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Marcel Duchamp

Author: Caroline Cros
Publisher: Reaktion Books
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Marcel Duchamp, by Paris-based curator and art critic Caroline Cros, is a new account of one of the most important cultural figures of modern times. Drawing on the artist’s correspondence and interviews, she details Duchamp’s life-long belief in chance and coincidence, and how that led him to let his life take its own course, constantly travelling, meeting new people and embracing new experiences. The author shows how Duchamp’s lifestyle never allowed him to follow a conventional artistic career, and also how the artist’s constant search for the random in life is strongly echoed in the art that he created. The book explores work such as the 'Readymades', the Grand Verreand Etant-Donnés, explaining the creative processes behind them, the way they have been interpreted and sometimes misunderstood by his friends and the public, and also how some artists such as Rauschenberg and Jasper Johns immediately understood the importance of the work. Just as significantly, the book examines Duchamp’s life after he stopped making art, which was remarkably early considering his reputation. Cros describes how he became involved in a wide range of activities, including historical exhibitions, chess games, museums, foundations, salons, and publications, and in friendships and correspondence with the most influential artists, critics, collectors, and writers of his time. After 1915 Duchamp divided his time between Paris and New York, and this allowed him to establish strong relationships and become widely known in the USA. As a consequence he played an important role in the evolution of American art. Thematic as well as chronological, this original and concise critical study will interest the wide general audience for Duchamp, as well as scholars and specialists in the field.


Marcel Duchamp Appearance Stripped Bare

Author: Octavio Paz
Publisher: Arcade Publishing
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The esteemed Nobel Prize-winning poet offers a portrait of Marcel Duchamp as a great cautionary figure in public culture, citing the philosopher's influential beliefs about spiritual freedom and the encroachment of criticism, science, and art in today's world. Reprint.


Duchamp

Author: Marcel Duchamp
Publisher: Craftsman House
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An examination of how Marcel Duchamp and his work has influenced 20th century art.


Marcel Duchamp

Author: Rudolf E. Kuenzli
Publisher: MIT Press
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Essays discuss Duchamp's paintings, sculptures, and readymade objects, examine his approach to art, and consider his use of puns


Marcel Duchamp the box in a valise

Author: Ecke Bonk
Publisher: Rizzoli Intl Pubns
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Describes Duchamp's work on miniature artworks


Marcel Duchamp and Max Ernst

Author: David Hopkins
Publisher: Oxford University Press
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David Hopkins analyses the extensive network of shared concerns and images in the work of Marcel Duchamp and Max Ernst, the greatest names associated with Dada and Surrealist art. This book covers a broad period from c.1912 to the mid-1940s, during which the emergence of Dada and Surrealismin Europe and the United States challenged earlier movements such as Cubism and Expressionism, creating scope for the expression of the unconscious fears and desires of artists acutely sensitive to the troubled nature of their times.Examining Duchamp's and Ernst's subversion and manipulation of religious and hermetic beliefs such as Catholicism, Rosicrucianism and Masonry, David Hopkins demonstrates the ways in which these esoteric concerns intersect with themes of peculiarly contemporary relevance, including the socialconstruction of gender and notions of ordering and taxonomy.This detailed comparison of components of Duchamp's and Ernst's work reveals fascinating structural patterns, enabling the reader to discover an entirely new way of understanding the mechanisms underlying Dada and Surrealist iconography.


Dialogues With Marcel Duchamp

Author: Pierre Cabanne
Publisher: Hachette UK
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With an introduction by Robert Motherwell and an appreciation by Jasper Johns "Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art. . . "In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. 'You don't mean to do it,' he said. "The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage-'a Hilarious Picture.' Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. 'In the end you lose interest, so I didn't feel the necessity to finish it.' "He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, 'a new thought for that object.' "The art community feels Duchamp's presence and his absence. He has changed the condition of being here."--Jasper Johns, from Marcel Duchamp: An Appreciation


Marcel Duchamp Respirateur

Author: Marcel Duchamp
Publisher: Hatje Cantz Pub
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"Marcel Duchamp has influenced the art of the twentieth-century more than anyone else except Pablo Picasso. One can reasonably claim that without his work, art history would have taken a different course", writes Herbert Molderings in his essay on Marcel Duchamp as sculptor. His ready-mades significantly expanded the notion of what art could be -- an expansion of borders that was to have major consequences for the path of art later in the century. This beautifully designed book, a bibliophile's treasure, focuses on the structural basis of Duchamp's oeuvre, his methodology, and the philosophical underpinnings of his work. A selection of statements by Duchamp, printed on parchment paper, offers insight into his aesthetic concepts, and not least into the artist's enigmatic wit and irony. The book is based on the major 1995 exhibition at the Staatliche Museum, Schwerin, which owns one of the premier collections of Duchamp's work, acquired from Ronny and Jessy Van de Velde of Antwerp. An essential reference work,for all art libraries.


Marcel Duchamp

Author: Marcel Duchamp
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Marcel Duchamp

Author: Sarane Alexandrian
Publisher: Crown Pub
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Color and black-and white reproductions of many of the modern French painter's works complement an exploration of his impact as an innovator and the psychological motivations underlying his art