How Alex Grey’s visionary art is evolving the cultural body through icons of interconnectedness • Includes over 200 reproductions of Grey’s artwork • Contains spectacular photos of Grey’s collaboration with the cult band TOOL plus his worldwide live-painting performances • Offers Grey’s reflections on how art evolves consciousness with a new symbology of the Networked Self • Winner of the 2013 Nautilus Silver Book Award in Photography and Art Revealing the interwoven energies of body and soul, love and spirit that illuminate the core of each being, Alex Grey’s mystic paintings articulate the realms of consciousness encountered during visits to entheogenic heaven worlds. His painting Net of Being--inspired by a blazing vision of an infinite grid of Godheads during an ayahuasca journey--has reached millions as the cover and interior of the band TOOL’s Grammy award–winning triple-platinum album, 10,000 Days. Net of Being is one of many images Grey has created that have resulted in a chain reaction of uses--from apparel and jewelry to tattoos and music videos--embedding these iconic works into our culture’s living Net of Being. The book explores how the mystical experience expressed in Alex Grey’s work opens a new understanding of our shared consciousness and unveils the deep influence art can have on cultural evolution. The narrative progresses through a successive expansion of identity--from the self, to self and beloved, to self and community, world spirit, and cosmic consciousness, where bodies are transparent to galactic energies. Presenting over 200 images, including many never-before-reproduced paintings as well as masterworks such as St. Albert and the LSD Revelation Revolution and Godself, the book also documents performance art, live-painting on stage throughout the world, and the “social sculpture” called CoSM, Chapel of Sacred Mirrors, that Grey cofounded with his wife and creative collaborator, artist Allyson Grey.
The Brahmajala, one of the Buddha’s most important discourses, weaves a net of sixty-two cases capturing all the speculative views on the self and the world. The massive commentary and subcommentary allow for a close in-depth study of the work. The book contains a lengthy treatise on the Theravada conception of the Bodhisattva ideal. The long introduction is itself a modern philosophical commentary on the sutta.
"Quantitative Data Analysis, by Donald J. Treiman, is a well-written demonstration of how to answer questions using statistics. The range of techniques is broad, ranging from simple advice for making tables readily readable through linear and logistic regression to log-linear and random-effects models ... Treiman writes using clear, precise language ... Treiman also takes the time and effort to explain how to avoid common pitfalls of data analysis ... worth a look for those wanting to see the applications of a wide variety of statistical techniques to a variety of problems or for those who are inte.
The author of The Devil’s Candy and Wendy and the Lost Boys—herself the daughter of Holocaust survivors—shares her family’s stories, which take them from the Carpathian Mountains of Eastern Europe to the small Appalachian town where she was raised.
The Net of Nemesis examines the trope of tragic bond/age, in which humanity is the beneficiary of bonds that nurture and unite and the victim of bondage that confines and restrains. Manifestations of the trope in Greek and Shakespearean tragedy, Miltonic epic, and nineteenth- and twentieth-century fiction repeat and vary the trope's central symbol of the net and other, related leitmotifs and demonstrate that such orchestration resolves the conflict between bonds and bond/age and informs the catharsis and transcendence essential to tragedy.
Vast like the subcontinent itself and teeming with outrageous and exotic characters, Net of Magic is an enthralling voyage through the netherworld of Indian magic. Lee Siegel, scholar and magician, uncovers the age-old practices of magic in sacred rites and rituals and unveils the contemporary world of Indian magic of street and stage entertainers. Siegel's journeys take him from ancient Sanskrit texts to the slums of New Delhi to find remnants of a remarkable magical tradition. In the squalid settlement of Shadipur, he is initiated into a band of Muslim street conjurers and performs as their shill while they tutor him in their con and craft. Siegel also becomes acquainted with Hindu theatrical magicians, who claim descent from court illusionists and now dress as maharajahs to perform a repertoire of tricks full of poignant kitsch and glitz. Masterfully using a panoply of narrative sleights to recreate the magical world of India, Net of Magic intersperses travelogue, history, ethnography, and fiction. Siegel's vivid, often comic tale is crowded with shills and stooges, tourists and pickpockets, snake charmers and fakirs. Among the cast of characters are Naseeb, a poor Muslim street magician who guides Siegel into the closed circle of itinerant performers; the Industrial Magician, paid by a bank, who convinces his audience to buy traveler's checks by making twenty-rupee notes disappear; the Government Magician, who does a trick with condoms to encourage family planning; P. C. Sorcar, Jr., the most celebrated Indian stage magician; and the fictive Professor M. T. Bannerji, the world's greatest magician, who assumes various guises over a millennium of Indian history and finally arrives in the conjuring capital of the world—Las Vegas. Like Indra's net—the web of illusion in which Indian performers ensnare their audience—Net of Magic captures the reader in a seductive portrayal of a world where deception is celebrated and lies are transformed into compelling and universal truths.
