An Annotated Guide to Wind Chamber Music

1 & 2 0222-2000 trans . Wendt 024 ( 2bsthn ) 24000 + db 0022–2000 Serenade No. 10 in B flat , K. 370a ( K. 361 ) , “ Gran PartitaSerenade in E flat , K. 375 ( original sextet version ) Serenade No. 11 in E flat , K. 375 Serenade No.

An Annotated Guide to Wind Chamber Music

Wind chamber music has become an important part of the contemporary wind band program during the past half century, and now a most complete reference text has been written to provide any and all necessary information concerning repertoire. Winther lists over 500 works by instrumentation and provides guidance on timings, difficulty level, publisher sources, available recordings and his own insight into rehearsing and programming each individual work. This book will soon be required reading for every wind conductor and performer!

Sourcebook for Wind Band and Instrumental Music

Moss,James C. 55, 143 Moss, Myron D. 5,67 Mott, John 98 Mozart, Wolfgang 153; biography and works 103 ; Serenade No. 10 in B-flat major, ... 10 in B-flat major, K. 361(370a), \“Gran Partita\” 103, 104, 209; Serenade no. 11 in E-flat, ...

Sourcebook for Wind Band and Instrumental Music

(Meredith Music Resource). This sourcebook was created to aid directors and teachers in finding the information they need and expand their general knowledge. The resources were selected from hundreds of published and on-line sources found in journals, magazines, music company catalogs and publications, numerous websites, doctoral dissertations, graduate theses, encyclopedias, various databases, and a great many books. Information was also solicited from outstanding college/university/school wind band directors and instrumental teachers. The information is arranged in four sections: Section 1 General Resources About Music Section 2 Specific Resources Section 3 Use of Literature Section 4 Library Staffing and Management

Marcel Moyse

(Massenet): 209 "Scherzettino" (Taffanel): 16 SEPTUOR POUR VOIX DE MEZZO, Op. 3 (Fort-Hoeree): 62-63 "Serenade" (Woodall): 85 SERENADE, Op. 25 (Beethoven): 50-53 SERENADE NO. 10 IN B-FLAT MAJOR, K. 361["Gran partita"] (Mozart): 223-224, ...

Marcel Moyse

Drawing on well over 100 interviews with European and American students, colleagues, and family members, McCutchan traces his career, with particular attention to the cultural and political conditions that helped mold him. She distills a truthful and full portrait of this charismatic, complex and sometimes puzzling man.

Serenades K 361 375 388

B flat major , .. 399 455 375 SERENADE for 2 clarinets , 2 horns , 2 bassoons . E flat major , 388 SERENADE for 2 oboes , 2 clarinets , 2 horns , 2 bassoons . C minor ,. 481 901 SERENADE NO 10 ( Gran Partita ) ftir 2.

Serenades  K  361  375  388

A collection of pieces composed by Wolfgang Amadeus Mozart for Full Orchestra.

Orchestral Music

Movements 1, 5 & 7 are used as Symphony, K.320. mvt durations: 8' 4' 8' 6' 5' 5' 4' Breitkopf Kalmus Luck's Serenade No.10, K361 (370a), B-flat major (Gran partita) 43' 0 2 2 3[1.2.cbn] —— 4 0 0 0 — 2basset horns - [no str] Double bass ...

Orchestral Music

Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals

Music

Both had KEY WORKS Mozart Serenade No. 10 in B flat major, “Gran Partita”, K.361 Haydn Quartet No. 53 in D major, “The Lark”, Op. 64, No. 5 Anton Reicha Wind Quintet in E flat major, Op. 88, No.

Music

Why did jazz go Latin? And how did blues influence rock? Find out how music has shaped the world from prehistory to the present day. Classical or rock, everyone has their favourite music style, but how did your top choice come about? Music is a compelling and richly illustrated history of the most unifying art form in the world. Explore the roots of all genres from chants of the middle ages through the grandeur of the classical period to the modern rhythm of blues, jazz, hip-hop, and pop. Music includes illustrated histories of instruments and listening suggestions for each musical genre. Spectacular galleries display families of instruments from around the world, while special features showcase the evolution of key instruments, such as the piano and the guitar, and profile iconic innovators such as Mozart, Billie Holiday, and David Bowie. Charting every musical revolution, from bone flutes to electronica and from jazz to hip-hop, this visually stunning history of music will hit the right note, whether you are into pop or rock, or disco or rap, classical or opera.

