Publishers Weekly

Publishers Weekly


What Would Jesus Read

Publishers Weekly, 18 February 1950, 1018. “The Phenomenon of the Religious
Best Seller.” Publishers Weekly, 14 July 1975, 45–47. Pollock, John. Billy
Graham, Evangelist to the World: An Authorized Biography of the Decisive Years.

What Would Jesus Read

Since the late nineteenth century, religiously themed books in America have been commercially popular yet scorned by critics. Working at the intersection of literary history, lived religion, and consumer culture, Erin A. Smith considers the largely unexplored world of popular religious books, examining the apparent tension between economic and religious imperatives for authors, publishers, and readers. Smith argues that this literature served as a form of extra-ecclesiastical ministry and credits the popularity and longevity of religious books to their day-to-day usefulness rather than their theological correctness or aesthetic quality. Drawing on publishers' records, letters by readers to authors, promotional materials, and interviews with contemporary religious-reading groups, Smith offers a comprehensive study that finds surprising overlap across the religious spectrum--Protestant, Catholic, and Jewish, liberal and conservative. Smith tells the story of how authors, publishers, and readers reconciled these books' dual function as best-selling consumer goods and spiritually edifying literature. What Would Jesus Read? will be of interest to literary and cultural historians, students in the field of print culture, and scholars of religious studies.

Minders of Make believe

Selma Lanes, "Fifty Years of Viking Junior Books," Publishers Weekly (February
18, 1983) : 68-72. 12. Leonard S. Marcus, "An Interview with Walter Lorraine,"
The Horn Book (March-April 1998): 176-77. 13. Selma G. Lanes, The Art of
Maurice ...

Minders of Make believe

Examines the dramatic changes that occurred in children's literature during the twentieth century, the growth and impact of major publishing houses, the influence of key publishing figures, and the contributions of pioneering editors, educators, and librarians.

Bestseller Index

All books that have appeared on any of the Publishers Weekly or New York Times lists are included in this comprehensive reference work.

Bestseller Index

The Publishers Weekly bestseller list started on May 3, 1919; the New York Times Book Review list began on October 6, 1935. Though the lists do not always reflect the best in American publishing, they do offer a myriad of insights into popular culture. All books that have appeared on any of the Publishers Weekly or New York Times lists are included in this comprehensive reference work. Arranged alphabetically by author and then by book, each entry includes the book s title, publisher, lists on which it appeared and dates it debuted thereon, peak position, and total number of weeks on the lists. Information is provided for hardcover, paperback, and other special editions when appropriate."

Cather Studies Volume 12

Publishers' Weekly, 15 January 1927, 182. —. Advertisement for Sinclair Lewis's
Elmer Gantry. Publishers' Weekly, 22 January 1927, 260. —. Advertisement for
Sinclair Lewis's Elmer Gantry. Publishers' Weekly, 26 March 1927, 1320. —.

Cather Studies  Volume 12

Over the five decades of her writing career Willa Cather responded to, and entered into dialogue with, shifts in the terrain of American life. These cultural encounters informed her work as much as the historical past in which much of her writing is based. Cather was a multifaceted cultural critic, immersing herself in the arts, broadly defined: theater and opera, art, narrative, craft production. Willa Cather and the Arts shows that Cather repeatedly engaged with multiple forms of art, and that even when writing about the past she was often addressing contemporary questions. The essays in this volume are informed by new modes of contextualization, including the increasingly popular view of Cather as a pivotal or transitional figure working between and across very different cultural periods and by the recent publication of Cather's correspondence. The collection begins by exploring the ways Cather encountered and represented high and low cultures, including Cather's use of "racialized vernacular" in Sapphira and the Slave Girl. The next set of essays demonstrates how historical research, often focusing on local features in Cather's fiction, contributes to our understanding of American culture, from musicological sources to the cultural development of Pittsburgh. The final trio of essays highlights current Cather scholarship, including a food studies approach to O Pioneers! and an examination of Cather's use of ancient philosophy in The Professor's House. Together the essays reassess Cather's lifelong encounter with, and interpretation and reimagining of, the arts.

Who Owns the Media

to Distribute Beacon Press, ̄ Publishers Weekly, April 5, 1999, from Web siteat
www.bookwire.com. 100. SeeWeb siteat www.hmco.com. 101.Iinclude onlythose
sizable book publishers based inEurope who seekto challenge Bertelsmann AG
 ...

