Landscape and Power Second Edition

This text considers landscape not simply as an object to be seen or a text to be read, but as an instrument of cultural force, a central tool in the creation of national and social identities.

Landscape and Power  Second Edition

This text considers landscape not simply as an object to be seen or a text to be read, but as an instrument of cultural force, a central tool in the creation of national and social identities. This edition adds a new preface and five new essays.

Landscape and Power in Early China

This book addresses the complex relationship between geography and political power in the context of the crisis and fall of the Western Zhou state.

Landscape and Power in Early China

The ascendancy of the Western Zhou in Bronze Age China, 1045–771 BC, was a critical period in the development of Chinese civilisation and culture. This book addresses the complex relationship between geography and political power in the context of the crisis and fall of the Western Zhou state. Drawing on the latest archaeological discoveries, the book shows how inscribed bronze vessels can be used to reveal changes in the political space of the period and explores literary and geographical evidence to produce a coherent understanding of the Bronze Age past. By taking an interdisciplinary approach which embraces archaeology, history and geography, the book thoroughly reinterprets late Western Zhou history and probes the causes of its gradual decline and eventual fall. Supported throughout by maps created from the GIS datasets and by numerous on-site photographs, Landscape and Power in Early China gives significant insights into this important Bronze Age society.

Landscape And Power In Ancient Mesoamerica

Recent studies of ancient landscapes have matured into well-rounded inquiries
regarding humanity's engagement with ... These landscapes of power are the
cumulative results of encounters among individuals, the built environment (urban
 ...

Landscape And Power In Ancient Mesoamerica

From the early cities in the second millennium BC to the Aztec capital of Tenochtitlan on the eve of the Spanish conquest, Ancient Mesoamericans created landscapes full of meaning and power in the center of their urban spaces. The sixteenth century description of Tenochtitlan by Bernal Diaz del Castillo and the archaeological remnants of Teotihuacan attest to the power and centrality of these urban configurations in Ancient Mesoamerican history. In Landscape and Power in Ancient Mesoamerica, Rex Koontz, Kathryn Reese-Taylor, and Annabeth Headrick explore the cultural logic that structured and generated these centers.Through case studies of specific urban spaces and their meanings, the authors examine the general principles by which the Ancient Mesoamericans created meaningful urban space. In a profoundly interdisciplinary exchange involving both archaeologists and art historians, this volume connects the symbolism of those landscapes, the performances that activated this symbolism, and the cultural poetics of these ensembles.

Landscape and Power in Geographical Space as a Social Aesthetic Construct

4.3.2.1 Symbolic Communication—Language, Power, and Landscape To
scrutinize the relation between landscape and power is to inquire into the social
function of knowledge, its transformation, and its bearers (see e.g. Weingart 2003
, 2012; ...

Landscape and Power in Geographical Space as a Social Aesthetic Construct

This book examines the power definiteness of landscape from a social constructivist perspective with a particular focus on the importance of aesthetic concepts of landscape in development. It seeks to answer the question of how societal notions of landscape emerge, how they are individually updated and how these ideas affect the use and design of physical space. It also analyzes how physical manifestations of societal activity impact on understandings of individual and societal landscapes and addresses the essential aspect of the social construction of landscape, cultural specificity, which in turn is discussed in the context of the expansion of a western landscape concept. The book offers an unprecedented, comprehensive and detailed examination of societal power relations in the context of landscape development. The numerous case studies from the physical manifestation of modern spatial planning in the United States, the power discourses concerning the design of model railway landscapes, and the medial production of stereotypical landscape notions shed light on the complex and multilayered interactions of collective and individual landscape references. It is a valuable resource for geographers, sociologists, landscape architects, landscape planners and philosophers.

Landscape and Power in Vienna

In Landscape and Power in Vienna, Robert Rotenberg shows how such groups--monarchists and republicans, fascists and socialists--also influenced another, equally vital aspect of urban identity in this central European metropolis: the ...

Landscape and Power in Vienna

Each of the groups that has held political power in Vienna over the past three centuries has left its mark on the city's history, institutions, and architecture. In Landscape and Power in Vienna, Robert Rotenberg shows how such groups--monarchists and republicans, fascists and socialists--also influenced another, equally vital aspect of urban identity in this central European metropolis: the landscape. Working as both a historian and an ethnographer, Rotenberg examines the relationship among human experience, landscape design, and the ideas that design was meant to represent. Understanding this relationship, Rotenberg explains, makes it possible to examine a Viennese garden today and deduce the ideology of those who planted it. From "Gardens of Order" and "Gardens of Liberty," to "Gardens of Reaction" and "Gardens of Renewal," the chapters of Landscape and Power in Vienna show how leaders and citizens shared ideas about landscape emerge in the kinds of gardens they produce. "Landscape itself is a language," Rotenberg concludes. "People learn the meanings of landscape in a city from the landscape itself."

Landscape and Power

The original essays in this volume consider landscapes not merely as visual or textual symbols but as sources of social and personal identities.

