‘Often, at the hour of day when the savannah grass is streaked with silver, and pale gold rims the silhouettes of the hills, I drive with my dogs up to the Mukutan, to watch the sun setting behind the lake, and the evening shadows settle over the valleys and plains of the Laikipia plateau.’ Kuki Gallmann’s haunting memoir of bringing up a family in Kenya in the 1970s first with her husband Paulo, and then alone, is part elegaic celebration, part tragedy, and part love letter to the magical spirit of Africa.
Stunningly repackaged, Kuki Gallmann's African Nights vividly portrays the harsh and beautiful landscapes of Africa. Africa evokes a deep sense of mystery. It is a place that retains what most of the world has lost: space, roots, traditions, awesome beauty, true wilderness, rare animals, and extraordinary people. In this wonderful and haunting collection of stories, Kuki Gallmann writes of her life in Africa, where every day brings challenge and adventure. African Nights is a treasury of memories, in which fascinating people and places are brought to life. It he healing powers Africa can have on those who embrace the land as a place of mystery, superstition, danger, and beauty. 'Captures perfectly the magic of Kenya, creating an almost overwhelming picture of beauty and drama, pain and joy, death and resurrection . . . Her discovery of African culture, with its mystery and danger, is recounted in spare, lyrical prose' New York Times 'Powerful, poetic, unbearably moving: I wept' Clare Francis (on I Dreamed of Africa) Kuki Gallmann was born near Venice and moved to Kenya in 1972 with her husband and young son. Following their deaths, she set up the Gallmann Memorial Foundation to promote new ways of combining development and conservation, and to provide sponsorship for the education of Kenyans. Her first book, I Dreamed of Africa, was published in 1991 to international acclaim and it became a world-wide bestseller. She lives in Kenya with her daughter and her dogs.
Includes the War in North Africa Illustration Pack - 112 photos/illustrations and 21 maps. These are the letters Caleb Milne wrote to his mother while in the American Field Service. In May of 1943, he, with a small group of American Field Service men, responded to a call for volunteers to help the French. These Fighting French, under General Leclerc, had joined General Montgomery's 8th Army after that epic march from Lake Chad in Central Africa to Tunisia. Early the morning of May 11th, Caleb Milne was giving aid to a wounded Legionnaire when he was struck by a mortar shell. His wounds proved fatal and he died around 4:30 that afternoon. These letters, though very personal, are published with the thought that their message might reach beyond one mother. As Marjorie Kinnan Rawlings has said in her introduction: “This collection of his letters seems to me of permanent value, far beyond their satisfying of our avidity for news of the working of the minds of men who are fighting, for us, our battle. They reveal a rare soul, who passes on to us his own sensitive perceptions of the beauty and glory of living; and they are written in the style of true Belles-Lettres.” In tribute to Caleb Milne, who wrote to him on the meaning of music to a soldier, Deems Taylor, noted author and composer, said: “This, to me, is one of the most deeply felt and profoundly moving communications that the war has yet inspired. It is one of the war's major tragedies that young men capable of such vision, self-abnegation, and compassion could not be spared to help shape the peace that, God willing, will be as nearly permanent as men of good will can make it.”
What are the links between the "inner" world of our imagination, emotions, and thoughts and the "outer" world where we encounter animals? Can it be that the psychological and ecological are one and the same? This book shows how their convergence might alter our perception of "community." Currently the connection between people and animals appears dysfunctional because of the accelerated loss of species. Since we will not save what we do not love, this book seeks to restore the honor and importance of animals. Dreams, including daydreams (thoughts, ideas, cultural myths) and sleep dreams, have positive and negative consequences in the world. In order to help heal ourselves and the Earth, this book dives deeply into the lives of many animals, documents our relationship to them over time, and shows how to work with dreams and dialogues. A great emotion, transforming in effect, is released when we take the beauty and power of dream animals to heart.