Who Owns the Media

This thorough update to Benjamin Compaine's original 1979 benchmark and 1982 revisit of media ownership tackles the question of media ownership, providing a detailed examination of the current state of the media industry. Retaining the wealth of data of the earlier volumes, Compaine and his co-author Douglas Gomery chronicle the myriad changes in the media industry and the factors contributing to these changes. They also examine how the media industry is being reshaped by technological forces in all segments, as well as by social and cultural reactions to these forces. This third edition of Who Owns the Media? has been reorganized and expanded, reflecting the evolution of the media industry structure. Looking beyond conventional wisdom and expectations, Compaine and Gomery examine the characteristics of competition in the media marketplace, present alternative positions on the meanings of concentration, and ultimately urge readers to draw their own conclusions on an issue that is neither black nor white. Appropriate for media practitioners and sociologists, historians, and economists studying mass media, this volume can also be used for advanced courses in broadcasting, journalism, mass communication, telecommunications, and media education. As a new benchmark for the current state of media ownership, it is invaluable to anyone needing to understand who controls the media and thus the information and entertainment messages received by media consumers.

Protestant Evangelical Literary Culture and Contemporary Society

Publishers Weekly 238 (15 March 1991): 33-34. 64. "Zondervan to Buy Revell
from SFN," Publishers Weekly 224 (5 August 1983): 15; Randy Frame, "Major
Christian Publisher Fights a Takeover Bid," Christianity Today 30 (3 October
1986): 47 ...

Protestant Evangelical Literary Culture and Contemporary Society

An examination of the significance of Protestant evangelical publishing and the growth of interest in evangelical fiction in the United States.

Bookselling

Bookselling


Manly Meals and Mom s Home Cooking

''Sell Cook Books Stressing Inexpensive and Meatless Meals,'' Publishers'
Weekly, 29 November 1947, 2462. 4. Not that all cookbook readers, even by the
mid 1950s, considered The Joy of Cooking a unique classic. A cookbook
reviewer for ...

Manly Meals and Mom s Home Cooking

From the first edition of The Fannie Farmer Cookbook to the latest works by today's celebrity chefs, cookbooks reflect more than just passing culinary fads. As historical artifacts, they offer a unique perspective on the cultures that produced them. In Manly Meals and Mom's Home Cooking, Jessamyn Neuhaus offers a perceptive and piquant analysis of the tone and content of American cookbooks published between the 1790s and the 1960s, adroitly uncovering the cultural assumptions and anxieties—particularly about women and domesticity—they contain. Neuhaus's in-depth survey of these cookbooks questions the supposedly straightforward lessons about food preparation they imparted. While she finds that cookbooks aimed to make readers—mainly white, middle-class women—into effective, modern-age homemakers who saw joy, not drudgery, in their domestic tasks, she notes that the phenomenal popularity of Peg Bracken's 1960 cookbook, The I Hate to Cook Book, attests to the limitations of this kind of indoctrination. At the same time, she explores the proliferation of bachelor cookbooks aimed at "the man in the kitchen" and the biases they display about male and female abilities, tastes, and responsibilities. Neuhaus also addresses the impact of World War II rationing on homefront cuisine; the introduction of new culinary technologies, gourmet sensibilities, and ethnic foods into American kitchens; and developments in the cookbook industry since the 1960s. More than a history of the cookbook, Manly Meals and Mom's Home Cooking provides an absorbing and enlightening account of gender and food in modern America.

The L M Montgomery Reader

The Publishers' Weekly, “Spring Lines of the Publishers” (24 February 1912), 634
; The Boston Herald, “Among Books and ... The New York Times, “Literary Boston
,” BR307; The Boston Herald, “The Best Fall Fiction,” 8; The Publishers' Weekly, ...

The L M  Montgomery Reader

The final volume of The L.M. Montgomery Reader, A Legacy in Review examines a long overlooked portion of Montgomery’s critical reception: reviews of her books. Although Montgomery downplayed the impact that reviews had on her writing career, claiming to be amused and tolerant of reviewers’ contradictory opinions about her work, she nevertheless cared enough to keep a large percentage of them in scrapbooks as an archive of her career. Edited by leading Montgomery scholar Benjamin Lefebvre, this volume presents more than four hundred reviews from eight countries that raise questions about and offer reflections on gender, genre, setting, character, audience, and nationalism, much of which anticipated the scholarship that has thrived in the last four decades. Lefebvre’s extended introduction and chapter headnotes place the reviews in the context of Montgomery’s literary career and trace the evolution of attitudes to her work, and his epilogue examines the reception of Montgomery’s books that were published posthumously. A comprehensive account of the reception of Montgomery’s books, published during and after her lifetime, A Legacy in Review is the illuminating final volume of this important new resource for L.M. Montgomery scholars and fans around the world.

The Publishers Weekly Vol 65

The book forms No. 253 of the S unset Series. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work.

