Marianne Williamson's bestselling A Return to Love ended with a prayer in which she asked God to help us "find our way home, from the pain to peace, from fear to love, from hell to Heaven." Now, in this stunning new collection of thoughts, prayers, and rites of passage, Marianne Williamson returns to prayer. Prayer is practical, Williamson tells us. "To look to God is to look to the realm of consciousness that can deliver us from the pain of living." Illuminata brings prayer into our daily lives, with prayers on topics from releasing anger to finding forgiveness, from finding great love to achieving intimacy. There are prayers for couples, for parents, and for children; prayers to mend broken relationships and prayers to overcome obsessive and compulsive love. There are prayers to heal the soul, prayers to heal the body, and prayers for work and creativity. Williamson also gives us prayers for the healing of America, including two prayers that have had powerful effects on audiences at her lectures: a prayer of amends on behalf of European Americans to African-Americans and one to Native Americans. How, Williamson asks, can we expect anyone to forgive when we have made no formal apology? Another section includes rites of passage, ceremonies of light for the signal events in our lives: blessing of the newborn, coming of age, marriage, and death. There is also a ceremony of the elder, for moving into midlife, and a ceremony of divorce, in which a gentle transition is provided for both the couple and their children. "Read my prayers or someone else's," Williamson says. "By all means, create your own." Illuminata is a way to bring prayer into practical use, creating a sweeter, more abundant life for yourself and the people you care for. "No conventional therapy," she says, "can release us from a deep and abiding psychic pain. Through prayer we find what we cannot find elsewhere: a peace that is not of this world."
Approaches to Understanding Medieval & Renaissance Manuscripts
Author: Colum Hourihane
Pubpsher: Pennsylvania State University Press
Princeton University first started collecting Western manuscripts in 1876 and continues to this day with the specific aim of developing a research and teaching tool. That unique collection of medieval manuscripts forms the nucleus of this collection of essays. Stretching from Ottonian to the late Gothic&–early Renaissance periods, these studies examine the secular as well as the religious and look at a variety of themes, from the book of hours to the grisaille manuscript. The studies all attempt to place the university&’s collection in the broader framework of manuscript studies, and a number of them deal with general topics not represented within the manuscript library. Written by some of the most celebrated scholars in the field, the studies make every effort to help us understand the power of the written and illuminated word. The contributors are Adelaide Bennett, Walter Cahn, Marc Michael Epstein, Marilyn Aronberg Lavin, Henry Mayr-Harting, Elizabeth Moodey, Stella Panayotova, Virginia Reinburg, Mary Rouse, Richard Rouse, Lucy Freeman Sandler, Don C. Skemer, Anne Rudloff Stanton, and Patricia Stirnemann.
Raccolta di poesie in lingua italiana e inglese di contenuti intimistici e di ispirazione mistica. Collection of poetries in Italian and English language with intimate contents and mystical inspiration.
From the critically acclaimed author of Eyes Like Stars We are such stuff as dreams are made on. Act Two, Scene One Growing up in the enchanted Thèâtre Illuminata, Beatrice Shakespeare Smith learned everything about every play ever written. She knew the Players and their parts, but she didn't know that she, too, had magic. Now, she is the Mistress of Revels, the Teller of Tales, and determined to follow her stars. She is ready for the outside world. Enter BERTIE AND COMPANY But the outside world soon proves more topsy-turvy than any stage production. Bertie can make things happen by writing them, but outside the protective walls of the Thèâtre, nothing goes as planned. And her magic cannot help her make a decision between— Nate: Her suave and swashbuckling pirate, now in mortal peril. Ariel: A brooding, yet seductive, air spirit whose true motives remain unclear. When Nate is kidnapped and taken prisoner by the Sea Goddess, only Bertie can free him. She and her fairy sidekicks embark on a journey aboard the Thèâtre's caravan, using Bertie's word magic to guide them. Along the way, they collect a sneak-thief, who has in his possession something most valuable, and meet The Mysterious Stranger, Bertie's father—and the creator of the scrimshaw medallion. Bertie's dreams are haunted by Nate, whose love for Bertie is keeping him alive, but in the daytime, it's Ariel who is tantalizingly close, and the one she is falling for. Who does Bertie love the most? And will her magic be powerful enough to save her once she enters the Sea Goddess's lair? Once again, LISA MANTCHEV has spun a tale like no other—full of romance, magic, adventure, and fairies, too—that readers won't want to put down, even after the curtain has closed.
The fantastic first novel in Lisa Mantchev's Theatre Illuminata trilogy Welcome to the Théâtre Illuminata, where the characters of every play ever written can be found behind the curtain. The actors are bound to the Théâtre by The Book, an ancient and magical tome of scripts. Bertie is not one of the actors, but they are her family. And she is about to lose them all because The Book has been threatened, and along with it the Théâtre. It's the only home Bertie has ever known, and she has to find a way to save it. But first, there's the small problem of two handsome men, both vying for her attention. Nate, a dashing pirate who will do anything to protect Bertie, and Ariel, a seductive air spirit. The course of true love never did run smooth. . . . With Eyes LIke Stars, Lisa Mantchev has written a debut novel that is dramatic, romantic, and witty, with an irresistible and irreverent cast of characters who are sure to enchant the audience.