Landscape and Power

Landscapes, whether in pictures or the world, have been viewed as a genre, treated as texts, interpreted as allegory. Landscape and Power goes beyond these approaches to ask not just what landscape "is" or "means" but what it does, how it works as a cultural practice. The original essays in this volume consider landscapes not merely as visual or textual symbols but as sources of social and personal identities. In the opening essay, W. J. T. Mitchell examines the ways in which the concept of landscape functions in the discourse of imperialism, from Chinese imperial landscape to views of contested territory in New Zealand and Israel. The following essays—by Ann Jensen Adams, Ann Bermingham, Elizabeth Helsinger, David Bunn, Joel Snyder, and Charles Harrison—range from Dutch landscape and the formation of national identity to picturesque landscape and the process of political silencing and legitimation. Other topics include Turner's "tourist landscapes" as reflections on the conditions of political representation, American landscape photography and the "professionalizing" of the frontier, "domestic" British landscapes transferred to South Africa in the nineteenth century, and forms of resistance to ideology in modernist landscape painting.

Painters Patrons and Identity

He continues, "The genre is a resource for the symbolization of an already
represented world, which is inescapably the world of human concepts and values
"; Charles Harrison, "The Effects of Landscape," in Mitchell, Landscape and
Power, ...

Painters  Patrons  and Identity

This broad and lively anthology reveals the breadth of his influence and the vitality of the field of Native American art history.

Cultural Landscape Assessment

reflect the patterns of settlement or use of the landscape over a long time , as well
as the evolution of cultural values . He uses ... Landscapes carry symbolic
meanings and can be assertions of power or demonstrate an ideological function
.

Cultural Landscape Assessment


Landscape and Power in Early China

Comprehensive study of the rise and fall of the Western Zhou, 1045-771 B.C.

Landscape and Power in Early China

Comprehensive study of the rise and fall of the Western Zhou, 1045-771 B.C.

LANDSCAPE POWER IN ANCIENT MESOAMERICA

The authors of this volume investigate the meaning of Ancient Mesoamerican space, specifically, how the elements of urban landscape were related to each other, and to other fundamental aspects of Ancient Mesoamericans.

LANDSCAPE   POWER IN ANCIENT MESOAMERICA


Representations

For the most pertinent critique of this line of criticism , see the essays in W . J . T .
Mitchell , ed . , Landscape and Power ( Chicago , 1994 ) . The assertion is that
the purely aesthetic , Ruskinian approach to landscape art carried out in terms of
 ...

Representations


The Pictorial Turn

With these topics in mind, picture theory and iconology exceed in scope the objects of visual culture conventionally understood. This book was published as a special issue of Culture, Theory and Critique.

The Pictorial Turn

In 1992 W. J. T. Mitchell argued for a "pictorial turn" in the humanities, registering a renewed interest in and prevalence of pictures and images in what had been understood as an age of simulation, or an increasingly extensive and diverse visual culture. However, in what is often characterized as a society of the "spectacle" we still do not know exactly what pictures or images are, what their relation to language is, how they operate on observers and the world, how their history is to be understood, and what is to be done with or about them. In this seminal collection of essays, the first to be devoted to the "pictorial turn", theorists from across the humanities and social sciences, representing the disciplines of art history, philosophy, geography, media studies, visual studies and anthropology, are brought together with a paleontologist and practising artists to consider amongst other things the relation between pictures and images, the power of landscape, the nature of political images, the status of images in the natural sciences, the "life" of images, and the pictorial uncanny. With these topics in mind, picture theory and iconology exceed in scope the objects of visual culture conventionally understood. This book was published as a special issue of Culture, Theory and Critique.

Perpetual Performance

Introduction . Landscape and Power . 1994 . 2nd ed . Chicago and London :
University of Chicago Press , 2002 . 14 . - , ed . “ Preface to the Second Edition of
Landscape and Power . Space , Place and Landscape . ” Landscape and Power .

Perpetual Performance


Landscape

Landscape and Power , Chicago 1994 , pp . 14-15 . 3 V. Pomarède , L'Ecole de
Barbizon – Peindre en plein air avant l'impressionisme , Lyon 2002 , p . 48 . 4
John House et al . Landscapes of France : Impressionism and its rivals , London
 ...

Landscape


What Do Pictures Want

What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images.

What Do Pictures Want

Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum

Landscapes of Power Landscapes of Conflict

This book is an attempt to blend traditional empirical, objective archaeological analysis with the study of changing patterns of landscapes and, through them, people and places and the relationships between them.

Landscapes of Power  Landscapes of Conflict

This book is an attempt to blend traditional empirical, objective archaeological analysis with the study of changing patterns of landscapes and, through them, people and places and the relationships between them. The author focuses on late Iron Age southern Scandinavia through to early medieval polity of Denmark, a time of regional transformation from many autonomous, complex, middle-range societies into a unified, centralized state.

Landscape and Livelihood

Coffee , Society and Power in Latin America ( Baltimore : Johns Hopkins UP ,
1995 ) and Sidney Mintz , Sweetness and Power ( New York : Penguin Books ,
1986 ) 130 Frederick U. Adams , The Conquest of the Tropics , pp . 348-354 . the
 ...

Landscape and Livelihood