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The romance of Modernism

Author: George T. M. Shackelford
Publisher: Museum of Fine Arts Boston
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The Romance of Modernism ISBN 0-87846-709-2 / 978-0-87846-709-9 Clothbound, 9 x 12 in. / 200 pgs / 80 color. / U.S. $50.00 CDN $60.00 November / Art


Masterpieces of European Painting 1800 1920 in the Metropolitan Museum of Art

Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
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Nineteenth and Twentieth century Paintings

Author: Richard R. Brettell
Publisher: Metropolitan Museum of Art
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Robert Lehman (1891{u2013}1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman{u2019}s global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D. G. Kulkarni (dizi). Robert Lehman{u2019}s cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.


Nineteenth and twentieth century paintings

Author: Richard R. Brettell
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Matisse

Author: Rebecca A. Rabinow
Publisher: Metropolitan Museum of Art
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"Throughout his long career, Henri Matisse (1869-1954) continually expanded the boundaries of his art. By repeating images in pairs, trios, and series, he conducted an ongoing dialogue with his earlier works in order to, as he put it, "push further and deeper into true painting." In this fresh approach to a much-studied artist, prominent scholars from the United States and Europe examine more than sixty works in concise chapters that focus on this aspect of Matisse's working process. From early pairs such as Young Sailor I and II (1906) and Le Lexe I and II (1907-8) through a series of late studio scenes from Vence (1946-48), Matisse is shown revisiting a given theme with the aim of devising innovative, often radical, solutions to such problems as how to portray light, handle paint, select colors, and manipulate perspective. New technical studies of the early paired works and photographs documenting the evolution of his later paintings help to elucidate Matisse's complex evolution. In numerous excerpts from letters and interviews, he is revealed as an artist who regularly questioned himself and his methods, a man of powerful intellect who regarded each new painting as an adventure. A significant addition to art historical literature, Matisse: In Search of True Painting is a revelatory study of a seminal figure in 20th-century modernism."--Page 4 of cover.


The Art Bulletin

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Includes section: Notes and reviews.


Signac

Author: Marina Bocquillon-Ferretti
Publisher: Vilo International
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Famous worldwide for his pointillist paintings, Paul Signac (1848-1935) is less well known for his watercolors; it's in 1892, when resting in the small Mediterranean village of Saint Tropez, that the artist discovered the immense possibilities of this specific technique which was to become his favorite means of expression.


Seurat in Perspective

Author: Norma Broude
Publisher: Prentice Hall
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Writings by Seurat, comments by his contemporaries and other artists, and critical responses to his art from 1898 to the present illuminate the French painter's techniques and position in the evolution of modern painting


Art of the Twentieth Century 1900 1919 the avant garde movements

Author: Timothy Stroud
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Arts Magazine Yearbook

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