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Private Readings public Texts

Author: Kenneth Krauss
Publisher: Fairleigh Dickinson Univ Press
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In this volume, Kenneth Krauss maintains that if readers are to comprehend playscripts as plays, they must imagine the theatre audience - so vital to the staging of any script, but conspicuously absent from the text itself. Krauss examines what has been written about reading playscripts (or "playreading") and proposes four possible ways, founded on a reception-oriented approach to theatre communication and spectator response, that playreaders may construct a sense of theatre audiences The study begins with a review of a varied collection of books and dissertations, written over the last forty-five years, all of which explicitly discuss playreading and exhibit only minor interest in the relationship between reader and theatre audience. The study next attempts to explain why writers more sympathetic to a reader-centered view of reading, notably reader-response critics, have avoided dramatic texts almost entirely. The study finds that both theoretical and institutional limitations have kept recent so-called audience-centered critics from the crucial issues related to reading playscripts. Drawing on play reading literature and on theatre reception theory, the study presents four spectator constructs which readers may deploy during the reading of playscripts. The first is what some, notably David Scanlan and Karen Laughlin, see as the "inscribed" audience (the rhetorical "house" implied by the playscript itself), which is in fact usually a projection of readers themselves. The second construct, originally proposed by Roger Gross, is the hypothetical audience which is significantly distinct from text and reader. The third and fourth, suggested by Kirsten Nigro, are the more specific actual or historical audience - which is based on hard data about real spectators - and the speculated audience, which focuses on either those who never come to see the play in question or those who actually did come but who must be imagined seeing the performance under different circumstances. These constructs are illustrated through four separate but related explorations of Jean Genet's Les Bonnes. The study offers a credible but highly subjective rhetorical reading and then develops a hypothetical approach which is (deliberately) flawed in part. The study then turns to the play's original staging and attempts to explain the negative responses of the actual spectators who attended the play's premiere run. Finally, in an attempt to speculate upon who might have comprised a better audience for Genet's play, the study concludes by inventing a restaging of the play in a different theatre, by different actors, under a different director, and by constructing a highly select and very appreciative house.


The Identity of France History and environment

Author: Fernand Braudel
Publisher: Harpercollins
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Studies the relationship between the history of France and its physical territory


P F s French Grammar The fifth edition amended and enlarged etc Nouvelle Grammaire Fran oise etc

Author: Paul Festeau
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Late Antique Letter Collections

Author: Cristiana Sogno
Publisher: University of California Press
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Bringing together an international team of historians, classicists, and scholars of religion, this volume provides the first comprehensive overview of the extant Greek and Latin letter collections of late antiquity (ca. 300–600 c.e.). Each chapter addresses a major collection of Greek or Latin literary letters, introducing the social and textual histories of each collection and examining its assembly, publication, and transmission. Contributions also reveal how collections operated as discrete literary genres, with their own conventions and self-presentational agendas. This book will fundamentally change how people both read these texts and use letters to reconstruct the social history of the fourth, fifth, and sixth centuries.


Opening Bazin

Author: Dudley Andrew
Publisher: Oxford University Press on Demand
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Andre Bazin remains one of the most read, most studied, and most engaging figures ever to have written about film. Fifty years after his death, he is still widely recognized as cinema's most significant philosopher-critic. Always an important presence within cinema theory, Bazin has seen a massive resurgence of interest among critics, scholars, and students now that an electronic archive of his entire critical output has been catalogued. Opening Bazin assesses the great critic's influence and legacy, with essays from several generations of the very best film scholars: Gunning, Frodon, Margulies, Conley, MacCabe, Narboni, and Vernet, to name just a few. Ultimately, these essays reaffirm Bazin's relevance in this new century, tracing his lineage, debating his aesthetics, locating him in the rich cultural moment of postwar France, and tracking the effect of his thought around the world.


French Animation History

Author: Richard Neupert
Publisher: John Wiley & Sons
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French Animation History is essential reading for anyone interested in the history of animation, illuminating the exceptional place France holds within that history. Selected by Choice as an Outstanding Academic Title for 2011 The first book dedicated exclusively to this history Explores how French animators have forged their own visual styles, narrative modes, and technological innovations to construct a distinct national style, while avoiding the clichés and conventions of Hollywood’s commercial cartoons Includes more than 80 color and black and white images from the most influential films, from early silent animation to the recent internationally renowned Persepolis Essential reading for anyone interested in the study of French film


The General Evening Post

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Catalog of Copyright Entries

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Library of Congress Catalog

Author: Library of Congress
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The British National Bibliography

Author: Arthur James Wells
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