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Mistress of Mellyn

Author: Victoria Holt
Publisher: St. Martin's Griffin
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Mount Mellyn stood as proud and magnificent as she had envisioned...But what bout its master--Connan TreMellyn? Was Martha Leigh's new employer as romantic as his name sounded? As she approached the sprawling mansion towering above the cliffs of Cornwall, an odd chill of apprehension overcame her. TreMellyn's young daugher, Alvean, proved as spoiled and difficult as the three governesses before Martha had discovered. But it was the girl's father whose cool, arrogant demeanor unleashed unfimiliar sensations and turmoil--even as whispers of past tragedy and present danger begin to insinuate themselves into Martha's life. Powerless against her growing desire for the enigmatic Connan, she is drawn deeper into family secrets--as passion overpowers reason, sending her head and heart spinning. But though evil lurks in the shadows, so does love--and the freedom to find a golden promise forever...


Victoria Holt Mistress of Mellyn

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Mistress of Mellyn Kirkland Revels

Author: VICTORIA HOLT
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Catalog of Copyright Entries Third Series

Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
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Includes Part 1, Number 1 & 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - December)


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Female Gothic Histories

Author: Diana Wallace
Publisher: University of Wales Press
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Female Gothic Histories traces the development of women’s Gothic historical fiction from Sophia Lee’s The Recess in the late eighteenth century through the work of Elizabeth Gaskell, Vernon Lee, Daphne du Maurier and Victoria Holt to the bestselling novels of Sarah Waters in the twenty-first century. Often left out of traditional historical narratives, women writers have turned to Gothic historical fiction as a mode of writing which can both reinsert them into history and symbolise their exclusion. This study breaks new ground in bringing together thinking about the Gothic and the historical novel, and in combining psychoanalytic theory with historical contextualisation.


American Media and Mass Culture

Author: Donald Lazere
Publisher: Univ of California Press
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Bride of Pendorric

Author: Victoria Holt
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Reading the Romance

Author: Janice A. Radway
Publisher: Univ of North Carolina Press
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Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.


The Profession of English Letters

Author: J.W. Saunders
Publisher: Routledge
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Published in the year 2006, The Profession of English Letters is a valuable contribution to the field of Major Works.


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