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More Scenes from a Smallholding

Author: Chas Griffin
Publisher: Random House
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A charming and humourous romp through the countryside in this warts-and-all account of a family’s move from the security of suburbia to grow garlic in west Wales. Four years later: Has the family coped well with rural life? Are they surrounded by organic vegetables?


The Practical Guide to Buying and Running a Smallholding in Wales

Author: Liz Shankland
Publisher: University of Wales Press
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Offers guidance to buying and running a smallholding in Wales, aimed at would-be downshifters, wherever they may live.


DarwinPlus Edition 3

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Publisher: Chas Griffin
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The British National Bibliography

Author: Arthur James Wells
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Dictionary of Literary Characters Rosemary Goring 2004

Author: Chambers Harrap Publishers
Publisher: Bukupedia
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I believe that all novels ... deal with character, and that it is to express character ^ not to preach doctrines, sing songs, or celebrate the glories of the British Empire, that the form of the novel, so clumsy, verbose, and undramatic, so rich, elastic, and alive, has been evolved. VirginiaWoolf,‘Mr Bennett andMrs Brown’ 1924. What is literature without characters? Pride and Prejudice without the proud Mr Darcy, The Lord of the Rings without the courageous Frodo Baggins, or Nicholas Nickleby without the brutal Wackford Squeers? For the reader, their favourite heroes, clowns, lovers, monsters, villains and supporting characters take on an existence far beyond the mere words on the page. Literary characters are the vessels into which the ideas, aspirations, emotions and neuroses of the author can be poured and to which, through reading, we add our own.They can stand as memorable tokens of human character types, or be used as vehicles for social satire or commentary on the human condition; they can take us, the readers, with them to question our prejudices, reaffirm our beliefs, or simply to be entertained.We can identify with them, aspire to the qualities they embody, or rail against them, as we do with characters in the realworld. Whenwe read, we share in the joy or despair of the author’s players as they act out the scenes of their lives.We love with them, hate with them, and feel their fear and elation as the story unfolds. Who didn’t shed a tear when InspectorMorse solved his last case, rejoicewhen Jane Eyre said of Rochester, ‘Reader, I married him’, or sleep a little more soundly when Count Dracula finally met his end? Like a lepidopterist, this book pins down these many colourful creations in one accessible collection. In addition it offers eight essays from noted experts on various aspects of the character in literature, and adds at the end a comprehensive index of authors, including brief biographical information on these characters behind the characters.


The Columbia Guide to South African Literature in English Since 1945

Author: Gareth Cornwell
Publisher: Columbia University Press
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From the outset, South Africa's history has been marked by division and conflict along racial and ethnic lines. From 1948 until 1994, this division was formalized in the National Party's policy of apartheid. Because apartheid intruded on every aspect of private and public life, South African literature was preoccupied with the politics of race and social engineering. Since the release from prison of Nelson Mandela in 1990, South Africa has been a new nation-in-the-making, inspired by a nonracial idealism yet beset by poverty and violence. South African writers have responded in various ways to Njabulo Ndebele's call to "rediscover the ordinary." The result has been a kaleidoscope of texts in which evolving cultural forms and modes of identity are rearticulated and explored. An invaluable guide for general readers as well as scholars of African literary history, this comprehensive text celebrates the multiple traditions and exciting future of the South African voice. Although the South African Constitution of 1994 recognizes no fewer than eleven official languages, English has remained the country's literary lingua franca. This book offers a narrative overview of South African literary production in English from 1945 to the postapartheid present. An introduction identifies the most interesting and noteworthy writing from the period. Alphabetical entries provide accurate and objective information on genres and writers. An appendix lists essential authors published before 1945.


London Theatre Record

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Country Life

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Women Filmmakers Their Films

Author: Gwendolyn Audrey Foster
Publisher: St James Press
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This single-volume resource offers comprehensive coverage of women directors and their films as well as producers, writers and production artists. General information on the filmmaker or film is followed, where applicable, by more detailed biography, filmography, comprehensive credits, production information, awards and bibliography. The core of the entry consists of a signed, 800- to 1,000-word critical essay written by a film critic or scholar. Following introductory essays on the evolution and status of women filmmakers, 190 alphabetically arranged entries discuss women directors, producers, animators, art directors, editors, writers, and costume designers. Each entry contains a brief biography, a complete filmography, a selected bibliography of works on and by the entrant, and an expository essay by a specialist in the field. The remaining entries (approximately 60) concern films in which women filmmakers have had a major role. They include production information, lists of cast and crew, a selected bibliography of works about the film, and an essay. Contains many b&w portraits and stills.


The Spectator

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