Edward Bond Plays:8 brings together recent work by the writer of the classic stage plays Saved, Lear, The Pope's Wedding, and Early Morning. The volume comprises five new plays and two prose essays: Two Cups: introductory essay Born: the third play in the Colline Tetralogy (the first two of which appear in Edward Bond Plays:7); premiering at the Avignon Festival in July 2006. People: the fourth play in the Colline Tetralogy Chair: first broadcast on BBC Radio 4 in April 2000. Existence: first broadcast on BBC Radio 4 in April 2002. The Under Room: first staged by Big Brum in October 2005; 'an intricate puzzle that is compelling in both its intellectual and emotional intensity'5 stars (Guardian) Freedom and Drama: an extended disquisition on the relationship of drama to the self and society in which Bond argues that drama alone can create human meaning.
What does "meaningless" mean? On the one hand, it signifies simply the absence or lack of meaning. "Zabool" is meaningless just because it doesn't happen to mean anything. "Green flees time lessly" is meaningless, despite a certain semblance of sense, because it runs afoul of certain fundamental rules of linguistic construction. On the other hand, "meaningless" characterizes that peculiar psycho logical state of dread and anxiety much discussed, if not discovered, by the French shortly after the Second World War. The first is primarily linguistic, focusing attention on emotionally neutral questions of linguistic meaning. The second is nonlinguistic, indicating a painful probing of the social psychology of an era, a clinical and literary analysis of 20th century Romanticism. On the one hand, a job for the professional philosopher; on the other hand, a task for the literary critic and the social historian. Is any useful purpose served in trying to combine these two, very different concerns? As the title of this book suggests, I think there is.
Thomas Shapiro reveals how the lack of family assets--inheritance, home equity, stocks, bonds, savings accounts, and other investments-- along with continuing racial discrimination in crucial areas like homeownership dramatically impact the everyday lives of many black families, reversing gains earned in schools and on jobs, and perpetuating the cycle of poverty in which far too many find themselves trapped.
An Interpretation of the Philosophy of Karl Jaspers
Author: A.M. Olson
Pubpsher: Springer Science & Business Media
''The problem of Transcendence is the problem of our time. " I Needless to say, Transcendence was a particularly lively i~sue when Karl Heim wrote these words in the mid-1930's. Within the province of philosophi cal theology and philosophy of religion, however, it is always the prob lem, as Gordon Kaufman has recently reminded us. 2Por the question concerning the nature and the reality of Transcendence has not only to do with self-transcendence, but with the being of Transcendence-Itself, that is to say, with the nature and the reality of God as experienced and understood at any given time or place. Now there are those today who would claim that any further discus sion of the latter half of this proposition, namely,Transcendence-Itse1f or God, is worthless and quite beside the point. Such persons would claim that the particular logia represented by the theological sciences has collapsed by virtue of its object having disappeared. Indeed, when one surveys the contemporary scene in philosophy and theology, there is a good deal of evidence that this is the case':"" theology of late having be come something of a "spectacle," to use Pritz Buri's term. One of the reasons for this, we here contend, is that the richness and the diversity of the meaning of Transcendence has been lost. And even though we do not here intend to resolve the issue, neither do we assume that such an enqui ry is either impossible or irrelevant.