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Aspects de la Litt rature Japonaise

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Re Reading Zola and Worldwide Naturalism

Author: Carolyn Snipes-Hoyt
Publisher: Cambridge Scholars Publishing
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Re-Reading Zola and Worldwide Naturalism continues the discussion of Émile Zola and French naturalism with examinations of unexplored areas of the founding father’s project and legacy. In addition to offering essays on Zola’s lesser known naturalist contemporaries, the volume extends the investigation of the naturalist literary current to include areas of Europe outside France, as well as the Americas and Asia, tracking its persistence in various forms through the twentieth century and into the twenty-first. The authors pay particular attention to the ways naturalism was conceived and then received, including in other channels, undergoing transformations in new social conditions and creating other versions of the basic precepts. This work features multidisciplinary and comparative approaches to the study of naturalism, paying tribute to Anna Gural-Migdal—a Professor of French Literature and Film Studies at the University of Alberta, in Canada, who specializes in the visual aspect of Zola’s Rougon Macquart novels and the transfer of these strategies to naturalist film. She has been a leader in the field of Zola and naturalism in her role as president of the AIZEN for almost fifteen of its twenty years of existence.


Japanese and Western Literature

Author: Armando Martins Janeira
Publisher: Tuttle Publishing
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Japanese and Western Literature delves deeply into Japanese culture to discover the concepts that similarize and differentiate Japanese and Western literary creations. Paralleling Japanese literary creations and fundamental thought with those of the West, the author draws many illuminating comparisons: for example, between the novels of Murasaki Shikibu and Marcel Proust, between the Portuguese poet Torga and the haiku master Issa, and between the picaresque novel in Japan and in the West. Contrastive studies are also made into such concepts as time, nature, love, and tragedy. This broad yet incisive survey of Japanese literarily genres and themes is more than a comparative study of literature, however; it is an attempt to grasp the core of Japanese culture by setting it against world culture. From this born a complex of new ideas and problems, and author is able to probe the extent of Western influence on Japanese fiction, poetry, and essays in the past hundred years.


Intercultural Explorations

Author: International Comparative Literature Association. Congress
Publisher: Rodopi
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Volume 8 of the proceedings of the XVth Congress of the International Comparative Literature Association "Literature as Cultural Memory", Leiden 16-22 August 1997.


Approches critiques de la pens e japonaise du XXe si cle

Author: Livia Monnet
Publisher: PUM
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Au XXe siècle, le Japon aura laissé sur le monde une marque indélébile. Mais au-delà des coups d'éclat culturels, militaires et économiques, le pays du soleil levant est le lieu d'une pensée où la modernité est à la fois l'enjeu et l'acteur de profonds débats. Cet ouvrage rassemble des articles de chercheurs provenant de six pays, incluant le Canada, les États-Unis, le Japon et la France. Leurs contributions sont autant d'incursions dans ce riche territoire qu'est la modernité japonaise. De l'histoire de l'art du début du siècle au système d'esclavage sexuel, de la citoyenneté des femmes à l'époque impériale aux positions totalitaires de Watsuji Tetsuro, proches de celles de Heidegger, l'histoire du Japon moderne est ici réexaminée dans ce qu'elle a de plus fondamental. Ce qui unifie ces articles malgré la diversité de leurs approches et méthodologies (philosophie, littérature, sciences naturelles, géographie, entre autres), c'est une volonté constante de repenser le nationalisme culturel et son rôle dans la construction de la modernité japonaise, ainsi qu'un questionnement sérieux des paradigmes mêmes de l'histoire des idées.


ISLA 1

Author: Tetsuji Yamamoto
Publisher: Rowman & Littlefield
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Modern epistemology and modern society have separated subject from object, defined economy as industrialization, structured politics into the formations of nation-states, and institutionalized social practices. These "philosophical and social designs of separations" have given birth to physical and symbolic violences at various levels. State power, imperialism, male domination, as well as the ritual "violence" within human existence itself are expressed in various scenes in the world of everyday life. To overcome this violence requires the promotion of a philosophical design that reconsiders the significations of modernity itself. This volume presents work from the front lines of an international intellectual effort to fundamentally reconsider "the social," "the natural," "the human," and "the cultural." This project is not, however, a one-sided critical negation of modernity. Rather, the contributions create an opportunity to rethink the modern in all its depth to draw forth a critical affirmation of modernity, and to seek new ways of deploying the intelligence of West and East. Through transdisciplinary "thinking technologies" drawing on fields such as philosophy, history, sociology, anthropology, contemporary social research, women's studies, architecture and urban studies, participants develop pointed examinations of various phenomena and sites within the contemporary situations. The present collection contains original writings by and interviews with prominent thinkers.


100 Poems from the Japanese

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Publisher: New Directions Publishing
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It is remarkable that any Westerner—even so fine a poet as Kenneth Rexroth—could have captured in translation so much of the subtle essence of classic Japanese poetry: the depth of controlled passion, the austere elegance of style, the compressed richness of imagery. The poems are drawn chiefly from the traditional Manyoshu, Kokinshu and Hyakunin Isshu collections, but there are also examplaes of haiku and other later forms. The sound of the Japanese texts i reproduced in Romaji script and the names of the poets in the calligraphy of Ukai Uchiyama. The translator's introduction gives us basic background on the history and nature of Japanese poetry, which is supplemented by notes on the individual poets and an extensive bibliography.


Le Reel dans la litterature et dans la langue

Author: La Federation Internationale des Langues et Litteratures Modernes
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Actes Du Congr s de L Association Internationale de Litt rature Compar e

Author: International Comparative Literature Association. Congress
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Anthology of Japanese Literature

Author: Donald Keene
Publisher: Open Road + Grove/Atlantic
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A landmark collection of five periods of literature from the Land of the Rising Sun. The sweep of Japanese literature in all its great variety was made available to Western readers for the first time in this anthology. Every genre and style, from the celebrated No plays to the poetry and novels of the seventeenth century, find a place in this book. An introduction by Donald Keene places the selections in their proper historical context, allowing the readers to enjoy the book both as literature and as a guide to the cultural history of Japan. Selections include “Man’yoshu” or “Collection of Ten Thousand Leaves” from the ancient period; “Kokinshu” or “Collection of Ancient and Modern Poetry,” “The Tosa Diary” of Ki No Tsurayuki, “Yugao” from “Tales of Genji” of Murasaki Shikibu, and “The Pillow Book” of Sei Shonagon from the Heian Period; “The Tale of the Heike” from the Kamakura Period; Plan of the No Stage, “Birds of Sorrow” of Seami Motokiyo, and “Three Poets at Minase” from the Muromachi Period; and Sections from Basho, including “The Narrow Road of Oku,” “The Love Suicides at Sonezaki” by Chikamatsu Monzaemon, and Waka and haiku of the Tokugawa Period.