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Reading Screenplays

Author: Lucy Scher
Publisher: Oldcastle Books
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Format Type: PDF, Kindle
Size: 14,85 MB
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Script Readers play a crucial role in the film industry, often responsible for determining whether a script is even looked at by a producer or development executive; yet those accountable for reading can be on the first rung of the industry ladder and have had little or no training for the task. This user-friendly 'how-to' guide written by one of the UK's leading script analysis specialists, lays bare the process of analysing film scripts. This is invaluable to anyone looking to work as a script reader, anyone who wants to work in development with writers, and for screenwriters themselves who are seeking guidance on how the industry might respond to their work. An essential reference tool, the book includes information on: How to write a brilliant script report Storytelling and screen genres Treatments and other short documents Writing clear and detailed analysis of the craft of storytelling for film Best practice in reading and reporting on scripts It also includes a full Resource Section listing useful print and online publications, organisations and associations. 'It is such a worthwhile read' - Lucy V Hay - bang2write 'Lucy Scher seeks to explain the skills needed to take on the vital role of script reader in the film industry' - Kamera Film Salon 'An ideal reference tool for anyone considering a career as a script reader or in film development' - Moviescope


Reading and Writing a Screenplay

Author: Isabelle Raynauld
Publisher: Routledge
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Format Type: PDF, ePub, Mobi
Size: 20,98 MB
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Reading and Writing a Screenplay takes you on a journey through the many possible ways of writing, reading and imagining fiction and documentary projects for cinema, television and new media. It explores the critical role of a script as a document to be written and read with both future readers and the future film it will be giving life to in mind. The book explores the screenplay and the screenwriting process by approaching the film script in three different ways: how it is written, how it is read and how it can be rewritten. Combining contemporary screenwriting practices with historical and academic context, Isabelle Raynauld provides key analytical tools and reading strategies for conceptualizing and scripting projects based on the impact different writing styles can have on readers, with various examples ranging from early cinema to new media and new platforms throughout. This title offers an alternative, thought-provoking and inspiring approach to reading and writing a screenplay that is ideal for directors, producers, actors, students, aspiring screenwriters and readers interested in understanding how an effective screenplay is created.


Screenwriting For Dummies

Author: Laura Schellhardt
Publisher: John Wiley & Sons
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Format Type: PDF, Kindle
Size: 25,96 MB
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Write a great script and get it into the hands of the Hollywood players! So you want to be a screenwriter? Whether you want to write a feature film or a TV script or adapt your favorite book, this friendly guide gives you expert advice in everything from creating your story and developing memorable characters to formatting your script and selling it to the studios. You get savvy industry tips and strategies for getting your screenplay noticed! The screenwriting process from A to Z -- from developing a concept and thinking visually to plotline, conflicts, pacing, and the conclusion Craft living, breathing characters -- from creating the backstory to letting your characters speak to balancing dialogue with action Turn your story into a script -- from developing an outline and getting over writer's block to formatting your screenplay and handling rewrites Prepare for Hollywood -- from understanding the players and setting your expectations to polishing your copy and protecting your work Sell your script to the industry -- from preparing your pitch and finding an agent to meeting with executives and making a deal Open the book and find: The latest on the biz, from entertainment blogs to top agents to box office jargon New story examples from recently released films Tips on character development, a story's time clock, dramatic structure, and dialogue New details on developing the nontraditional screenplay -- from musicals to animation to high dramatic style Expanded information on adaptation and collaboration, with examples from successful screenwriting duos


Three Screenplays

Author: E. L. Doctorow
Publisher: JHU Press
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Format Type: PDF, Docs
Size: 25,55 MB
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E. L. Doctorow is one of America's most accomplished and acclaimed living writers. Winner of the National Book Award, the National Book Critics Circle Award (twice), the PEN/Faulkner Award, and the National Humanities Medal, he is the author of nine novels that have explored the drama of American life from the late nineteenth century to the present. Doctorow has also played an active role in transforming his novels into films, writing screenplay adaptations of three of his works -- The Book of Daniel, Ragtime, and Loon Lake. Published here for the first time, his scripts reveal a new aspect of this writer's remarkable talents and offer film students and other cineastes unique insight into the complex relationship of literature and motion pictures. Each of these screenplays has undergone a different fate. Doctorow's script for Daniel was made into a feature film by director Sidney Lumet in 1983. The monumental Ragtime screenplay he wrote for director Robert Altman was to have been filmed as either a six-hour feature film or a ten-hour television series. When Altman was replaced on the project by Milos Forman, a shorter, more conventional script was commissioned from another writer. In 1981, Doctorow adapted Loon Lake, but this challenging work has yet to be filmed. For this book, Doctorow has revised his dazzling Ragtime screenplay, making clear how different the film might have been, and has written a preface about the art of screenwriting. In addition, editor Paul Levine provides a general introduction to Doctorow's fiction and specific introductions to each screenplay; interviews Lumet about making Daniel; and talks with Doctorow about his abiding interest in the art and craft of cinema.


