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International Motion Picture Almanac

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International Motion Picture Almanac

Author: Terry Ramsaye
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Size: 30,45 MB
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International Motion Picture Almanac

Author: Quigley Publishing
Publisher: Quigley Publishing Company
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Size: 12,76 MB
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International Motion Picture Almanac

Author: Tracy Stevens
Publisher: Quigley Publishing Company
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Size: 23,50 MB
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1938 39 International Motion Picture Almanac

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International Motion Picture Almanac 2002

Author: Quigley Publishing
Publisher: Quigley Publishing Company
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Size: 17,48 MB
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International Motion Picture Almanac

Author: Richard Gertner
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International Motion Picture Almanac 2010

Author: Eileen S. Quigley
Publisher: Quigley Publishing Company
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Size: 21,86 MB
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When Hollywood Loved Britain

Author: Mark Glancy
Publisher: Manchester University Press
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When Hollywood Loved Britain examines the Hollywood "British" film--American feature films that were set in Britain, based on British history or literature and included the work of British producers, directors, writers and actors. "British" films include many of the most popular and memorable films of the 1930s and 1940s, yet they have received little individual attention from film historians and even less attention as a body of films. While the book is centered on wartime "British" films, it also investigates wider issues: the influence of censorship and propaganda agencies during Hollywood’s studio era, studio finances, the isolationist campaign in the United States between 1939 and 1941, and American perceptions of Britain at war.


American Film Exhibition and an Analysis of the Motion Picture Industry s Market Structure 1963 1980

Author: Gary Edgerton
Publisher: Routledge
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This study looks at how the movie industry organisation functioned between the late ‘40s and 1983 when it was originally published. It describes the changing role of domestic exhibition through this time and analyses the wider film industry to provide a model of the exhibition structure in relation to production, distribution and outside factors. It addresses the growing issues of the cable and video markets as competition to the film exhibition business at that time and looks forward into a highly turbulent environment. With particular interest now as the film industry address a new range of threats and adaptations of its working structure, this book offers and integral understanding of a key stage in cinema history.


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