An expansive and insightful exploration of one of the most iconic and electrifying artists ever, this book reveals the stunning, multi-generational influence and appeal of Prince and his revered music—from celebrated journalist, author, and host of the popular podcast The Touré Show. Infused with Touré’s unique pop-culture fluency, I Would Die 4 U is as passionate and radical as its subject matter. Building on his lifelong admiration for Prince’s oeuvre and interviews with those closest to the late artist, including band members, his tour manager, and music and Bible scholars, Touré deconstructs the life and work of the enigmatic icon who has been both a reflective mirror of and inspirational force for America. By defying traditional categories of race, gender, and sexuality, but also presenting a very conventional conception of religion and God, Prince was a man of profound contradictions. He spoke in the language of 60s pop and soul to a generation fearing Cold War apocalypse and the crack and AIDS epidemic, while simultaneously being both an MTV megastar and a religious evangelist. He creatively blended his songs with images of sex and profanity to invite us into a musical conversation about the healing power of God and religion. By demystifying Prince as a man, an artist, and a cultural force, I Would Die 4 U shows us how he impacted and defined a generation.
Featuring insights on even more groundbreaking recording sessions, rehearsals, and sound checks, the expanded edition of Duane Tudahl's award-winning book pulls back the paisley curtain to reveal the untold story of Prince’s rise from cult favorite to the biggest rock star on the planet. His journey is meticulously documented through detailed accounts of his time secluded behind the doors of the recording studio as well as his days on tour. With unprecedented access to the musicians, singers, and studio engineers who knew Prince best, including members of the Revolution and the Time, Duane Tudahl weaves an intimate saga of an eccentric genius and the people and events who helped shape the groundbreaking music he created. From Sunset Sound Studios’ daily recording logs and the Warner Bros. vault of information, Tudahl uncovers hidden truths about the origins of songs such as “Purple Rain,” “When Doves Cry,” and “Raspberry Beret” and also reveals never-before-published details about Prince’s unreleased outtakes. This definitive chronicle of Prince’s creative brilliance during 1983 and 1984 provides a new experience of the Purple Rain album as an integral part of Prince’s life and the lives of those closest to him.
PROLOGUE What if you lost the love of your life, and they came back to you? Would you know how to grab ahold of a second chance – and make it work? Zeke did, and he wouldn't screw it up this time. *** "It can't be; my eyes are playing tricks on me … Brooke Lakelyn Tobias. That really is you!" At the use of her full name, which very few people knew, Brooke turned. She was thinking the same thing, It couldn't be. It just couldn't be. She'd know that deep baritone anywhere. Zeke Laird Granger. He'd broken her heart five years ago, and had nearly broken her. She hadn't experienced a searing pain like that since – and vowed she never would again. *** "Our timing is just not right, Brooke." "But I love you, Zeke," she said, blinking back tears and trying to swallow past the lump in her throat. "I love you so much. We can find a way; if two people really love each other, they can always find a way. Please, please, just …" she begged. "I'm sorry. I just can't do this right now. I think it's best we just go our separate ways, Brooke." Tears coming in rivers, Brooke felt like her heart was going to explode. The sun streamed through the windows of her fourth-floor apartment. It was a beautiful fall day in New York City. But all she felt was darkness, as black as the bowels of hell. "Zeke please, please don't do this!" He had to listen. He couldn't leave. He just couldn't. The three years they'd spent together had been the happiest of her young life. Brooke had automatically assumed that they'd one day get married, although she wasn't one of those women who dreamed of her wedding day. In fact, she never gave much thought to getting married. The only time she thought of it is when yet another one of her friends or his friends tied the knot. Brooke was just happy just to share her life Zeke, to wake up next to him almost every day. And she thought he felt the same way. She didn't know how she was going to survive without him. In spite of hear tearful pleas, Zeke walked to the front door of her apartment, opened it and walked out of her life. He didn't even look back, she thought through gulping sobs. Not once. Brooke crumbled down the inside of the front door of the apartment, her body pooled in the fetal position on the floor. Heaving, animal-like moans escaped her until there were no tears left. There was nothing left. Three hours later, eyes swollen and throat parched, she'd dragged herself up from the floor, took a sip of water from the kitchen sink and climbed into bed – where she stayed for the next three days. *** Every time she relived that day, Brooke was embarrassed. She'd been a sniveling, begging, broken shell of a woman. No one in her life today would have recognized the person she was five years ago. She barely recognized that