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Graham Greene s Narrative in Spain

Author: Mónica Olivares Leyva
Publisher: Cambridge Scholars Publishing
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This volume provides a detailed description of the literary contact between Graham Greene and Franco’s Spain. Part I describes the most significant political events that affected the Spanish book industry under this regime, with the first chapter offering an account of the methods of control created to exercise authoritative influence over the cultural scene. Part II explores critical studies of Greene’s artistic output in Franco’s Spain, and the second chapter investigates literary critics’ evaluations of the author as published in the national press, magazines and journals, as well as in the prologues, introductions and prefaces to his books. Parts III and IV study the role played by the book industry in the reception of the writer in Spain, as well as the obstacles it faced at the censorship office. Accordingly, chapters three to six provide the names of the publishers and booksellers who attempted to disseminate his work throughout the country. Using the censorship files, these chapters measure with great precision publishers’ interest in Greene’s works, and establish the power Franco’s censorship wielded over the reception of his literature in Spain. The final section of the book brings together a number of significant conclusions developed throughout this study. As such, Graham Greene’s Narrative in Spain provides the reader with a comprehensive overview of the roles played by national literary criticism and the book industry in the reception of the author’s works in Franco's Spain, as well as of the influence exerted by the regime throughout the whole publishing process.


Errant Modernism

Author: Esther Gabara
Publisher: Duke University Press
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Making a vital contribution to the understanding of Latin American modernism, Esther Gabara rethinks the role of photography in the Brazilian and Mexican avant-garde movements of the 1920s and 1930s. During these decades, intellectuals in Mexico and Brazil were deeply engaged with photography. Authors who are now canonical figures in the two countries’ literary traditions looked at modern life through the camera in a variety of ways. Mário de Andrade, known as the “pope” of Brazilian modernism, took and collected hundreds of photographs. Salvador Novo, a major Mexican writer, meditated on the medium’s aesthetic potential as “the prodigal daughter of the fine arts.” Intellectuals acted as tourists and ethnographers, and their images and texts circulated in popular mass media, sharing the page with photographs of the New Woman. In this richly illustrated study, Gabara introduces the concept of a modernist “ethos” to illuminate the intertwining of aesthetic innovation and ethical concerns in the work of leading Brazilian and Mexican literary figures, who were also photographers, art critics, and contributors to illustrated magazines during the 1920s and 1930s. Gabara argues that Brazilian and Mexican modernists deliberately made photography err: they made this privileged medium of modern representation simultaneously wander and work against its apparent perfection. They flouted the conventions of mainstream modernism so that their aesthetics registered an ethical dimension. Their photographic modernism strayed, dragging along the baggage of modernity lived in a postcolonial site. Through their “errant modernism,” avant-garde writers and photographers critiqued the colonial history of Latin America and its twentieth-century formations.


The Fragmented Novel in Mexico

Author: Carol Clark D'Lugo
Publisher: University of Texas Press
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From Mariano Azuela's 1915 novel Los de abajo to Rosamaría Roffiel's Amora of 1989, fragmented narrative has been one of the defining features of innovative Mexican fiction in the twentieth century. In this innovative study, Carol Clark D'Lugo examines fragmentation as a literary strategy that reflects the social and political fissures within modern Mexican society and introduces readers to a more participatory reading of texts. D'Lugo traces defining moments in the development of Mexican fiction and the role fragmentation plays in each. Some of the topics she covers are nationalist literature of the 1930s and 1940s, self-referential novels of the 1950s that focus on the process of reading and writing, the works of Carlos Fuentes, novels of La Onda that came out of rebellious 1960s Mexican youth culture, gay and lesbian fiction, and recent women's writings. With its sophisticated theoretical methodology that encompasses literature and society, this book serves as an admirable survey of the twentieth-century Mexican novel. It will be important reading for students of Latin American culture and history as well as literature.


The Concept of Water

Author: R. D. V. Glasgow
Publisher: R.D.V. Glasgow
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Water is commonly taken for granted and treated with contempt, yet it is the very foundation of human existence. Assuming countless forms, it is deeply associated both with life and death, body and soul, purity and pollution, creation and destruction. "The Concept of Water" seeks to bring together the various aspects of our deeply ambiguous relationship with water, providing a systematic account of its symbolic and philosophical significance. This involves looking at how water has been conceived and the role it has played in everyday thought, mythology, literature, religion, philosophy, politics and science, both across cultures and through history. R. D. V. Glasgow was born in Sheffield and currently lives in Zaragoza. His previous books are "Madness, Masks and Laughter" (1995), "Split Down the Sides" (1997), and "The Comedy of Mind" (1999).


Revista Canadiense de Estudios Hisp nicos

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The ethos of modernism

Author: Esther Gabara
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Latin American women s narrative

Author: Sara Castro-Klarén
Publisher: Iberoamericana Editorial Vervuert S.L.U
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Text in English & Spanish. Study the narrative of the most important writers from Latin America, mainly his novel, testimony and story, in the twentieth century, but also examines colonial authors. Contributions in English and Spanish.


Narrativa completa

Author: Adolfo Couve
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The Presence of Hemingway in the Short Fiction of Gabriel Garc a M rquez

Author: Harley D. Oberhelman
Publisher: Fredericton, N.B. : York Press
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Anales de la Literatura Espa ola Contempor nea

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