Lalla's poems are still very much alive in the Kashmiri tongue.
Lalla's poems are still very much alive in the Kashmiri tongue. The poems attributed to Lalla express something greater than religion, in fact an awareness of things as they really are, the simple truths that remain unseen by men at large. Lalla's naked perception is the truth she knows, and that is always in motion, as she herself was, wandering and singing these songs in medieval Kashmir.
... and he is currently producing a 13-part series of South African short stories for
TV. on e. illum. THE NAKED SONG and other stories Mandla Langa Africasouth
New. The. Naked. Song. and. other. stories.
A profound sense of gratitude and reverence for life is released into the
bodymind following such moments of selfhealing, forgiveness, wellbeing, and
fulfillment. It's also a connection with something larger. 5.4 Naked Song:
Collaborations with ...
Author: Chloe Goodchild
Publisher: North Atlantic Books
Category: Body, Mind & Spirit
Both science and spirituality agree that every particle of matter, every phenomenon we experience, is a form of resonance or vibration. The human voice is quite literally a mouthpiece of this truth; there is no form of expression more personal, more tied to our identities, than our voices. With simple inspirational exercises, this book by renowned voice teacher Chloe Goodchild gives readers the tools to guide them in a process of sound healing and soul communication that is guaranteed to open the heart and restore forgiveness, compassion, and interconnectedness between individuals and in their communities. At the heart of every human journey exists the longing to feel at home in one's self and in the world. In a unique response to meet this longing, Chloe Goodchild invites you on a compelling adventure of self-discovery and creative fulfillment through a direct experience of your own authentic voice--the voice of your personal authority, the song of your soul. Going beyond traditional vocal training guides, this book will appeal to anyone wishing to encounter themselves at a primal level through the medium of the voice.
Song's trump card has always been his flesh, he believed; why does it fail to
seduce now? He takes ... But the naked Song has no power over the openeyed
Gallimard, and perhaps would have had none even had Song been female.
Author: Jennifer Low
For literary scholars, plays are texts; for scenographers, plays are performances. Yet clearly a drama is both text and performance. Dramatic Spaces examines period-specific stage spaces in order to assess how design shaped the thematic and experiential dimensions of plays. This book highlights the stakes of the debate about spatiality and the role of the spectator in the auditorium – if audience members are co-creators of the drama, how do they contribute? The book investigates: Roman comedy and Shakespearean dramas in which the stage-space itself constituted the primary scenographic element and actors’ bodies shaped the playing space more than did sets or props the use of paid applauders in nineteenth-century Parisian theaters and how this practice reconfigured theatrical space transactions between stage designers and spectators, including work by László Moholy-Nagy, William Ritman, and Eiko Ishioka Dramatic Spaces aims to do for stage design what reader-response criticism has done for the literary text, with specific case studies on Coriolanus, The Comedy of Errors, Romeo and Juliet, Tales of Hoffman, M. Butterfly and Tiny Alice exploring the audience’s contribution to the construction of meaning.
Using his body, Song forces Gallimard to confront his homoerotic attraction
towards Song, in spite of the latter's gender. After Song is completely naked, Song seduces Gallimard to caress his body: Song It's the same skin you've
worshipped for ...
Author: Jachinson Chan
This book is one of the first scholarly analyses of the current social constructions of Chinese American masculinities. Arguing that many of these notions are limited to stereotypes, Chan goes beyond this to present a more complex understanding of the topic. Incorporating historical references, literary analysis and sociological models to describe the construct a variety of masculine identities, Chan also examines popular novels (Fu Manchu and Charlie Chan), films (Bruce Lee), comic books (Master of Kung Fu), and literature (M. Butterfly).
Naked Song by Lalla, trans. and introduced by Coleman Barks (Varanasi, 2004),
p. 19. Siddhayya Puranik, Mahadevi, trans. G.N. B. Sajjan (Mysore, 1986), p. 12.
Armando Menezes and S. M. Angadi, eds and trans., Vacanas ofAkkamahadevi ...