By means of contextualized readings, this work argues that autobiographic writing allows an intimate access to processes of colonization and decolonization, incorporation and resistance, and the formation and reformation of identities which occurs in postcolonial space. The book explores the interconnections between race, gender, autobiography and colonialism and uses a method of reading which looks for connections between very different autobiographical writings to pursue constructions of blackness and whiteness, femininity and masculinity, and nationality. Unlike previous studies of autobiography which focus on a limited Euro American canon, the book brings together contemporary and 19th-century women's autobiographies and travel writing from Canada, the Caribbean, Kenya, South Africa, Australia and New Zealand. With emphasis on the reader of autobiography as much as the subject, it argues that colonization and resistance are deeply embedded in thinking about the self.
When Vietnam veteran and foreign correspondent Charlie Gage is recruited by the shadowy Thomas Colfax to assist with something called Operation Atropos, he has no idea he is about to be enlisted for guerilla warfare in northeast Africa. Once he realizes he’s a mercenary, however, he is not at all concerned. Ever since his young secretary was killed by a grenade at their bureau office in Beirut a couple of years before, he has lost all volition. Which is why he so readily capitulates not only to Colfax, but also, and more dangerously so, to every command of Jeremy Nordstrand, the mystical megalomaniac determined to achieve greatness on their seemingly suicidal mission. Set in the forsaken yet exotic deserts of Ethiopia, Horn of Africa is a vividly detailed and masterfully plotted novel chronicling a broken man’s struggle for salvation and inner freedom in the midst of a broken nation’s fight for stability and peace.
Release on 2015-03-03 | by Elizabeth C. Zsiga,One Tlale Boyer,Ruth Kramer
Multilingualism, Language Policy, and Education
Author: Elizabeth C. Zsiga,One Tlale Boyer,Ruth Kramer
Pubpsher: Georgetown University Press
Category: Language Arts & Disciplines
People in many African communities live within a series of concentric circles when it comes to language. In a small group, a speaker uses an often unwritten and endangered mother tongue that is rarely used in school. A national indigenous language—written, widespread, sometimes used in school—surrounds it. An international language like French or English, a vestige of colonialism, carries prestige, is used in higher education, and promises mobility—and yet it will not be well known by its users. The essays in Languages in Africa explore the layers of African multilingualism as they affect language policy and education. Through case studies ranging across the continent, the contributors consider multilingualism in the classroom as well as in domains ranging from music and film to politics and figurative language. The contributors report on the widespread devaluing and even death of indigenous languages. They also investigate how poor teacher training leads to language-related failures in education. At the same time, they demonstrate that education in a mother tongue can work, linguists can use their expertise to provoke changes in language policies, and linguistic creativity thrives in these multilingual communities.
For almost thirty years, David Thomson’s Biographical Dictionary of Film has been not merely “the finest reference book ever written about movies” (Graham Fuller, Interview), not merely the “desert island book” of art critic David Sylvester, not merely “a great, crazy masterpiece” (Geoff Dyer, The Guardian), but also “fiendishly seductive” (Greil Marcus, Rolling Stone). This new edition updates the older entries and adds 30 new ones: Darren Aronofsky, Emmanuelle Beart, Jerry Bruckheimer, Larry Clark, Jennifer Connelly, Chris Cooper, Sofia Coppola, Alfonso Cuaron, Richard Curtis, Sir Richard Eyre, Sir Michael Gambon, Christopher Guest, Alejandro Gonzalez Inarritu, Spike Jonze, Wong Kar-Wai, Laura Linney, Tobey Maguire, Michael Moore, Samantha Morton, Mike Myers, Christopher Nolan, Dennis Price, Adam Sandler, Kevin Smith, Kiefer Sutherland, Charlize Theron, Larry Wachowski and Andy Wachowski, Lew Wasserman, Naomi Watts, and Ray Winstone. In all, the book includes more than 1300 entries, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more. Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.”