As Elissa Washuta makes the transition from college kid to independent adult, she finds herself overwhelmed by the calamities piling up in her brain. When her mood-stabilizing medications aren’t threatening her life, they’re shoving her from depression to mania and back in the space of an hour. Her crisis of American Indian identity bleeds into other areas of self-doubt; mental illness, sexual trauma, ethnic identity, and independence become intertwined. Sifting through the scraps of her past in seventeen formally inventive chapters, Washuta aligns the strictures of her Catholic school education with Cosmopolitan’s mandates for womanhood, views memories through the distorting lens of Law & Order: Special Victims Unit, and contrasts her bipolar highs and lows with those of Britney Spears and Kurt Cobain. Built on the bones of fundamental identity questions as contorted by a distressed brain, My Body Is a Book of Rules pulls no punches in its self-deprecating and ferocious look at human fallibility.
Release on 2019-05-30 | by Elissa Washuta,Theresa Warburton
Collected Essays by Contemporary Writers
Author: Elissa Washuta,Theresa Warburton
Pubpsher: University of Washington Press
Category: Literary Collections
Just as a basket’s purpose determines its materials, weave, and shape, so too is the purpose of the essay related to its material, weave, and shape. Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket. Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America.
Relational and Body-Centered Practices for Healing Trauma provides psychotherapists and other helping professionals with a new body-based clinical model for the treatment of trauma. This model synthesizes emerging neurobiological and attachment research with somatic, embodied healing practices. Tested with hundreds of practitioners in courses for more than a decade, the principles and practices presented here empower helping professionals to effectively treat people with trauma while experiencing a sense of mutuality and personal growth themselves.
A NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE A thought-provoking collection of personal essays about home What makes a home? What do equality, safety, and politics have to do with it? And why is it so important to us to feel like we belong? In this collection, 30 women writers explore the theme in personal essays about neighbors, marriage, kids, sentimental objects, homelessness, domestic violence, solitude, immigration, gentrification, geography, and more. Contributors--including Amanda Petrusich, Naomi Jackson, Jane Wong, and Jennifer Finney Boylan--lend a diverse range of voices to this subject that remains at the core of our national conversations. Engaging, insightful, and full of hope, This is the Place will make you laugh, cry, and think hard about home, wherever you may find it. "This collection, encompassing a spectrum of races, ethnicities, religions, sexualities, political beliefs and classes, could not be timelier....open this book, hear its chorus of voices and remember that we are a nation of individuals, bound to each other by our humanity." --The New York Times Book Review "...an honest portrait of the U.S., pieced together like an imperfect American quilt. We need more books like this." --BUST
Feminist filmmakers are hitting the headlines. The last decade has witnessed: the first Best Director Academy Award won by a woman; female filmmakers reviving, or starting, careers via analogue and digital television; women filmmakers emerging from Saudi Arabia, Palestine, Pakistan, South Korea, Paraguay, Peru, Burkina Faso, Kenya and The Cree Nation; a bold emergent trans cinema; feminist porn screened at public festivals; Sweden's A-Markt for films that pass the Bechdel Test; and Pussy Riot's online videos sending shockwaves around the world. A new generation of feminist filmmakers, curators and critics is not only influencing contemporary debates on gender and sexuality, but starting to change cinema itself, calling for a film world that is intersectional, sustainable, family-friendly and far-reaching. Political Animals argues that, forty years since Laura Mulvey's seminal essay 'Visual Pleasure and Narrative Cinema' identified the urgent need for a feminist counter-cinema, this promise seems to be on the point of fulfilment. Forty years of a transnational, trans-generational cinema has given rise to conversations between the work of now well-established filmmakers such as Abigail Child, Sally Potter and Agnes Varda, twenty-first century auteurs including Kelly Reichardt and Lucretia Martel, and emerging directors such as Sandrine Bonnaire, Shonali Bose, Zeina Daccache, and Hana Makhmalbaf. A new and diverse generation of British independent filmmakers such as Franny Armstrong, Andrea Arnold, Amma Asante, Clio Barnard, Tina Gharavi, Sally El Hoseini, Carol Morley, Samantha Morton, Penny Woolcock, and Campbell X join a worldwide dialogue between filmmakers and viewers hungry for a new and informed point of view. Lovely, vigorous and brave, the new feminist cinema is a political animal that refuses to be domesticated by the persistence of everyday sexism, striking out boldly to claim the public sphere as its own.
ADVANCE PRAISE FOR SUBDUCTION: The brilliance of Subduction only suggests the wonders to come. It is a good day for us when Kristen Millares Young puts pen to paper. Highly recommended. --Luis Alberto Urrea, winner of the American Book Award, finalist for the Pulitzer Prize, author of The House of Broken Angels, The Devil's Highway, Queen of America, Into the Beautiful North, The Hummingbird's Daughter. In this commanding novel, Kristen Millares Young captures the brutality of an anthropological gaze upon a Makah community. Her complex, exquisitely shaped characters embody the calamity of intrusion and the beauty of resilience. --Elissa Washuta, author of My Body is a Book of Rules and Starvation Mode Young beautifully and vividly renders the Pacific Northwest, particularly the unique world of Neah Bay. Subduction is at once a thought-provoking meditation on the geography and geology of the natural world and a generous exploration of the natural shifts and movements that shape her characters. -- Jonathan Evison, New York Times bestselling author, Lawn Boy, This is Your Life Harriet Chance!, West of Here, All About Lulu, and The Revised Fundamentals of Caregiving Fleeing the shattered remains of her marriage and a betrayal by her sister, in the throes of a midlife freefall, Latina anthropologist Claudia retreats from Seattle to Neah Bay, a Native American whaling village on the jagged Pacific coast. Claudia yearns to lose herself to the songs of the tribe and the secrets of her guide, a spirited hoarder named Maggie. But when, spurred by his mother's failing memory, Maggie's prodigal son Peter returns seeking answers to his father's murder, Claudia discovers in him the abandon she craves. Through the passionate and violent collision of these two outsiders, Subduction portrays not only their strange allegiance after grievous losses but also their imperfect attempts to find community on the Makah Indian Reservation.
No other book in the Bible presents Jesus Christ and his ministry more clearly than the Book of John. No other guide makes his ministry more understandable than The Smart Guide to the Bible: The Book of John. Walk with Jesus as he recruits the twelve disciples. Sit down on the hillside and listen as he teaches the parables. Watch as Jesus performs miracle after miracle. And at every step along the way, understand the critical concepts and life-changing lessons Jesus wants you to learn.