Author: Philip Carr-Gomm
Publisher: Reaktion Books
As one common story goes, Adam and Eve, the first man and woman, had no idea that there was any shame in their lack of clothes; they were perfectly confident in their birthday suits among the animals of the Garden of Eden. All was well until that day when they ate from the Tree of Knowledge of Good and Evil and went scrambling for fig leaves to cover their bodies. Since then, lucrative businesses have arisen to provide many stylish ways to cover our nakedness, for the naked human body now evokes powerful and often contradictory ideas—it thrills and revolts us, signifies innocence and sexual experience, and often marks the difference between nature and society. In A Brief History of Nakedness psychologist Philip Carr-Gomm traces our inescapable preoccupation with nudity. Rather than studying the history of the nude in art or detailing the ways in which the naked body has been denigrated in the media, A Brief History of Nakedness reveals the ways in which religious teachers, politicians, protesters, and cultural icons have used nudity to enlighten or empower themselves as well as entertain us. Among his many examples, Carr-Gomm discusses how advertisers and the media employ images of bare skin—or even simply the word “naked”—to garner our attention, how mystics have used nudity to get closer to God, and how political protesters have discovered that baring all is one of the most effective ways to gain publicity for their cause. Carr-Gomm investigates how this use of something as natural as nakedness actually gets under our skin and evokes complicated and complex emotional responses. From the naked sages of India to modern-day witches and Christian nudists, from Lady Godiva to Lady Gaga, A Brief History of Nakedness surveys the touching, sometimes tragic and often bizarre story of our relationships with our naked bodies.
The singing should always be in the service of the song; that seems to be the
ultimate ambition. Bob Dylan writes about his early beginnings in Chronicles, '
There were a lot of better singers and better musicians around these places but
Author: Tracey Thorn
Publisher: Hachette UK
In her bestselling autobiography Bedsit Disco Queen, Tracey Thorn recalled the highs and lows of a thirty-year career in pop music. But with the touring, recording and extraordinary anecdotes, there wasn't time for an in-depth look at what she actually did for all those years: sing. She sang with warmth and emotional honesty, sometimes while battling acute stage-fright. Part memoir, part wide-ranging exploration of the art, mechanics and spellbinding power of singing, NAKED AT THE ALBERT HALL takes in Dusty Springfield, Dennis Potter and George Eliot; Auto-tune, the microphone and stage presence; The Streets and The X Factor. Including interviews with fellow artists such as Alison Moyet, Romy Madley-Croft and Green Gartside of Scritti Politti, and portraits of singers in fiction as well as Tracey's real-life experiences, it offers a unique, witty and sharply observed insider's perspective on the exhilarating joy and occasional heartache of singing.
Sing for instance: The sun's tattered yellows Will torch the tips of mountains, the
dawn will shadow over Buddha's smile... this day, a breeze will whip dust devils
and sing; Sing the hottest song of all. On days like this, I could lie naked on a ...
Author: G. Elton Warrick
Publisher: Trafford Publishing
There are instructions and guidelines for most things. How is it then, that we have so many misguided people? I have come to the conclusion most people are the same as other people. However, those other than the majority are as different as the sun and the moon, the earth and space. And yet, each of us desire to be unique; to be recognized as individuals, apart from the crowd. Nevertheless, most of us will not be remembered by future generations. A few of us work hard at putting our uniqueness to word through poetry. This book is my meager attempt at sharing part of my observations and fantasies into verse in my own poetic way. I have tried to include in this book a mix of forms and styles. Some forms are formal, most are not. I have included a few sing-song street rhymes some sophisticated, most not. You may discover a few "Rap" poems and others which are experimental. It is kind of like throwing Spheres of Ink onto a collection of pages and to be hopeful that they adhere enough and are created skillfully enough that some of them will be remembered by association of my name. After I am dead and my ashes scattered, I hope some of this poetry will survive me, perhaps this very copy you are reading now. And that somewhere down the line of time others will discover poetry they like from this small collection. The most wasted of all days is one without poetry. If you discover my spheres of ink have landed where they shouldn't, or that your poetic taste differs, I do apologize in advance for wasting your valuable time. In that case, remember that some poetry is not to be tossed aside lightly... it should be launched into outer space. This book is dedicated to honest opinion. This book does not demonstrate genius, not even close, mediocre at best...that is my honest appraisal of the poetry in this book. However, my ego can always use stroking. Therefore, if you like the verses here, please tell someone. Encourage them to purchase a copy for themselves, or to give one, or more as gifts.
