E. Bruce Goldstein’s SENSATION AND PERCEPTION has helped a myriad of students understand the ties between how we sense the world and how the body interprets these senses. A key strength of this text has always been the ability to illustrate concepts through examples and visuals. Dr. Goldstein walks students through an intriguing journey of the senses with both clarity and thoroughness, combining his extensive classroom experience and the most innovative research to create a visual, colorful text unparalleled in the field. Complemented by nearly 500 illustrations and photographs, the Eighth Edition has been updated throughout to reflect the latest research, and sharpened to enhance readability based in part on feedback from 2,000 student users. The accompanying VIRTUAL LAB media exercises (available on CD-ROM or online) offer a wide array of animations and examples designed to stimulate understanding of difficult concepts. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Release on 2013-04-28 | by Dr Laurence Talairach-Vielmas
Author: Dr Laurence Talairach-Vielmas
Pubpsher: Ashgate Publishing, Ltd.
Category: Literary Criticism
Laurence Talairach-Vielmas explores Victorian representations of femininity in narratives that depart from mainstream realism, from fairy tales by George MacDonald, Lewis Carroll, Christina Rossetti, Juliana Horatia Ewing, and Jean Ingelow, to sensation novels by Wilkie Collins, Mary Elizabeth Braddon, Rhoda Broughton, and Charles Dickens. Feminine representation, Talairach-Vielmas argues, is actually presented in a hyper-realistic way in such anti-realistic genres as children's literature and sensation fiction. In fact, it is precisely the clash between fantasy and reality that enables the narratives to interrogate the real and re-create a new type of realism that exposes the normative constraints imposed to contain the female body. In her exploration of the female body and its representations, Talairach-Vielmas examines how Victorian fantasies and sensation novels deconstruct and reconstruct femininity; she focuses in particular on the links between the female characters and consumerism, and shows how these serve to illuminate the tensions underlying the representation of the Victorian ideal.
Now available in paperback. This revised and updated edition of the definitive resource for experimental psychology offers comprehensive coverage of the latest findings in the field, as well as the most recent contributions in methodology and the explosion of research in neuroscience. Volume One: Sensation and Perception focuses on sensory experience and complex learned perceptions through modalities such as vision, touch, smell, and hearing.
Everything that we experience depends on sensing and perceiving. Specialized receptors for the five senses - hearing, seeing, smelling, tasting, and touching - capture information from chemical compounds, compressed air, electromagnetic waves, mechanical sensations, and more. From that information, our brain creates an impression of the world around us. Sensation and Perception focuses on how these systems work, from the mechanics of individual cells to the interactions of thousands of cells in the brain. This book also delves into how our sensory capabilities change with age or damage. Readers of this new title from the acclaimed Gray Matter series will learn to understand how sensation and perception prove crucial to interpreting our surroundings, enjoying them, and even surviving in them.
This work adopts a fresh approach by relating the vogue in the 1860s for sensation fiction to a specific phase of a crisis of faith in the bourgeois ideology of self-help. The demise of sensation fiction after a mere decade is then associated with a returned sense in the 1870s of the durability of the status quo, and the temporary revival of a moralism, which had seemed in a terminal condition in the 1860s.
Or the Spectacular, the Shocking and the Scandalous in Nineteenth-Century Britain
Author: Michael Diamond
Pubpsher: Anthem Press
Category: Social Science
'Victorian Sensation' sheds light on the Victorians' fascination with celebrity culture and their obsession with gruesome and explicit reportage of murders and sex scandals. With a vivid cast of characters, ranging from the serial poisoner William Palmer, to Charles Dickens, Jumbo the Elephant, distinguished politicians and even the Queen herself, this passionate analysis of the period reveals how the reporting methods of our own popular media have their origins in the Victorian press, and shows that sensation was as integral a part of society in the nineteenth century as it is today.
Designed to follow an introductory text on psychoacoustics, this book takes readers through the mathematics of signal processing from its beginnings in the Fourier transform to advanced topics in modulation, dispersion relations, minimum phase systems, sampled data, and nonlinear distortion. While organised like an introductory engineering text on signals, the examples and exercises come from research on the perception of sound. A unique feature of this book is its consistent application of the Fourier transform, which unifies topics as diverse as cochlear filtering and digital recording. More than 250 exercises are included, many of them devoted to practical research in perception, while others explore surprising auditory illusions generated by special signals. Periodic signals, aperiodic signals, and noise -- along with their linear and nonlinear transformations -- are covered in detail. More advanced mathematical topics are treated in the appendices. A working knowledge of elementary calculus is the only prerequisite. Indispensable for researchers and advanced students in the psychology of auditory perception.
The publication in 1957 of S.S. Stevens' famous paper, On the psychophysical law, ignited a controversy which has continued ever since relating to people's subjective judgements of physical reality. Why is it that the perception of sensation can diverge so sharply from the magnitude of the stimulus? How should sensation be measured? Donald Laming brings together a diversity of ideas and a wealth of experimental evidence, and provides a challenging new perspective on the question which has fragmented the research community for nearly 40 years.