person. "Well what brings you back to the Big Apple?" Zeke asked, snapping her reverie, as if nothing had happened between them five years ago. "Of all the gym joints, in all the boroughs, in all of New York City, she walks into mine," he continued, playing on the infamous line from Casablanca. One of the things that Brooke had always loved about Zeke was his sense of humor. She could never stay mad at him because he kept her in stitches most of the time. But, he also knew when to turn it off and get serious. It was a rare combination she found intoxicating. She'd never met a man who had such a powerful hold on her. *** Damn she was more beautiful than ever! he thought. She'd let her hair grow out. The last time he'd seen her, she was wearing a short, Halle Berry-like style. Brooke had the kind of face that could pull off short or long hairstyles. He preferred it longer though. An exercise enthusiast, her body was always in perfect shape. Her best asset, in his opinion, was her perfectly curved bottom. He never tired of looking at it, and as they always slept in the nude when they were together, he would admire it as she bounced out of bed each morning to begin her morning toilette. *** His nature starting to rise at the turn his thoughts took, Zeke forced his mind back to the conversation at hand, saying, "Well, what brings you back to New York? Are you here to stay, or just visiting?" Was that a flicker of pain in those captivating, dark-brown, doe-shaped eyes? If it was, he had a shot because it meant he still had an effect on her. He desperately wanted a chance to erase that pain. Answering, she said, "I'm back for good. LA just wasn't my scene." "I knew it when I heard you left. You're a New York City kind of girl Brooke; I just couldn't picture you in LA." I can't believe he has the balls to stand here and have a conversation with me like nothing happened. Doesn't he know he almost destroyed me? "… Sooooo, speaking of scenes, how about we check out some in the greatest city in the world sometime?" Zeke said, feeling he might be pushing his luck, but anxious not to let her go without knowing when he'd see her again. Manhattan, where the gym they were in was located, was a relatively small city, at just over 13 miles. But, it had over one and a half million inhabitants and this didn't include outer boroughs like Brooklyn, Queens and Long Island, which residents fanned out to via subways, buses and taxis. It was easy to lose someone and not run into them again – forever – in New York City. Zeke was not about to let that happen. Not with Brooke. Did he just ask me out? Brooke thought. The unmitigated gall of the man! It took all of Brooke's resolve to carry on a civil conversation with Zeke. It had been five years since they'd seen each other, but now that she was back in his presence, it seemed like five minutes. She was shaken by how quickly and forcefully all the pain he'd caused her came rushing back. But she wasn't the naïve little 25-year-old she'd been then. She'd learned a thing or two about relationships since he'd broken her heart all those years ago. And now was the perfect time to put that knowledge to use. "Sure, Zeke. Why not," Brooke responded, hoping he didn't hear the tautness in her voice. Two can play this game, she thought. He's interested and that puts the ball squarely in my court this go round. Zeke Granger would pay dearly for the pain he'd caused her five years ago. While Brooke plotted revenge, Zeke had a different plan in mind altogether. He'd hurt her badly. It had nearly destroyed him too. But now that she was back in the same city, he vowed he wouldn't make the same mistake twice. He would win her back … and this time it would be for keeps. Can his love overcome the revenge she seeks, or will the scar left by Zeke's betrayal prevent them from ever having a future together? ********************** Relevant Search Terms: interracial romance, intraracial romance, african american romance, contemporary romance, short romance, multicultural romance, short story fiction, short steamy romance, women's literature, steamy romance, chicklit
Release on 2020-05-14 | by Mike Alleyne,Kirsty Fairclough
Critical Perspectives on an Interdisciplinary Life
Author: Mike Alleyne,Kirsty Fairclough
Pubpsher: Bloomsbury Publishing USA
Prince's position in popular culture has undergone only limited academic scrutiny. This book provides an academic examination of Prince, encompassing the many layers of his cultural and creative impact. It assesses Prince's life and legacy holistically, exploring his multiple identities and the ways in which they were manifested through his recorded catalogue and audiovisual personae. In 17 essays organized thematically, the anthology includes a diverse range of contributions - taking ethnographic, musicological, sociological, gender studies and cultural studies approaches to analysing Prince's career.
David goes off to prison to serve a long sentence, but his sons Justice and Justin dont stop and will do whatever it takes to keep the family name respected. Having a sister to look after makes the brothers have to work harder. But when its time to prove her position she is more dangerous than them all .Tonya does something she can never be forgiven for. Linda and Lisa proves to be too much for each other, they run for their life after breaking the code.