And a pretty bird sang pretty songs in all these lovely trees. And when one
morning the poor nice old beggar knocked politely at the door, they stood up an
shared their vanilla fudge with him. Than the three sat on the nice bank again in
Author: Jeff Spoon
Category: Juvenile Fiction
A moving love story of a naked abandoned dog and a neglected bourgeois teenie, who try to escape their ghastly homes, to emigrate, to find happiness somewhere else on earth. Unfortunately the rusty emigration ship was sunk erroneously by a German submarine which escaped WW II. But Arthur, the poet, saved their lives, paddling along on his cello. After some discouraging adventures, where they stranded, they end up involuntarely as guinea pigs in a genetic laboratory. At last, Skeleton Barbies beautiful body could almost be restored, Arthur, the poet, joobbing as a nightporter of the Municipal Theatre, gives them shelter, washes the dishes and cheers them up, playing on his rotten cello at the wrong moments. But the longing for an ideal world forces forces our three brave companions inevitably back to the road, in their eternal search for happiness. This is a rather sarcastic black humored story, told and illustrated by Jeff Spoon the pseudonym of a rather wellknown theatre director and stage designer.
(catch it any way you can) must be, words and music, one of the most naked songs ever written, a wild cry from the ... Note that nothing has even happened
yet in the song, but the singer can't wait to be abandoned: He's heartbroken by
Author: Wilfrid Sheed
Publisher: Random House
Category: Biography & Autobiography
From Irving Berlin to Cy Coleman, from “Alexander’s Ragtime Band” to “Big Spender,” from Tin Pan Alley to the MGM soundstages, the Golden Age of the American song embodied all that was cool, sexy, and sophisticated in popular culture. For four glittering decades, geniuses like Jerome Kern, George Gershwin, Cole Porter, and Harold Arlen ran their fingers over piano keys, enticing unforgettable melodies out of thin air. Critically acclaimed writer Wilfrid Sheed uncovered the legends, mingled with the greats, and gossiped with the insiders. Now he’s crafted a dazzling, authoritative history of the era that “tripled the world’s total supply of singable tunes.” It began when immigrants in New York’s Lower East Side heard black jazz and blues–and it surged into an artistic torrent nothing short of miraculous. Broke but eager, Izzy Baline transformed himself into Irving Berlin, married an heiress, and embarked on a string of hits from “Always” to “Cheek to Cheek.” Berlin’s spiritual godson George Gershwin, in his brief but incandescent career, straddled Tin Pan Alley and Carnegie Hall, charming everyone in his orbit. Possessed of a world-class ego, Gershwin was also generous, exciting, and utterly original. Half a century later, Gershwin love songs like “Someone to Watch Over Me,” “The Man I Love,” and “Love Is Here to Stay” are as tender and moving as ever. Sheed also illuminates the unique gifts of the great jazz songsters Hoagy Carmichael and Duke Ellington, conjuring up the circumstances of their creativity and bringing back the thrill of what it was like to hear “Georgia on My Mind” or “Mood Indigo” for the first time. The Golden Age of song sparked creative breakthroughs in both Broadway musicals and splashy Hollywood extravaganzas. Sheed vividly recounts how Cole Porter, Richard Rodgers, Jerome Kern, and Johnny Mercer spread the melodic wealth to stage and screen. Popular music was, writes Sheed, “far and away our greatest contribution to the world’s art supply in the so-called American Century.” Sheed hung out with some of the great artists while they were still writing–and better than anyone, he knows great music, its shimmer, bite, and exuberance. Sparkling with wit, insight, and the grace notes of wonderful songs, The House That George Built is a heartfelt, intensely personal portrait of an unforgettable era. A delightfully charming, funny, and most illuminating portrait of songwriters and the Golden Age of American Popular Song. Mr. Sheed’s carefully chosen depictions and anecdotes recapture that amazingly creative period, a moment in time in which I was so fortunate to be surrounded by all that magic.” –Margaret Whiting From the Hardcover edition.