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History of Political Ideas

Author: Eric Voegelin
Publisher: University of Missouri Press
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Voegelin's magisterial account of medieval political thought opens with a survey of the structure of the period and continues with an analysis of the Germanic invasions, the fall of Rome, and the rise of empire and monastic Christianity. The political implications of Christianity and philosophy in the period are elaborated in chapters devoted to John of Salisbury, Joachim of Flora (Fiore), Frederick II, Siger de Brabant, Francis of Assisi, Roman law, and climaxing in a remarkable study of Saint Thomas Aquinas's mighty thirteenth-century synthesis. Although History of Political Ideas was begun as a textbook for Macmillan, Voegelin never intended it to be a conventional chronological account. He sought instead an original comprehensive interpretation, founded on primary materials and taking into account the most advanced specialist scholarship--or science as he called it--available to him. Because of this, the book grew well beyond the confines of an easily marketable college survey and until now remained unpublished. In the process of writing it, Voegelin himself outgrew the conceptual frame of a "History of Political Ideas," turning to compose Order and History and the other works of his maturity. History of Political Ideas became the ordered collection of materials from which much of Voegelin's later theoretical elaboration grew, structured in a manner that reveals the conceptual intimations of his later thought. As such, it provides an unparalleled opportunity to observe the working methods and the intellectual evolution of one of our century's leading political thinkers. In its embracing scope, History of Political Ideas contains both analyses of themes Voegelin developed in his later works and discussions of authors and ideas to which he did not return or which he later approached from a different angle and with a different emphasis. The Middle Ages to Aquinas has withstood the test of time. What makes it still highly valuable is its thoroughly revisionist approach, cutting through all the convenient clich�s and generalizations and seeking to establish the experiential underpinnings that typified the medieval period.


A Life Among Others

Author: Adeline Morizot-Delahaye
Publisher: Balboa Press
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After graduating in Finances in a Business School in Paris, I worked in a large company until 2015. At the end of 2014, a divine intervention reconnected me to the invisible world. Since then, I get to access my past lives and the invisible world thanks to signs and intuition. In this book, I share what I learned while discovering a wonderful and magic world, which is ours. My past lives as famous figures from our history help me understand that, if we pay attention to signs, our lives are intimately linked to others. Moreover, we live in a world perfectly arranged, we are guided by beings from the invisible world. We all have access to that. We hold treasures within us.


Messiaen s Final Works

Author: Christopher Dingle
Publisher: Routledge
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When Olivier Messiaen (1908-1992) completed the vast opera Saint Frans dAssise in 1983, he was mentally and physically exhausted, and believed that this monumental work would be his final compositional statement. In fact, he completed seven further works, and these form the focus of the present study. Christopher Dingle suggests that, following the crisis provoked by the opera, Messiaen's music underwent a discernible change in style. He examines these seven works to identify characteristics of the composer's music, in particular an often overlooked aspect of his technique: harmony. Part I of the book begins with a brief historical survey before discussing Saint Frans dAssise as the work which defines everything that follows. Part II examines the series of miniatures that came after the opera and their links with lairs sur lAu-Del., his final masterpiece. lairs forms the subject of Part III of the book. Each movement is analysed in turn, before the work is considered as a whole and its hidden structure and motivic cohesion is revealed. Finally, Part IV considers the incomplete Concert and key stylistic features of the works of Messiaens final years.


Commentationes Humanarum Litterarum

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Vol. 10 includes "Tables générales des Séries de publications de Societas Scientiarum Fennica, 1838-1938."


Le doigt sur la Lumi re

Author: Gilles Charles Vuille
Publisher: AuthorHouse
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L’homme qui nie l’existence d’un Dieu-Créateur de toutes choses ne risque-t-il pas de se prendre pour Dieu ? Les écrits sur l’athéisme sont légion, font recette aujourd’hui ! Question : comment reconnaître le bon grain de l’ivraie ? L’intérêt de ce Contre-chant à l’athéisme de Richard Dawkins réside d’abord dans sa conception, son approche, son style; il se trouve ensuite être révélateur et savamment éclairant. Son auteur, Gilles Charles Vuille, n’a pas cherché, comme Richard Dawkins, à transmettre sa pensée personnelle, mais tout son contraire : on ressent, en effet, cette préoccupation à distiller, au fil des pages, des paroles fortes émanant d’une multitude d’hommes et de femmes notoires, ayant fait l’expérience de l’Amour de Dieu. Cette recherche minutieuse, à travers les millénaires, amène progressivement à vider de sa substance les thèses sur l’athéisme. Voilà une lecture qui pourrait bien nous mener à la Lumière ! Luc Claessens


Que Peindre What to Paint

Author: Jean-François Lyotard
Publisher: Universitaire Pers Leuven
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The texts focus on three artists with widely divergent aesthetic orientations: the colorist-draftsman Valerio Adami, the conceptual metaphysician Shusaku Arakawa, and Daniel Buren, the "pragmatist of the invisible."


Michel Henry et l affect de l art

Author: Adnen Jdey
Publisher: BRILL
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The studies in this book set out to examine the labile resonances of phenomenology and art in Michel Henry, by examining the different figures of movement given to the concept of the aesthetic by the philosopher. They are preceded by one of Michel Henry’s own texts. - Les études qui composent ce livre proposent d’interroger les résonances labiles de la phénoménologie et de l’art chez Michel Henry, en examinant les différentes figures du déplacement imprimé par le philosophe au concept d’esthétique. Le tout est précédé d’un texte de Michel Henry.


Anuario de letras modernas

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Innovation et tradition de la renaissance aux lumi res

Author: François Laroque
Publisher: Presses Sorbonne Nouvelle
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Le mot " Renaissance " est une source intarissable de malentendus. Il suggère, tout à la fois, une ère nouvelle et le rétablissement d'une situation antérieure, la métamorphose et le retour du même. De là découlent des ambiguïtés que rien ne souligne mieux que les multiples façons dont l'époque qui a reçu ce nom réagit à l'idée même de la nouveauté. On serait tenté de croire qu'elle lui fit bon accueil. Il semble qu'il n'en fut rien. Placée par une longue et prestigieuse historiographie sous le signe de la découverte, la Renaissance fut plutôt vécue comme redécouverte, dans un climat peu favorable, sinon hostile à la novation. Quand on y eut le sentiment exalté d'entrer dans un monde différent, ce fut en prenant soin de s'adosser à une certaine tradition. Pourtant, l'idée d'une période ayant marqué la fin d'un long épisode de stagnation et le commencement d'un cycle de progrès ne fut-elle qu'un mythe élaboré par les Lumières en quête d'une généalogie légitimatrice ? Ce mythe eût-il connu pareille fortune s'il n'avait reposé sur quelques solides fondements ? Les études réunies ici tentent de répondre à ces questions et complètent celles du volume Esthétiques de la nouveauté à la Renaissance.


Art today

Author: International Association of Art Critics. Swiss Section
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