Alan Light, former writer for Rolling Stone, editor-in-chief of Vibe and Spin magazines, and author of The Holy or the Broken, “gets inside Prince’s mind palace in Let’s Go Crazy—a history of the making of his historic, semi-autobiographical musical masterwork, Purple Rain” (Vanity Fair). Purple Rain is a song, an album, and a film—widely considered to be among the most important albums in music history and often named the best soundtrack of all time. It sold over a million copies in its first week of release in 1984 and blasted to #1 on the charts, where it would remain for a full six months and eventually sell over 20 million copies worldwide. It spun off three huge hit singles, won Grammys and an Oscar, and took Prince from pop star to legend—the first artist ever simultaneously to have the #1 album, single, and movie in the country. In Let’s Go Crazy, acclaimed music journalist Alan Light takes a timely look at the making and incredible popularizing of this once seemingly impossible project. With impeccable research and in-depth interviews with people who witnessed and participated in Prince’s audacious vision becoming a reality, Light reveals how a rising but not yet established artist from the Midwest was able not only to get Purple Rain made, but deliver on his promise to conquer the world. “A must-read for the Prince die-hards who have remained devoted through the musical meanderings of the last three decades” (Kirkus Reviews), Let’s Go Crazy examines how the masterpiece that blurred R&B, pop, dance, and rock sounds altered the recording landscape and became an enduring touchstone for successive generations of fans.
Release on 2013-06-18 | by Ahmir "Questlove" Thompson,Ben Greenman
The World According to Questlove
Author: Ahmir "Questlove" Thompson,Ben Greenman
Pubpsher: Hachette UK
Category: Social Science
"You have to bear in mind that [Questlove] is one of the smartest motherf*****s on the planet. His musical knowledge, for all practical purposes, is limitless." --Robert Christgau A punch-drunk memoir in which Everyone's Favorite Questlove tells his own story while tackling some of the lates, the greats, the fakes, the philosophers, the heavyweights, and the true originals of the music world. He digs deep into the album cuts of his life and unearths some pivotal moments in black art, hip hop, and pop culture. Ahmir "Questlove" Thompson is many things: virtuoso drummer, producer, arranger, Late Night with Jimmy Fallon bandleader, DJ, composer, and tireless Tweeter. He is one of our most ubiquitous cultural tastemakers, and in this, his first book, he reveals his own formative experiences--from growing up in 1970s West Philly as the son of a 1950s doo-wop singer, to finding his own way through the music world and ultimately co-founding and rising up with the Roots, a.k.a., the last hip hop band on Earth. Mo' Meta Blues also has some (many) random (or not) musings about the state of hip hop, the state of music criticism, the state of statements, as well as a plethora of run-ins with celebrities, idols, and fellow artists, from Stevie Wonder to KISS to D'Angelo to Jay-Z to Dave Chappelle to...you ever seen Prince roller-skate?!? But Mo' Meta Blues isn't just a memoir. It's a dialogue about the nature of memory and the idea of a post-modern black man saddled with some post-modern blues. It's a book that questions what a book like Mo' Meta Blues really is. It's the side wind of a one-of-a-kind mind. It's a rare gift that gives as well as takes. It's a record that keeps going around and around.
Release on 2014-05-22 | by Erich Hertz,Jeffrey Roessner
Author: Erich Hertz,Jeffrey Roessner
Pubpsher: Bloomsbury Publishing USA
Category: Literary Criticism
Contemporary popular music provides the soundtrack for a host of recent novels, but little critical attention has been paid to the intersection of these important art forms. Write in Tune addresses this gap by offering the first full-length study of the relationship between recent music and fiction. With essays from an array of international scholars, the collection focuses on how writers weave rock, punk, and jazz into their narratives, both to develop characters and themes and to investigate various fan and celebrity cultures surrounding contemporary music. Write in Tune covers major writers from America and England, including Don DeLillo, Jonathan Franzen, Zadie Smith, and Jim Crace. But it also explores how popular music culture is reflected in postcolonial, Latino, and Australian fiction. Ultimately, the book brings critical awareness to the power of music in shaping contemporary culture, and offers new perspectives on central issues of gender, race, and national identity.
There are some criminals so dangerous the world can never know about them. They can't be held in regular prisons. They must never be released. They're here - in a secret underground prison miles away from anywhere. And now, so is Charlie Hardie. The shadowy organisation running the jail sent him there as punishment for getting in their way. But he's not a prisoner. He's in charge. He can leave any time he wants, he's told. There's just one catch: if he goes, everyone in the prison dies, including innocent guards. But when Charlie realises his family may be in danger, he knows he must protect them at any cost. Even if it means blasting his way out, one inmate at a time...
Filled with reproductions of Kehinde Wiley’s bold, colorful, and monumental work, this book encompasses the artist’s various series of paintings as well as his sculptural work—which boldly explore ideas about race, power, and tradition.