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The Edinburgh Literary Journal

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Vol. 2 includes "The poet Shelley--his unpublished work, T̀he wandering Jew'" (p. 43-45, [57]-60)


The Edinburgh literary journal or Weekly register of criticism and belles lettres

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Academic Skepticism in Seventeenth Century French Philosophy

Author: José R. Maia Neto
Publisher: Springer
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This book is the first systematic account of Pierre Charron’s influence among the major French philosophers in the period (1601-1662). It shows that Charron’s Wisdom was one of the main sources of inspiration of Pierre Gassendi’s first published book, the Exercitationes adversus aristoteleos. It sheds new light on La Mothe Le Vayer, who is usually viewed as a major free thinker. By showing that he was a follower of Charron, La Mothe emerges neither as a skeptical apologist nor as a disguised libertine, as combatting superstition but not as irreligious. The book shows the close presence of Charron in the preambles of Descartes’ philosophy and that the cogito is mainly based on the moral Academic self-assurance of Charron’s wise man. This interpretation reverses the standard view of Descartes’ relation to skepticism. Once this skepticism is recognized to be Charron’s Academic one, it is seen not as the target but as the source of the cogito. Pascal is the last major philosopher for whom Charron’s wisdom is crucially relevant. Montaigne and Descartes influenced, respectively, Pascal’s view of the Pyrrhonian skeptic and of the skeptical main arguments. The book shows that Charron’s Academic skeptical wise man is one of the main targets of his projected apology for Christianity, since he considered him as a threat and counter-example of the kind of Christian view of human beings he believed. By restoring the historical philosophical relevance of Charron in early modern philosophy and arguing for the relevance of Academic skepticism in the period, this book opens a new research program to early modern scholars and will be valuable for those interested in the history of philosophy, French literature and religion.


Virtuosity and the Musical Work

Author: Jim Samson
Publisher: Cambridge University Press
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This book is about three sets of etudes by Liszt: the Etude en douze exercices (1826), its reworking as Douzes grandes études (1837), and their reworking as Douzes études d'exécution transcendante (1851). At the same time it is a book about nineteenth-century instrumental music in general, in that the three works invite the exploration of features characteristic of the early Romantic era in music. These include: a composer-performer culture, the concept of virtuosity, the significance of recomposition, music and the poetic, and the consolidation of a musical work-concept. A central concern is to illuminate the relationship between the work-concept and a performance- and genre-orientated musical culture. At the same time the book reflects on how we might make judgements of the 'Transcendentals', of the Symphonic Poem Mazeppa (based on the fourth etude), and of Liszt's music in general.


Prelude in D major opus 32 no 1 for string bass and piano

Author: Reinhold Morit︠s︡evich Glière
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The Edinburgh Literary Journal

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Concerto no 1 in B flat minor opus 23 for piano and orchestra

Author: Peter Ilich Tchaikovsky
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Album of selected preludes for the piano

Author: Aleksandr Nikolayevich Scriabin
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Cantos de Espa a

Author: Isaac Albéniz
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Music and Musicians

Author: Evan Senior
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