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The Physics of Musical Instruments

Author: Neville H. Fletcher
Publisher: Springer Science & Business Media
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While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.


Musical Instruments

Author: Professor of Musical Acoustics Donald Murray Campbell
Publisher: OUP Oxford
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A reference guide to musical instruments.


A checklist of automatic musical instruments

Author: Clemens von Gleich
Publisher: Music Department Oxford University Press
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Size: 17,84 MB
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Handbook of Materials for String Musical Instruments

Author: Voichita Bucur
Publisher: Springer
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This book addresses core questions about the role of materials in general and of wood in particular in the construction of string instruments used in the modern symphony orchestra – violins, violas, cellos and basses. Further attention is given to materials for classical guitars, harps, harpsichords and pianos. While some of the approaches discussed are traditional, most of them depend upon new scientific approaches to the study of the structure of materials, such as for example wood cell structure, which is visible only using modern high resolution microscopic techniques. Many examples of modern and classical instruments are examined, together with the relevance of classical techniques for the treatment of wood. Composite materials, especially designed for soundboards could be a good substitute for some traditional wood species. The body and soundboard of the instrument are of major importance for their acoustical properties, but the study also examines traditional and new wood species used for items such as bows, the instrument neck, string pegs, etc. Wood species’ properties for musical instruments and growth origins of woods used by great makers such as Antonio Stradivari are examined and compared with more recently grown woods available to current makers. The role of varnish in the appearance and acoustics of the final instrument is also discussed, since it has often been proposed as a ‘secret ingredient’ used by great makers. Aspects related to strings are commented.As well as discussing these subjects, with many illustrations from classical and contemporary instruments, the book gives attention to conservation and restoration of old instruments and the physical results of these techniques. There is also discussion of the current value of old instruments both for modern performances and as works of art having great monetary value.The book will be of interest and value to researchers, advanced students, music historians, and contemporary string instrument makers. Musicians in general, particularly those playing string instruments, will also find its revelations fascinating. It will also attract the attention of those using wood for a variety of other purposes, for its use in musical instruments uncovers many of its fundamental features. Professor Neville H. FletcherAustralian National University, Canberra


Origins and Development of Musical Instruments

Author: Jeremy Montagu
Publisher: Scarecrow Press
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A survey of the origins and development of musical instruments world-wide from Paleolithic times to the present day. Illustrated with pictures of several hundred instruments from all over the world on 120 plates, with five maps for ease of reference to exotic places.


The History of Musical Instruments

Author: Curt Sachs
Publisher: Courier Corporation
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This first comprehensive history of musical instruments, this book ranges from prehistoric times to the 20th century. It traverses five continents and every stage of evolution, from primitive rattles and bull-roarers to the electric organ. Author Curt Sachs, one of the world's most distinguished musicologists, combines rich scholarship with personal insight in a remarkable fusion of music, anthropology, and the fine arts. Beginning with the earliest manifestations of rhythm, Sachs explores the association of sound with primitive rites of fertility, life, death, and rebirth. He traces the evolution of folk and ritual instruments to tools of entertainment and art, the rise of a professional class of singers and musicians, and the musical revolution that flowered during the Renaissance. Sachs chronicles the foundation of the modern orchestra during the baroque period and its subsequent development, concluding with the modern-day rise of electric and jazz instruments. A pleasure to read as well as a valuable resource, this classic work is enhanced with 24 plates and 167 illustrations.


Musical Instruments of the World Grades 5 8

Author: Mark Ammons
Publisher: Mark Twain Media
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This fun, supplemental text explains the history and evolution of musical instruments. Topics include the development of music on each continent; percussion, brass, string, and wind instruments; and a discussion on symphonies, chamber orchestras, and other ensembles. Information is presented through fun activities and interesting facts for maximum learning reinforcement. Music terminology is covered extensively and a glossary and answer keys are included. --Mark Twain Media Publishing Company specializes in providing captivating, supplemental books and decorative resources to complement middle- and upper-grade classrooms. Designed by leading educators, the product line covers a range of subjects including mathematics, sciences, language arts, social studies, history, government, fine arts, and character. Mark Twain Media also provides innovative classroom solutions for bulletin boards and interactive whiteboards. Since 1977, Mark Twain Media has remained a reliable source for a wide variety of engaging classroom resources. -


Classical musical instruments

Author: Suneera Kasliwal
Publisher: books catalog
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Rarely do we come across books on musical instruments. And one covering the whole gamut of Indian Classical musical instruments is practically unheard of. This book by Dr. Suneera Kasliwal covers almost all instruments in vogue in the classical music scenerio of southern and northern India. Apart from delving deep into the history and evaluation of each of these instruments , this well researched book deals with their structural and manufacturing details and the basic techniques of sound production. Beautifully illustrated, this book is recommended for all those who have genuine interest in Indian Classical music and instruments.


Electronic Music Machines

Author: Jean Michel Reveillac
Publisher: Wiley-ISTE
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Musical Instruments in the 21st Century

Author: Till Bovermann
Publisher: Springer
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By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?