During this period, in addition to the magazine program, Voice, Orwell continued to develop what would now be called an "open university"—broadcasts by distinguished speakers on texts set for Bombay and Calcutta university degrees. He enlisted such speakers as E.M. Forster, T.S. Eliot, and Joseph Needham, and the broadcasts were backed up by publications printed in India for university students. Some of Orwell's scripts, such as that for his "Imaginary Interview with Jonathan Swift," pose difficult textual problems and these are fully examined and annotated. Additionally, the script of Eileen Blair's broadcast for the series, "In Your Kitchen" has been included. Orwell still found time to write a number of reviews, contribute to Partisan Review, and write essays on Hardy, Henry Miller, and Yeats.
Release on 2014-05-22 | by Matthew Feldman,Henry Mead,Erik Tonning
Author: Matthew Feldman,Henry Mead,Erik Tonning
Pubpsher: A&C Black
Category: Literary Criticism
The era of literary modernism coincided with a dramatic expansion of broadcast media throughout Europe, which challenged avant-garde writers with new modes of writing and provided them with a global audience for their work. Historicizing these developments and drawing on new sources for research – including the BBC archives and other important collections - Broadcasting in the Modernist Era explores the ways in which canonical writers engaged with the new media of radio and television. Considering the interlinked areas of broadcasting 'culture' and politics' in this period, the book engages the radio writing and broadcasts of such writers as Virginia Woolf, W. B. Yeats, Ezra Pound, T. S. Eliot, James Joyce, George Orwell, E. M. Forster, J. B. Priestley, Dorothy L. Sayers, David Jones and Jean-Paul Sartre. With chapters by leading international scholars, the volume's empirical-based approach aims to open up new avenues for understandings of radiogenic writing in the mass-media age.
The twelve edited volumes of Orwell's non-fiction, collected for the first time in one invaluable ebook. A rich treasure trove of material, this unique collection includes Orwell's reviews, broadcasts, notebooks, wartime diaries, articles on socialism and censorship, correspondence with luminaries such as Arthur Koestler, Anthony Powell and Evelyn Waugh, and famous essays such as 'Politics and the English Language', 'Why I Write' and 'Some Thoughts on the Common Toad'. Edited by Professor Peter Davison, the collection encompasses twelve annotated volumes and ranges across the whole of Orwell's writing life, from 1903 to 1950. As well as providing an unparalleled insight into Orwell's life and works, the volume offers a wonderful overview of the social, literary and political events of the thirties and forties. It will be an invaluable resource for fans, students and scholars alike. Contents: A Kind of Compulsion (1903-36) Facing Unpleasant Facts (1937-39) A Patriot After All (1940-41) All Propaganda is Lies (1941-42) Keeping Our Little Corner Clean (1942-43) Two Wasted Years (1943) I Have Tried to Tell the Truth (1943-44) I Belong to the Left (1945) Smothered Under Journalism (1946) It is What I Think (1947-48) Our Job is to Make Life Worth Living (1949-50) The Lost Orwell
From the author of the definitive biography of George Orwell, a captivating account of the origin and enduring power of his landmark dystopian novel Since its publication nearly 70 years ago, George Orwell’s 1984 has been regarded as one of the most influential novels of the modern age. Politicians have testified to its influence on their intellectual identities, rock musicians have made records about it, TV viewers watch a reality show named for it, and a White House spokesperson tells of “alternative facts.” The world we live in is often described as an Orwellian one, awash in inescapable surveillance and invasions of privacy. On 1984 dives deep into Orwell’s life to chart his earlier writings and key moments in his youth, such as his years at a boarding school, whose strict and charismatic headmaster shaped the idea of Big Brother. Taylor tells the story of the writing of the book, taking readers to the Scottish island of Jura, where Orwell, newly famous thanks to Animal Farm but coping with personal tragedy and rapidly declining health, struggled to finish 1984. Published during the cold war—a term Orwell coined—Taylor elucidates the environmental influences on the book. Then he examines 1984’s post-publication life, including its role as a tool to understand our language, politics, and government. In a current climate where truth, surveillance, censorship, and critical thinking are contentious, Orwell’s work is necessary. Written with resonant and reflective analysis, On 1984 is both brilliant and remarkably timely.
Combining literary, cultural, and political history, and based on extensive archival research, including previously unseen FBI and CIA documents, Archives of Authority argues that cultural politics--specifically America's often covert patronage of the arts--played a highly important role in the transfer of imperial authority from Britain to the United States during a critical period after World War II. Andrew Rubin argues that this transfer reshaped the postwar literary space and he shows how, during this time, new and efficient modes of cultural transmission, replication, and travel--such as radio and rapidly and globally circulated journals--completely transformed the position occupied by the postwar writer and the role of world literature. Rubin demonstrates that the nearly instantaneous translation of texts by George Orwell, Thomas Mann, W. H. Auden, Richard Wright, Mary McCarthy, and Albert Camus, among others, into interrelated journals that were sponsored by organizations such as the CIA's Congress for Cultural Freedom and circulated around the world effectively reshaped writers, critics, and intellectuals into easily recognizable, transnational figures. Their work formed a new canon of world literature that was celebrated in the United States and supposedly represented the best of contemporary thought, while less politically attractive authors were ignored or even demonized. This championing and demonizing of writers occurred in the name of anti-Communism--the new, transatlantic "civilizing mission" through which postwar cultural and literary authority emerged.