Writing Screenplays That Sell New Twentieth Anniversary Edition

Author: Michael Hauge
Publisher: Harper Collins
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Format Type: PDF
Size: 18,50 MB
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For more than twenty years, Writing Screenplays That Sell has been hailed as the most complete guide available on the art, craft, and business of writing for movies and television. Now fully revised and updated to reflect the latest trends and scripts, Hollywood story expert and script consultant Michael Hauge walks readers through every step of writing and selling successful screenplays. If you read only one book on the screenwriter's craft, this must be the one.


How Scripts are Made

Author: Inga Karetnikova
Publisher: SIU Press
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Format Type: PDF
Size: 27,44 MB
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Inga Karetnikova's method is that of the art teacher: she asks students to study great works in detail, to analyze them, and then to create their own. She stresses that her examination is "interested only in how the scripts are written and what makes them work, not in a cultural or scholarly examination of them." Karetnikova analyzes eight screenplays?The Godfather, Rashomon, La Strada, Bicycle Thief, Nosferatu, The Servant, Viridiana, Notorious?and a novel written in screenplay form, Kiss of the Spider Woman. Each serves as an example of a particular aspect of screenplay writing: composing scripts, developing characters, constructing suspense, adapting literature to cinematic space and time, and weaving details and motifs within a script. Karetnikova urges film students to work on their own screenplays while studying her book, reading the suggested scripts and viewing the films based on them to get the most from her method. She provides a series of exercises for each chapter to help students master the skills of composing and writing film treatments, developing screen stories and their characters, organizing scenes, and writing dialogue. Each of the exercises has worked successfully in her own screenplay-writing classes.


Raindance Writers Lab

Author: Elliot Grove
Publisher: Taylor & Francis
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Format Type: PDF, ePub
Size: 22,65 MB
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If you're looking for a straightforward, practical, no-nonsense guide to scriptwriting that will hold your hand right the way through the process, read on! The Raindance Writers' Lab guides you through the tools that enable you to execute a strong treatment for a feature and be well on the way to the first draft of your script. Written by the creator of the Raindance Film Festival himself, Elliot Grove uses a hands-on approach to screenwriting based on his many years of experience teaching the subject for Raindance training. He uses step-by-step processes illustrated with diagrams and charts to lend a visual structure to the teaching. Techniques are related to real-life examples throughout, from low budget to blockbuster films. The Companion Website contains interviews with British writers and directors as well as a handy series of legal contracts, video clips and writing exercises. In this brand new 2nd edition, Grove expands on his story structure theory, as well as how to write for the internet and short films. The website also contains sample scripts and legal contracts, a writing exercise illustrated with a video clip, a folder full of useful hyperlinks for research, and a demo version of Final Draft screenwriting software.


Fade in

Author: Robert A. Berman
Publisher: Michael Wiese Productions
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Format Type: PDF, ePub, Docs
Size: 23,34 MB
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Fade In is a concise, step-by-step method for developing a "story concept" into a finished screenplay. Used by professionals and universities around the world, this book covers the basics of dramatic writing; creating characters; screenplay structure, techniques and terminology.


The Dark Knight Trilogy

Author: Christopher Nolan
Publisher: Opus Books
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Format Type: PDF, ePub, Mobi
Size: 15,74 MB
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(Book). At nearly six hundred pages, The Dark Knight Trilogy , a behemoth of script and storyboards, captures on the page the dark mythic expanse of the cinematic Batman. These definitive, vibrant film blueprints published on the heels of the final film's closely guarded release are destined to be enshrined on every fan's bedside table, studied in universities, and emulated by filmmakers.


A Thousand Screenplays

Author: Sabine Chalvon-Demersay
Publisher: University of Chicago Press
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Size: 12,33 MB
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In 1991, French public television held an amateur screenwriting contest. When Sabine Chalvon-Demersay, a French sociologist, examined the roughly 1,000 entries, she had hoped to analyze their differences. What she found, however, surprised her. Although the entrants covered nearly every social demographic, their screenplays presented similar characters in similar situations confronting similar problems. The time of crisis presented by the amateur writers was not one of war, famine, or disease—it was the millennial dilemma of representation. In a world plagued by alienation, individualization, and a lack of mobility, how can members of a society combat their declining senses of self? Although the contestants wrote about life in France, their concerns and struggles have a distinctly universal ring. A lucid, witty writer, Chalvon-Demersay offers a clear, if still developing, photograph of the contemporary imagination.