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Sam Shepard and the Aesthetics of Performance

Author: E. Creedon
Publisher: Springer
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By concentrating on Sam Shepard's visual aesthetics, Emma Creedon argues that a consideration of Shepard's plays in the context of visual and theoretical Surrealism illuminates our understanding of his experimental approach to drama.


Seduced

Author: Sam Shepard
Publisher: Dramatists Play Service Inc
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THE STORY: Henry Hackamore, reputed to be the richest man in the world, is now a bearded, aged recluse, who lives on the top floor of a Caribbean luxury hotel, attended by his bodyguard-nurse, Raul. Paranoid, desperately lonely and obsessed by a fe


Ridley Plays 2

Author: Philip Ridley
Publisher: A&C Black
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This second volume of Ridley's stage plays confirms him as one of the most imaginative, daring and unique voices currently working in theatre. All four plays collected here resonant with Ridley's trademark themes - East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own. Vincent River: '... a grieving mother and a traumatized teenager meet as adversaries, rough each other up and eventually bond over a barbaric act of cruelty...Ridley asks questions, lots of them, about how people respond to the loss of innocence in their lives, how they hold onto their sanity in the face of savagery and how they fight to keep the bonds of humanity intact in a mad, mad world.' Variety Mercury Fur: '...depicts a scary, post-apocalyptic London where, in their struggle to survive, a group of youths are reduced to organising parties that cater for the most perverted tastes.' Independent Leaves of Glass: 'There is a different kind of murder going on here: the murder of truth that goes on in all families to a lesser or greater degree. As with nations, a family's history is written by the victors.' Guardian Piranha Heights: 'The extravagance of Ridley's dark vision suggests a dangerously confused society in which individuals seize on random gobbets of semi-digested information and use them to construct their own personal narrative.' The Times


Godber Plays 2

Author: John Godber
Publisher: A&C Black
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"John Godber is one of the unsung heroes of British theatre, reaching the giddy heights of number three in the most-performed playwrights league table, nestled in behind Shakespeare and Ayckbourn" - Guardian Teechers: "In a class of its own ... Godber takes a hard-hitting look at life in a modern comprehensive where class conflicts, teacher tantrums and cavorting chaos runs riot through the corridors" The Express Happy Jack: "Godber manages with an affectionate and unerringly accurate ear for the tongues of the pit village to turn these two into a Chaucerian kind of celebration of life. At the end of the line the play is a sad, bruised but richly comic love story" Guardian September in the Rain: "The work of a genuinely talented playwright" Evening Standard Salt of the Earth: "John Godber has a special gift for capturing the lives and inner turmoil of the working class ... In the most subtle and incisive ways, he suggests how the combination of innate personality and a changing society determines individual destiny" Chicago Times


Plays

Author: Sam Shepard
Publisher: Methuen Publishing
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Sam Shepard is 'the greatest American playwright of his generation…the most inventive in language and revolutionary in craft…the writer whose work most accurately maps the interior and exterior landscapes of his society' (New York magazine) Volume One of Sam Shepard's plays collects fourteen of his legendary plays from the sixties: The Unseen Hand; The Rock Garden; Chicago; Icarus's Mother; 4-H Club; Fourteen Hundred Thousand;Red Cross; Cowboys Forensic & The Navigators; The Holy Ghostly; Operation Sidewinder;The Mad Dog Blues; Back Boy Beast Bait; Killer's Head. "A poet of the theatre, shaping a new language out of broken words: an emotional seismograph registering the tremors which shake the substratum of human life" (The Times)


Sam Shepard and the American theatre

Author: Leslie A. Wade
Publisher: Praeger Publishers
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Explores the rise of playwright Sam Shepard from an Off-Off Broadway renegade to a Hollywood leading man. It views Shepard's work and persona against the identity politics of postwar American culture and the production modes of the American entertainment industry.


Plays

Author: Sam Shepard
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The Cambridge Companion to Sam Shepard

Author: Matthew Roudané
Publisher: Cambridge University Press
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Few American playwrights have exerted as much influence on the contemporary stage as Sam Shepard. His plays are performed on and off Broadway and in all the major regional American theatres. They are also widely performed and studied in Europe, particularly in Britain, Germany and France, finding both a popular and scholarly audience. In this collection of seventeen original essays, American and European authors from different professional and academic backgrounds explore the various aspects of Shepard s career - his plays, poetry, music, fiction, acting, directing and film work. The volume covers the major plays, including Curse of the Starving Class, Buried Child, and True West, as well as other lesser known but vitally important works. A thorough chronology of Shepard s life and career, together with biographical chapters, a note from the legendary Joseph Chaikin, and an interview with the playwright, give a fascinating first-hand account of an exuberant and experimental personality.


Modern Drama Scholarship and Criticism 1981 1990

Author: Charles A. Carpenter
Publisher: University of Toronto Press
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The successor to modern drama scholarship and criticism 1966-1980, the present volume is a classified, selective list of publications for the period 1981-1990, with many additions and corrections to the previous volume. It refines and supplements the series of annual bibliographies that Charles Carpenter compiled for the journal Modern Drama from 1982 to 1993. The work is designed both as a convenient checklist of significant scholarship on all aspects of world drama since Ibsen and as a bibliographical prTcis of the discipline as it has evolved since 1980. The great majority of its 25,200 entries concern literary currents in drama since the last third of the nineteenth century and the associated playwrights, although theatre history is also well represented. Because of the heightened interest in semiotic, anthropological, feminist, and other theoretical approaches to drama during the decade of the 1980s, the 'Contemporary Theory' section has been greatly expanded. The primary organization is geographic/linguistic; the main divisions are World Drama, then American, British and Irish, Canadian, Hispanic, French, Italian, Germanic, Scandinavian, Eastern European, African and West Indian, Australasian, and Asian drama. A name index is included. Although the bibliography is limited to material in Roman-alphabet languages, its scope, orientation, and format are designed to make the project internationally useful and intelligible.


Contemporary Authors Bibliographical Series

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