Surfers loathed them, teenagers flocked to them, critics dismissed them, producers banked on them—surf and beach movies. For a short time in the 1960s they were extremely popular with younger audiences—mainly because of the shirtless surfer boys and bikini-clad beach girls, the musical performers, and the wild surfing footage. This lavishly illustrated filmography details 32 sizzling fun-in-the-sun teenage epics from Gidget to the Beach Party movies with Frankie and Annette to The Sweet Ride plus a few offshoots in the snow!) Entries include credits, plot synopses, memorable lines, reviews and awards, and commentary from such as Aron Kincaid of The Girls on the Beach, Susan Hart of The Ghost in the Invisible Bikini, Peter Brown of Ride the Wild Surf, Chris Noel of Beach Ball, and Ed Garner of Beach Blanket Bingo. Biographies of actors and leading actresses who made their marks in the genre are included.
Surfing has fascinated filmmakers since Thomas Edison shot footage of Waikiki beachboys in 1906. Before the 1950s surf craze, surfing showed up in travelogues or as exotic background for studio features. The arrival of Gidget (1959) on the big screen swept the sport into popular culture, but surfer-filmmakers were already featuring the day's best surfers in self-narrated two-reelers. Hollywood and independent filmmakers have produced about three dozen surf films in the last half-century, including the frothy Beach Party movies, Point Break (1991) and Chasing Mavericks (2012). From Bud Browne's earliest efforts to The Endless Summer (1966), Riding Giants (2004) and today's brilliant videos, over 1,000 surfing movies have celebrated the stoke. This first full-length study of surf movies gives critical attention to hundreds of the most important films.
This book explores the ways in which Hollywood film cycles from the 1930s to the 1960s were shaped by their surrounding industrial contexts and market environments, to build an inclusive conception of the form, operation, and function of film cycles. By foregrounding patterns of distribution, spaces of exhibition, and modes of consumption as key components of the form and mechanics of cycles, this book develops a methodology for defining cycles based on an analysis of the industry and trade discourse. Applying her unique framework to six case studies of different cycles, Zoe Wallin blends a wide range of historical sources to analyze the many cultural, social, political, aesthetic, and industrial contexts relevant to these films. This book makes an important contribution to the literature in the area of film historiography, and will be of interest to any scholars of film studies, history and media studies.
A pop culture reference of surfing in America today contains 1,500 alphabetical entries and three hundred illustrations to review the activity's most significant contributors, events, equipment, culture, and history. Reprint.
Back by popular demand, this is the definitive reference for surf bums everywhere‚Äîor at least any gremmie who's ever pondered the semantic subtleties between bitchin', rad, and killer. Informative and often hilarious, this bible of the cult of Kahuna sports over 3,000 alphabetical entries interspersed with surfing history, international surf glossaries, and 500 of the kindest surf photographs and illustrations ever gathered in one place. You'll not only talk the talk‚Äîyou'll walk the walk. Or rip the curl, as the case may be. Updated for the millennial surfer to keep you on the cutting edge of surfspeak. From aaaaahooo! to zonked, if it was said on, near, or under a surfboard, you'll find it here.
During the 1960s, many models, Playboy centerfolds, beauty queens, and Las Vegas showgirls went on to become “decorative actresses” appearing scantily clad on film and television. This well illustrated homage to 75 of these glamour girls reveals their unique stories through individual biographical profiles, photographs, lists of major credits and, frequently, in-depth personal interviews. Included are Carol Wayne, Edy Williams, Inga Neilsen, Thordis Brandt, Jo Collins, Phyllis Davis, Melodie Johnson, and many equally unforgettable faces of sixties Hollywood.
During the 1960s, a bushel of B–movies were produced and aimed at the predominantly teenage drive-in movie audience. At first teens couldn’t get enough of the bikini-clad beauties dancing on the beach or being wooed by Elvis Presley, but by 1966 young audiences became more interested in the mini-skirted, go-go boot wearing, independent-minded gals of spy spoofs, hot rod movies and biker flicks. Profiled herein are fifty sexy, young actresses that teenage girls envied and teenage boys desired including Quinn O’Hara, Melody Patterson, Hilarie Thompson, Donna Loren, Pat Priest, Meredith MacRae, Arlene Martel, Cynthia Pepper, and Beverly Washburn. Some like Sue Ane Langdon, Juliet Prowse, Marlyn Mason, and Carole Wells, appeared in major studio productions while others, such as Regina Carrol, Susan Hart, Angelique Pettyjohn and Suzie Kaye were relegated to drive-in movies only. Each biography contains a complete filmography. Some also include the actresses’ candid comments and anecdotes about their films, the people they worked with, and their feelings about acting. A list of web sites that provide further information is also included.
A dual portrait of the Hollywood actor and his son identifies the similarities in their personalities, chronicling first the life of Errol, including the reckless behavior that led to his early demise, and continuing with Sean's experiences, from his obse
775 categories, styles, trends, and movements defined, with a filmography for each
Author: Daniel López
Pubpsher: McFarland & Company
Category: Performing Arts
Since the early days of cinema, there has been an insatiable demand for new product. As the number of movies increased, many began to resemble each other and fall into certain types of genres. Critics, filmmakers, and audiences have classified films into groupings for critical appraisal, easy identification of the subject, or a quick clue to the film's nature. From abstract through erotic, from new Chinese cinema or zombie films, 775 genres are included in this comprehensive reference work. Each entry includes a brief description of the category, the subgenres or related types of films, and a list of movies that best exemplify the genre, showing original title or titles, nationality (73 countries are represented), year of production, additional titles (working title, re-release title, translation, etc.) and director or filmmaker.