The Publishers  Weekly  Vol  65

Excerpt from The Publishers' Weekly, Vol. 65: January to June 1904 J. S. Cwm publishing company, New York. Have published The Story of Par sifal. To which is added the libretto of the festival play, translated from Wagner's text. The book forms No. 253 of the S unset Series. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Late Age of Print

“The Background of the Survey,” Publishers Weekly, January 2, 1932, 37. “
Publishers Advise a Curb on Books,” New York Times, June 3, 1932,17; “
Publishers List Fewer New Books,” New York Times, February 6, 1932, 15. Lynd,
“The Book ...

The Late Age of Print

Ted Striphas argues that, although the production and propagation of books have undoubtedly entered a new phase, printed works are still very much a part of our everyday lives. With examples from trade journals, news media, films, advertisements, and a host of other commercial and scholarly materials, Striphas tells a story of modern publishing that proves, even in a rapidly digitizing world, books are anything but dead. From the rise of retail superstores to Oprah's phenomenal reach, Striphas tracks the methods through which the book industry has adapted (or has failed to adapt) to rapid changes in twentieth-century print culture. Barnes & Noble, Borders, and Amazon.com have established new routes of traffic in and around books, and pop sensations like Harry Potter and the Oprah Book Club have inspired the kind of brand loyalty that could only make advertisers swoon. At the same time, advances in digital technology have presented the book industry with extraordinary threats and unique opportunities. Striphas's provocative analysis offers a counternarrative to those who either triumphantly declare the end of printed books or deeply mourn their passing. With wit and brilliant insight, he isolates the invisible processes through which books have come to mediate our social interactions and influence our habits of consumption, integrating themselves into our routines and intellects like never before.

The Publishers Weekly Volume 46

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

The Publishers Weekly  Volume 46

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Beautiful Day

This was such a fun book to read' - The Book Bag ************** Further praise for Elin Hilderbrand 'A gritty and moving read that oozes plenty of drama' - Heat 'A gem of a summer read with a glamorous location, elite lifestyle, and ...

Beautiful Day

'A wedding readers won't be able to resist crashing' - Kirkus The Carmichaels and Grahams have gathered for a wedding. Plans are being made according to the wishes of the bride's late mother, who left behind The Notebook: specific instructions for every detail of her youngest daughter's future nuptials. Everything should be falling into place for the beautiful event - but in reality, things are far from perfect. In the days leading up to the wedding, love will be questioned, scandals will arise, and hearts will be broken . . . ************** Praise for Beautiful Day 'A perfect summer read' - The Picky Girl 'No other author screams summer read more than Elin Hilderbrand. Her novels ooze saucy, sandy, sunny secrets. This was such a fun book to read' - The Book Bag ************** Further praise for Elin Hilderbrand 'A gritty and moving read that oozes plenty of drama' - Heat 'A gem of a summer read with a glamorous location, elite lifestyle, and Hilderbrand's appealing take on the constant stress that fills the lives of women everywhere' - Booklist 'This book was a great read - you really care what happens to the characters. Perfect holiday reading. I didn't want to put it down' - Candis 'Touching and uplifting' - U Magazine

Dear Appalachia

Chapters 3 and 4: 1919–1990 Publishers Weekly and the New York Times
publish “two of the most popular, widely disseminated, readily available and
authoritative lists” of the twentieth century.9 Keith Justice, author of Bestseller
Index: All ...

Dear Appalachia

Much criticism has been directed at negative stereotypes of Appalachia perpetuated by movies, television shows, and news media. Books, on the other hand, often draw enthusiastic praise for their celebration of the simplicity and authenticity of the Appalachian region. Dear Appalachia: Readers, Identity, and Popular Fiction since 1878 employs the innovative new strategy of examining fan mail, reviews, and readers' geographic affiliations to understand how readers have imagined the region and what purposes these imagined geographies have served for them. As Emily Satterwhite traces the changing visions of Appalachia across the decades, from the Gilded Age (1865--1895) to the present, she finds that every generation has produced an audience hungry for a romantic version of Appalachia. According to Satterwhite, best-selling fiction has portrayed Appalachia as a distinctive place apart from the mainstream United States, has offered cosmopolitan white readers a sense of identity and community, and has engendered feelings of national and cultural pride. Thanks in part to readers' faith in authors as authentic representatives of the regions they write about, Satterwhite argues, regional fiction often plays a role in creating and affirming regional identity. By mapping the geographic locations of fans, Dear Appalachia demonstrates that mobile white readers in particular, including regional elites, have idealized Appalachia as rooted, static, and protected from commercial society in order to reassure themselves that there remains an "authentic" America untouched by global currents. Investigating texts such as John Fox Jr.'s The Trail of the Lonesome Pine (1908), Harriette Arnow's The Dollmaker (1954), James Dickey's Deliverance (1970), and Charles Frazier's Cold Mountain (1997), Dear Appalachia moves beyond traditional studies of regional fiction to document the functions of these narratives in the lives of readers, revealing not only what people have thought about Appalachia, but why.