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Orson Welles Volume 1

Author: Simon Callow
Publisher: Random House
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A brilliant biography of the young Orson Welles, from his prodigious childhood and youth, his triumphs with the Mercury Theatre, to the making of Citizen Kane. Vivid, vastly entertaining, this is the definitive Welles biography.


Orson Welles

Author: Simon Callow
Publisher: Viking Adult
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Traces the life and career of the legendary director, discussing the making of "Citizen Kane," his contributions to such films as "The Magnificent Ambersons" and "The Lady from Shanghai," and his efforts in radio comedy, spectacular theater, and newspaper politics.


The Complete War of the Worlds

Author: Brian Holmsten
Publisher: Sourcebooks MediaFusion
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Size: 20,65 MB
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Contains the original story by H.G. Wells, and describes how Orson Welles was inspired by the tale of Martian invasion to create the radio broadcast in 1938 which frightenend over one million people.


The Complete War of the Worlds

Author: Brian Holmsten
Publisher: Sourcebooks MediaFusion
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Size: 20,86 MB
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Contains the original story by H.G. Wells, and describes how Orson Welles was inspired by the tale of Martian invasion to create the radio broadcast in 1938 which frightenend over one million people.


Free Will

Author: Daniel Francis Yezbick
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Orson Welles and the Unfinished RKO Projects

Author: Marguerite H Rippy
Publisher: SIU Press
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Orson Welles and the Unfinished RKO Projects: A Postmodern Perspective traces the impact of legendary director Orson Welles on contemporary mass media entertainment and suggests that, ironically, we can see Welles’s performance genealogy most clearly in his unfinished RKO projects. Author Marguerite H. Rippy provides the first in-depth examination of early film and radio projects shelved by RKO or by Welles himself. While previous studies of Welles largely fall into the categories of biography or modernist film studies, this book extends the understanding of Welles via postmodern narrative theory and performance analysis, weaving his work into the cultural and commercial background of its production. By identifying the RKO years as a critical moment in performance history, Rippy synthesizes scholarship that until now has been scattered among film studies, narrative theory, feminist critique, American studies, and biography. Building a bridge between auteur and postmodern theories, Orson Welles and the Unfinished RKO Projects offers a fresh look at Welles in his full complexity. Rippy trains a postmodern lens on Welles’s early projects and reveals four emerging narrative modes that came to define his work: deconstructions of the first-person singular; adaptations of classic texts for mass media; explorations of the self via primitivism; and examinations of the line between reality and fiction. These four narrative styles would greatly influence the development of modern mass media entertainment. Rippy finds Welles’s legacy alive and well in today’s mockumentaries and reality television. It was in early, unfinished projects where Welles first toyed with fact and fiction, and the pleasure of this interplay still resonates with contemporary culture. As Rippy suggests, the logical conclusion of Welles’s career-long exploration of “truthiness” lies in the laughs of fake news shows. Offering an exciting glimpse of a master early in his career, Orson Welles and the Unfinished RKO Projects documents Welles’s development as a storyteller who would shape culture for decades to come.


Orson Welles Volume 2

Author: Simon Callow
Publisher: Random House
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The reason for the decline of Orson Welles's career is a hotly debated issue, but decline it certainly did. When Citizen Kane, his first film, opened in 1941, Welles was universally acclaimed as the most audacious filmmaker alive. But instead of marking the beginning of a triumphant career in Hollywood, the film still regularly voted the greatest ever made proved to be an exception in Welles's life and work. In 1947 Welles left America for Europe and lived for the best part of twenty years in self-imposed exile. Welles himself famously quipped 'I started at the top and worked my way down' - the second volume of Simon Callow's compelling biography tells the story of that complex and protracted descent from grace.


Orson Welles s Last Movie

Author: Josh Karp
Publisher: St. Martin's Press
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Journalist Josh Karp shines a spotlight on the making of The Other Side of the Wind—the final unfinished film from the auteur of Citizen Kane in Orson Welles’s Last Movie, the basis of Oscar-winning director Morgan Neville’s Netflix Original Documentary, They’ll Love Me When I’m Dead. In the summer of 1970, legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. Coincidentally, it was the story of a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn’t autobiographical. The Other Side of the Wind was supposed to take place during a single day, and Welles planned to shoot it in eight weeks. It took six years during his lifetime—only to be finally completed more than thirty years after his death by The Last Picture Show director Peter Bogdanovich, who narrates the film, and released by Netflix. Orson Welles’s Last Movie is a fast-paced, behind-the-scenes account of the bizarre, hilarious, and remarkable making of what has been called “the greatest home movie that no one has ever seen.” Funded by the shah of Iran’s brother-in-law, and based on a script that Welles rewrote every night for years, the film was a final attempt to one-up his own best work. It’s a production best encompassed by its star—the celebrated director of The Maltese Falcon, John Huston—who described the making of the film as “an adventure shared by desperate men that finally came to nothing.”


Orson Welles in Focus

Author: James N. Gilmore
Publisher: Indiana University Press
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Through his radio and film works, such as The War of the Worlds and Citizen Kane, Orson Welles became a household name in the United States. Yet Welles’s multifaceted career went beyond these classic titles and included lesser-known but nonetheless important contributions to television, theater, newspaper columns, and political activism. Orson Welles in Focus: Texts and Contexts examines neglected areas of Welles’s work, shedding light on aspects of his art that have been eclipsed by a narrow focus on his films. By positioning Welles’s work during a critical period of his activity (the mid-1930s through the 1950s) in its larger cultural, political, aesthetic, and industrial contexts, the contributors to this volume examine how he participated in and helped to shape modern media. This exploration of Welles in his totality illuminates and expands our perception of his contributions that continue to resonate today.


The Twofold Corpus of Orson Welles s Othello

Author: Victor Paul Squitieri
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