Release on 2004 | by International Association for Philosophy of Law and Social Philosophy. Schweizer Sektion. Tagung
IVR-Symposium, Lund, 2003
Author: International Association for Philosophy of Law and Social Philosophy. Schweizer Sektion. Tagung
Pubpsher: Franz Steiner Verlag
Category: Social Science
Inhalt Kurt Seelmann: Vorwort Bernard Baertscchi: La dignite de l'homme et l'integrite de la personnne Quelques precisions conceptuelles Mario A. Cattaneo: Menschenwuerde bei Kant Horst Dreier: Bedeutung und systematische Stellung der Menschenwuerde im deutschen Grundgesetz Christoph Enders: Die Menschenwuerde als Recht auf Rechte - die miaverstandene Botschaft des Bonner Grundgesetzes George P. Fletcher: In Search of Absolutes: Human Dignity and its Biblical Roots Otto Lagodny: Menschenwuerde im Strafrecht - am Beispiel der grundrechtlichen Legitimation staatlichen Strafens Gerhard Luf: Menschenwuerde in der Philosophie des Deutschen Idealismus Philippe Mastronardi: Verrechtlichung der Menschenwuerde - Transformation zwischen Religion, Ethik und Recht Mototsugu Nishino: Menschenwuerde als Rechtsbegriff in Japan Rainer J. Schweizer / Franziska Sprecher: Menschenwuerde im Volkerrecht Werner Wolbert: Menschenwuerde als Anspruch und Beschrankung.
Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.
Alain Robbe-Grillet (1922 –2008) was a French writer and filmmaker. His first involvement with the cinema was in the early 1960’s; scripting one of the most controversial films of the decade, L’Année dernière à Marienbad , directed by Alain Resnais. In this study the focus lies on the cinema of Robbe-Grillet . Each chapters deals with a specific film and a specific aspect of his work.
Over all, Alain Robbe-Grillet is an amused commentator on the world and on artistic creation, often humorous in his descriptions and narrative movements. He demands his readers' and viewers' attention and expects them to recognize his parodies and inventions.