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Non toxic Printmaking

Author: Mark Graver
Publisher: A&C Black
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Master printmaker Mark Graver makes the case for utilizing non-toxic materials for his craft and establishing more healthy environments in the workshop. The book features various technical factors (both materials and equipment) to take into account when etching with acrylic resists, making aquatints, etching in general, using drypoint, engraving, making mezzotints and collagraphs and using photopolymers as well as combining various printmaking techniques.


Printmaking Today

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Size: 25,30 MB
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Dissertation Abstracts International

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Size: 11,73 MB
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Learn to Earn from Printmaking

Author: Susan Yeates
Publisher: New Generation Publishing
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Format Type: PDF
Size: 17,88 MB
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An essential guide to creating and marketing a printmaking business Learn to Earn from Printmaking explores how you can turn a relaxing and creative hobby into an enjoyable small business enterprise. It will take your creative printmaking skills and teach you all you need to know about selling your work, marketing yourself and your business, teaching successful courses and creating a life where being a printmaker pays the bills (or at least your materials bill!). Learn to Earn from Printmaking is packed full of practical tips and information and covers: The products that you could create through printmaking A range of ways to sell your prints and printed products Methods for promoting yourself and your work Advice on running your own business How to run great printmaking courses and workshops Tips and insights from practising printmakers Plus much, much more! This book is suitable for new printmakers looking to earn a living from their prints and other products, recent printmaking graduates, anyone selling their work for the first time, established printmakers looking to teach courses and any artist wishing to promote themselves and sell more work. Learn how to earn a living from printmaking and enjoy yourself along the way! About the Author: Susan Yeates is a printmaker, tutor and author. She has published three books including the Amazon no. 1 bestseller Learning Linocut, which provides a comprehensive introduction to relief printing. www.introductiontoprintmaking.com | www.magenta-sky.com


Art Practice in a Digital Culture

Author: Hazel Gardiner
Publisher: Routledge
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Size: 21,37 MB
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Much as art history is in the process of being transformed by new information communication technologies, often in ways that are either disavowed or resisted, art practice is also being changed by those same technologies. One of the most obvious symptoms of this change is the increasing numbers of artists working in universities, and having their work facilitated and supported by the funding and infrastructural resources that such institutions offer. This new paradigm of art as research is likely to have a profound effect on how we understand the role of the artist and of art practice in society. In this unique book, artists, art historians, art theorists and curators of new media reflect on the idea of art as research and how it has changed practice. Intrinsic to the volume is an investigation of the advances in creative practice made possible via artists engaging directly with technology or via collaborative partnerships between practitioners and technological experts, ranging through a broad spectrum of advanced methods from robotics through rapid prototyping to the biological sciences.


Critical Mass

Author: Richard Noyce
Publisher: A&C Black
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Size: 18,65 MB
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An exciting look at cutting edge developments in printmaking around the world as artists push the boundaries of what is possible.


Non toxic Intaglio Printmaking

Author: Keith John Howard
Publisher: Grande Prairie, Alta. : Printmaking Resources
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Size: 24,70 MB
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Digital Visual Culture

Author: Anna Bentkowska-Kafel
Publisher: Intellect Books
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Size: 25,32 MB
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Digital creativity is boundless. Art practitioners and scholars continue to explore what technology has to offer and practice-based research is redefining their disciplines. What happens when an artist experiments with bio-scientific data and discovers something the scientists failed to notice? How do virtual telematic environments affect our relationship with the object and our understanding of identity and presence? Interactive engagement with the creative process takes precedence over the finite piece thus affecting the roles of the artist and the viewer. The experience of arts computing in.


New Grounds

Author: Regina Held
Publisher: CreateSpace
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Size: 11,69 MB
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This manual presents a comprehensive and detailed approach to making etchings safely. It is based on the methods employed and taught by New Grounds. We are grateful for all the wonderful successes and mistakes New Grounds artists have produced in the course of almost two decades that have greatly contributed to the knowledge base of this book. With detailed lists, step-by-step instructions and troubleshooting sections, this book offers valuable information for etchers on all levels. It is invaluable for those wishing to make the transition from toxic to non-toxic etching, and it is suited as a textbook for a college level etching class.


Printmaking Revolution

Author: Dwight Pogue
Publisher: Watson-Guptill
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Size: 19,39 MB
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A tome of the newest advances in printmaking for today’s environmentally conscious art students, master printers, teachers, and artists Etching, lithography, and screenprinting shouldn’t be harmful to the artist or the planet. With cutting edge, never-before-published advances in printmaking media, Printmaking Revolution provides artists, students, and teachers alike with safer, environmentally friendly and non-carcinogenic methods for creating beautiful prints. Inside, teacher and professional artist, Dwight Pogue offers groundbreaking information on embracing green, petroleum-free, nontoxic materials that comply with the Environmental Protection Agency (EPA) and Occupational Safety and Health Administration (OSHA) requirements. With new alternatives for the modern era, and work by some of today’s most notable artists, including Janet Fish, James Rosenquist Walton Ford, and Louisa Chase, this book truly revolutionizes the techniques, materials, and processes of a time-honored medium.