Named a 2003 Book of the Year by The Guardian [London], winner of the 2004 Kraszna-Krausz Moving Image Book Award in Culture and History (honoring "the world's best book on the moving images") and honored as an "Outstanding Academic Title" in Choice, the publication of the American Library Association. With forays into the fields of geography, art, architecture, design, cartography, and film, Giuliana Bruno's Atlas of Emotion is a highly original endeavour to map a cultural history of the visual arts. She insists throughout on the inseparability of seeing and travelling. In so doing, she touches on the art of Gerhard Richter and Annette Messager; the filmmaking of Peter Greenaway and Michelangelo Antonioni; the architecture of cinema and its precursors. Visually luscious and daring in conception, the voyage opens new vistas and understandings at every turn.
Release on 2019-06-25 | by Bridget Elliott,Michael Windover
Author: Bridget Elliott,Michael Windover
Scholarly interest in Art Deco has grown rapidly over the past fifty years, spanning different academic disciplines. This volume provides a guide to the current state of the field of Art Deco research by highlighting past accomplishments and promising new directions. Chapters are presented in five sections based on key concepts: migration, public culture, fashion, politics, and Art Deco’s afterlife in heritage restoration and new media. The book provides a range of perspectives on and approaches to these issues, as well as to the concept of Art Deco itself. It highlights the slipperiness of Art Deco yet points to its potential to shed new light on the complexities of modernity.
Everyone is familiar with H.G. Wells's pioneering works of science fiction, The War of the Worlds, The Time Machine, and The Invisible Man—but fewer realize how these works helped to technically develop the cinematic narrative. An appealing and accessible study aimed at the student of modernism and early cinema, H.G. Wells, Modernity, and the Movies reconsiders Well's advancement of the cinematic narrative alongside the social and political impact of early media. Including rare illustrations from the original magazines which published Wells's early work, this groundbreaking study will be of interest to anyone concerned with Wells, his work, and the technological parameters of modern culture.
Release on 2015-10-22 | by Anca I. Lasc,Georgina Downey,Mark Taylor
The Modern Home and Mass Media
Author: Anca I. Lasc,Georgina Downey,Mark Taylor
Pubpsher: Bloomsbury Publishing
Designing the French Interior traces France's central role in the development of the modern domestic interior, from the pre-revolutionary period to the 1970s, and addresses the importance of various media, including drawings, prints, pattern books, illustrated magazines, department store catalogs, photographs, guidebooks, and films, in representing and promoting French interior design to a wider audience. Contributors to this original volume identify and historicize the singularity of the modern French domestic interior as a generator of reproducible images, a site for display of both highly crafted and mass-produced objects, and the direct result of widely-circulated imagery in its own right. This important volume enables an invaluable new understanding of the relationship between architecture, interior spaces, material cultures, mass media and modernity.
This exploration of fashion in American silent film offers fresh perspectives on the era preceding the studio system, and the evolution of Hollywood's distinctive brand of glamour. By the 1910s, the moving image was an integral part of everyday life and communicated fascinating, but as yet un-investigated, ideas and ideals about fashionable dress.