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Le Cin ma Expressionniste Allemand Un Langage M taphorique

Author: Michael Henry
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Expressionism and Film

Author: Rudolf Kurtz
Publisher: Indiana University Press
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Expressionism and Film, originally published in German in 1926, is not only a classic of film history, but also an important work from the early phase of modern media history. Written with analytical brilliance and historical vision by a well-known contemporary of the expressionist movement, it captures Expressionism at the time of its impending conclusion—as an intersection of world view, resoluteness of form, and medial transition. Though one of the most frequently-cited works of Weimar culture, Kurtz’s groundbreaking work, which is on a par with Siegfried Kracauer’s From Caligari to Hitler and Lotte Eisner’s The Haunted Screen, has never been published in English. Its relevance and historical contexts are analyzed in a concise afterword by the Swiss scholars Christian Kiening and Ulrich Johannes Beil.


Pictorial Affects Senses of Rupture

Author: Michael Wedel
Publisher: Walter de Gruyter GmbH & Co KG
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German film in the Wilhelmine and Weimar periods is regarded as marked by a strong sense of cultural conservatism and the aspiration to be recognized as an art form. This book takes an alternative approach to the history of German cinema from the emergence of the early feature film to the transition to sound by focusing on the poetics of popular genres such as the disaster film, melodrama, the musical and the war film, exploring their cultural reverberations and modes of audience address. Based on the assumption that popular cinema contributed immensely to the breakthrough of a modern audiovisual "culture of the senses" in Germany between 1910 and 1930, Pictorial Affects, Senses of Rupture offers close readings of a number of rarely analyzed films, including one of the first cinematic adaptations of the Titanic disaster from 1912 and the German version of All Quiet on the Western Front from 1930. Restoring the films' horizons of historicity by locating them at crucial points of intersection between social, cultural, technological and aesthetic discourses, this book argues for the prominent role popular German cinema’s own forms of discursivity have played within the historical formation of modernity.


Short History of the Shadow

Author: Victor I. Stoichita
Publisher: Reaktion Books
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Looks at the depiction and meaning of shadows in the history of Western art


Charlie Chaplin

Author: Adolphe Nysenholc
Publisher: Walter de Gruyter GmbH & Co KG
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Positions Des Th ses de Troisi me Cycle Soutenues Devant la Facult

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Le cin ma t moin de l imaginaire dans le roman fran ais contemporain

Author: Jeanne-Marie Clerc
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Etudes britanniques contemporaines

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IRIS

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Stanford French Review

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