On the surface, the use of photography in autobiography appears to have a straightforward purpose: to illustrate and corroborate the text. But in the wake of poststructuralism, the role of photography in autobiography is far from simple or one-dimensional
Release on 2018-09-10 | by Nassim Winnie Balestrini,Ina Bergmann
Author: Nassim Winnie Balestrini,Ina Bergmann
Pubpsher: Walter de Gruyter GmbH & Co KG
Category: Literary Criticism
This collection of essays gathers innovative and compelling research on intermedial forms of life writing by an international and interdisciplinary group of scholars. Among their subjects of scrutiny are biographies, memoirs, graphic novels, performances, paratheatricals, musicals, silent films, movies, documentary films, and social media. The volume covers a time frame ranging from the nineteenth century to the immediate present. In addition to a shared focus on theories of intermediality and life writing, the authors apply to their subjects both firmly established and cutting-edge theoretical approaches from Cultural Narratology, Cultural History, Biographical Studies, Social Media Studies, Performance Studies, and Visual Culture Studies. The collection also features interviews with practitioners in biography who have produced monographs, films, and novels.
Release on 2009-03-26 | by Christopher Stuart,Stephanie Todd
Author: Christopher Stuart,Stephanie Todd
Pubpsher: Cambridge Scholars Publishing
Category: Literary Criticism
In light of materialist revisions of the Cartesian dual self and the increased recognition of memoir and autobiography as a crucial cultural index, the physical body has emerged in the last twenty-five years as an increasingly inescapable object of inquiry, speculation, and theory that intersects all of the various subgenres of life writing. New Essays on Life Writing and the Body thus offers a timely, original, focused, and yet appropriately interdisciplinary study of life writing. This collection brings together new work by established authorities in autobiography, such as Timothy Dow Adams, G. Thomas Couser, Cynthia Huff, and others, along with essays by emerging scholars in the field. Subjects range from new interpretations of well-known autobiographies by Edith Wharton, Gertrude Stein, and Lucy Grealy, as well as scholarly surveys of more recently defined subgenres, such as the numerous New Woman autobiographies of the late 19th century, adoption narratives, and sibling memoirs of the mentally impaired. Due to their wide, interdisciplinary focus, these essay will prove valuable not only to more traditional literary scholars interested in the classic literary autobiography but also to those in Women’s Studies, Ethnic and African-American Studies, as well as in emerging fields such as Disability Studies and Cognitive Studies.
Release on 2009 | by Erika Hasebe-Ludt,Cynthia Chambers,Cynthia M. Chambers,Carleton Derek Leggo
Author: Erika Hasebe-Ludt,Cynthia Chambers,Cynthia M. Chambers,Carleton Derek Leggo
Pubpsher: Peter Lang
This book introduces literary metissage as a way to research, teach, and live ethically -with all our relations- in our precarious times. The authors theorize and perform literary metissage through the praxis of life writing, braiding their autobiographical texts, in various (mixed) genres, into seven themes. "Life Writing and Literary Metissage as an Ethos for Our Times" explores this writing praxis, with its more inclusive and generative notions of knowledge and knowledge practices, as a tool for creating more just societies and schools."
Release on 2017-10-24 | by Lucia Boldrini,Julia Novak
Intersections of Auto/Biography and Fiction
Author: Lucia Boldrini,Julia Novak
Category: Literary Criticism
This volume examines innovative intersections of life-writing and experimental fiction in the 20th and 21st centuries, bringing together scholars and practicing biographers from several disciplines (Modern Languages, English and Comparative Literature, Creative Writing). It covers a broad range of biographical, autobiographical, and hybrid practices in a variety of national literatures, among them many recent works: texts that test the ground between fact and fiction, that are marked by impressionist, self-reflexive and intermedial methods, by their recourse to myth, folklore, poetry, or drama as they tell a historical character’s story. Between them, the essays shed light on the broad range of auto/biographical experimentation in modern Europe and will appeal to readers with an interest in the history and politics of form in life-writing: in the ways in which departures from traditional generic paradigms are intricately linked with specific views of subjectivity, with questions of personal, communal, and national identity. The Introduction of this book is open access under a CC BY 4.0 license via link.springer.com.
The Self and Subjectivity in First Person Documentary
Author: Alisa Lebow
Pubpsher: Columbia University Press
Category: Performing Arts
When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.
This study of autobiographical writing and its reflection of personal and national identity analyzes the different ways in which these authors balance individual American identity with collective identities and reinvent their familial, cultural, and national engenderings. In each of the works discussed, a private geography - a psychological map, a myth, an ideology, or a fiction - is posited, while its author explores claims to the ownership of memory, history, and the self.