ambivalence that pervades colonial accounts of the exotic “other” establishes the basic texture of much science fiction, in particular its vacillation between fantasies of discovery and visions of disaster. Combining original scholarship and theoretical sophistication with a clearly written presentation suitable for students as well as professional scholars, this study offers new and innovative readings of both acknowledged classics and rediscovered gems. Includes discussion of works by Edwin A. Abbott, Edward Bellamy, Edgar Rice Burroughs, John W. Campbell, George Tomkyns Chesney, Arthur Conan Doyle, H. Rider Haggard, Edmond Hamilton, W. H. Hudson, Richard Jefferies, Henry Kuttner, Alun Llewellyn, Jack London, A. Merritt, Catherine L. Moore, William Morris, Garrett P. Serviss, Mary Shelley, Olaf Stapledon, and H. G. Wells.
In this broad-ranging and ambitious intervention in the debates over the politics, ethics, and aesthetics of cosmopolitanism, Rebecca L. Walkowitz argues that modernist literary style has been crucial to new ways of thinking and acting beyond the nation. While she focuses on modernist narrative, Walkowitz suggests that style conceived expansively as attitude, stance, posture, and consciousness helps to explain many other, nonliterary formations of cosmopolitanism in history, anthropology, sociology, transcultural studies, and media studies. Walkowitz shows that James Joyce, Joseph Conrad, Virginia Woolf, Salman Rushdie, Kazuo Ishiguro, and W. G. Sebald use the salient features of literary modernism in their novels to explore different versions of transnational thought, question moral and political norms, and renovate the meanings of national culture and international attachment. By deploying literary tactics of naturalness, triviality, evasion, mix-up, treason, and vertigo, these six authors promote ideas of democratic individualism on the one hand and collective projects of antifascism or anti-imperialism on the other. Joyce, Conrad, and Woolf made their most significant contribution to this "critical cosmopolitanism" in their reflection on the relationships between narrative and political ideas of progress, aesthetic and social demands for literalism, and sexual and conceptual decorousness. Specifically, Walkowitz considers Joyce's critique of British imperialism and Irish nativism; Conrad's understanding of the classification of foreigners; and Woolf's exploration of how colonizing policies rely on ideas of honor and masculinity. Rushdie, Ishiguro, and Sebald have revived efforts to question the definitions and uses of naturalness, argument, utility, attentiveness, reasonableness, and explicitness, but their novels also address a range of "new ethnicities" in late-twentieth-century Britain and the different internationalisms of contemporary life. They use modernist strategies to articulate dynamic conceptions of local and global affiliation, with Rushdie in particular adding playfulness and confusion to the politics of antiracism. In this unique and engaging study, Walkowitz shows how Joyce, Conrad, and Woolf developed a repertoire of narrative strategies at the beginning of the twentieth century that were transformed by Rushdie, Ishiguro, and Sebald at the end. Her book brings to the forefront the artful idiosyncrasies and political ambiguities of twentieth-century modernist fiction.
This book examines the interaction between people and the coast of England. It spans from 700,000 years ago, and the earliest evidence of humans in this remote corner of north-west Europe, to the end of the 20th century. The coastline has witnessed interesting and significant events throughout history and looks set to do so in the future. Often it is the first place where changes can be seen, for example the effects of climate change. It is also where evidence for human adaptation to environmental changes can most readily be seen. The coast has, of course, also been a cultural contact zone for millennia in terms of trade, industry, immigration and conflict. We are certainly at a time of great environmental and economic transition, so it is apt to now take a long view and place current events in context. Some changes happening today may seem unprecedented but in fact are not, while others are entirely new. One thing we can be sure of is that the coast and sea will become increasingly important to us, both as an economic benefit and as a threat.