This book is a collection of carpet and rug designs from Danella Hooked Rugs. While the first edition featured fourteen designs, this book has sixty-three, including Oriental-inspired rugs. Since carpet is placed on a floor, it should be designed so that it can be seen from any side. Oriental carpets inspired most of Danella's designs. These carpets have more detailed features than are possible with Danella rug hooking, so it was not possible to just copy Oriental designs. Redesigning was needed, and artist Jane Dyrdal created the original Oriental rug hooking designs for Danella customers.
This authoritative reference contains a vast amount of information about Oriental rugs. Oriental Rugs: A Complete Guide is the first large volume on the subject to be printed in the past forty-five years is meant for the individual who is interested in purchasing his first Oriental Rug, as well as the collector, museum, and rug importer. The volume is divided into three main parts. Part I, entitled "General Discussion devotes one chapter to each of the large rug weaving countries and includes helpful hints as to what the rug buyer should look for in an particular rug. Part II, "Description of Types," is an alphabetical list of all the names that have been used to identify rugs in the past, as well as the names that are being used at present. Each entry is followed by a full discussion and description of the rug. Part III, “Plates,” contains 194 pictures of different types of rugs, complete with descriptive captions for each. Thirty-nine of the plates are in full color. All of the plates are large, allowing the reader to see the design, and in some cases, the colors used in the particular rug.
Release on 1979-01-01 | by Friedrich Paul Theodor Sarre,Hermann Trenkwald
Author: Friedrich Paul Theodor Sarre,Hermann Trenkwald
These 47 full-color plates show dozens of eye-catching design motifs -- geometrics, florals, cartouches, palmettes, peacocks, arabesques, and more. An invaluable source of illustration for artists and crafts-people working in textiles, rugs, mosaics, and other craft areas.
An Illustrated Lexicon of Motifs, Materials, and Origins
Author: Peter F. Stone
Pubpsher: Tuttle Publishing
Category: Antiques & Collectibles
This monumental reference work—long awaited by collectors and scholars—fills an important gap in the available literature on oriental rugs. Lavishly illustrated with over 1000 photographs and drawings, it offers clear and precise definitions for the rug and textile terms in use across a broad swath of the globe—from Morocco to Turkey, Persia, the Caucasus region, Central Asia, Afghanistan, Pakistan, India and China. Covering priceless museum-quality rug traditions as well as modern centers of production, Oriental Rugs: An Illustrated Lexicon of Motifs, Materials, and Origins draws on classical scholarship as well as current terminology in use among producers and traders in these areas today. It focuses primarily on the rich hand-knotting and hand-weaving traditions of the Near East and Central Asia, but also includes some examples of Scandinavian and Native American weavings. Oriental rugs are receiving ever-increasing attention and recognition in the field of art history. Tribal weavings especially have become a focus for new research, and Oriental Rugs provides a new understanding of many distinctive traditions that were previously understudied, such as the weavings of southwest Persia, Baluchistan and Kurdistan. This concise oriental rug reference book is a must-have for scholars and anyone serious about collecting rugs, selling rugs or the rug trade in general. Additional reference information also includes: Foreign terms Place names The Oriental Rug lexicon Museums with notable rug collections Oriental rug internet sites
Between 1400 and 1500 a design revolution in Persia swept away a 2000-year-old tradition of carpet design, replacing abstract geometric patterns with complex floral scrolls dominated by a central medallion derived from the Chinese cloud-collar shape. This revolution represents a major event in world art history, comparable to that which occurred at the same time in Renaissance Italy. It was followed over the next four centuries by a second revolution, during which the principal design elements of the first permeated carpet production at every level throughout Persia and continue to dominate it to this day. AUTHOR: Jim Ford worked for many years for the world-famous international oriental carpet import/export company OCM. In his career he followed in the illustrious footsteps of A. Cecil Edwards (author of The Persian Carpet, Duckworth 1953), as the company's rug-buying agent in Iran, before setting up his own business after the Iranian Revolution with his wife Barbara Lindsay Ford, designing and producing their own contemporary carpets in Nepal. He is the author of one of the best-selling oriental rug books of all time, Oriental Carpet Design: A Guide to Traditional Motifs, Patterns and Symbols, which has been subsequently reprinted on both sides of the Atlantic and translated into German and other languages. SELLING POINT: * Miniature paintings unlock the door to a thorough re-examination of the ubiquitous 'classical' medallion design in Persian carpets, revealing an artistic revolution comparable to that which occurred at the same time in Renaissance Italy 380 colour and 20 b/w photographs
This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.
When it comes to both the technical and aesthetic considerations of using textiles in interior design, this book gives working professionals what they need to know. You'll receive expert guidance to the process of textile specifications, selection, installation and maintenance, as well as an understanding of the properties of fabric types and a historical context of styles. Sustainable design and code issues are also considered. More than 500 illustrations and photographs elucidate key ideas. This survey of textiles for interior design is divided into three main parts: Fabrics: The interior design textile industry and marketplace. A study of fibers, yarns, constructions, and finishes. Codes and "green" design. Applications: Textile specifications and coordination of upholstery and wall coverings, window treatments, linens and accessories, and rugs and carpeting. Period Style: Oriental styles, Renaissance and Formal styles, Medieval, Colonial, Country and Provence styles, Regional and Ethnic styles, and Modern styles. Order your copy today!