Delphi Masterworks of Wolfgang Amadeus Mozart Illustrated

AMAZON APPLE GOOGLE SPOTIFY YOUTUBE SCORES Serenade No. 9 in D major, "Posthorn", K.320 AMAZON APPLE GOOGLE SPOTIFY YOUTUBE SCORES Serenade No. 10 for twelve winds and double bass in B-flat major, "Gran Partita", K.361/370a AMAZON APPLE ...

Delphi Masterworks of Wolfgang Amadeus Mozart  Illustrated

www.delphiclassics.com

Habits of a Successful Band Director

... arranged by Johan de Meij ( Hal Leonard ) Grand Partita no . 10 in B - flat , K. 361 by W. A. Mozart ( G. Schirmer , out of print ) Hi// Song no . ... 44 by Antonín Dvorak ( Edwin F. Kalmus & Company ) Serenade in E - flat , op .

Habits of a Successful Band Director

In Habits of a Successful Band Director Scott Rush provides: A how-to book for young teachers; A supplement for college methods classes; A commonsense approach to everyday problems band directors face; Sequential models for instruction that are narrow in scope; Solutions, in the form of information and probing questions, that allow assessment of a classroom situation; Valuable information in a new format and references to other helpful publications; A contemporary text for all band directors. Some of the topics covered in the ten chapters include: classroom organization and management, working with parents and colleagues, the importance of the warm-up, rehearsal strategies, selecting high-quality literature, and student leadership. The appendices provide valuable outlines and reproducible forms such as medical releases and pitch tendency chart.

A Descriptive Discography of Horn Music Based on the Curtiss Blake Collection

( Serenades , K. 361 , B ( FLAT ) major ) TITLE Serenade no . 10 in B flat , K. 361 : Gran partita ; A musical joke , K. 522 [ sound recording ] / Wolfgang Amadeus Mozart . -- New York , NY : Arabesque Recordings , p1991 . CALL NO .

A Descriptive Discography of Horn Music Based on the Curtiss Blake Collection


Sviatoslav Richter

2 ( “ Kegelstatt ' ) in E flat major K 498 , 242 Rondo in A minor K 511 , 286 Serenade no . 10 ( ' Gran Partita ' ) in B flat major K 361 , 222 Serenade no . 17 in D major K 334 , 177 Sonata in C major for keyboard duet K 521 ...

Sviatoslav Richter

Sviatoslav Richter was a dazzling performer but an intensely private man. Though world famous and revered by classical music lovers everywhere, he guarded himself and his thoughts as carefully as his talent. Fascinated, author and filmmaker Bruno Monsaingeon tried vainly for years to interview the enigmatic pianist. Richter eventually yielded, granting Monsaingeon hours of taped conversation, unlimited access to his diaries and notebooks, and, ultimately, his friendship. This book is the product of that friendship. Richter reveals himself as a man and an artist. Unsentimentally and with his characteristic dry humor and intelligence, the musician describes his poignant childhood and spectacular career, including his tumultuous early days at the Moscow Conservatory and his triumphant 1960 tour of the United States. His laconic recounting of playing in the orchestra at Stalin's surreal, interminable state funeral is riveting. Most important for music lovers, Richter discusses his influences and views on musical interpretation. He describes his encounters with other great Russian performers and composers, including Prokoviev, Shostakovich, Oistrakh, and Gilels. Candid sections from his personal journals offer his sober and unguarded impressions of dozens of performances and recordings--both his own and those of other musicians. This volume offers readers the sizable pleasure of lingering in the thoughts and words of one of the most important pianists of the twentieth century. Unlike many other star performers, Richter was also an intellectual who had interesting things to say, particularly about the musician's proper role as interpreter of the composer's art. This alone makes the book worth reading. Sviatoslav Richter belongs on the shelves of everyone with a classical music collection and will also appeal to lovers of autobiography and admirers of Russian musical culture.

School of Music Theatre Dance University of Michigan Publications

H. Robert Reynolds , Conductor chool of Music with special commentary by Daniel N. Leeson Friday , March 25 , 1988 Rackham Assembly Hall 8:00 p.m. serenade No. 10 in B - Flat ( Gran Partita ) , K.361 ( K370a ) Wolfgang Amadeus Mozart SS ...

School of Music  Theatre   Dance  University of Michigan  Publications

Includes miscellaneous newsletters (Music at Michigan, Michigan Muse), bulletins, catalogs, programs, brochures, articles, calendars, histories, and posters.

la Murder The Couturi re s Tale

... 'Ruhe Sanft', Serenade No. 10 for Winds in B flat major, third movement, 'Gran Partita' K361/K370a, and 'Sull'aria... che soave zefiretto', and Elgar's Chanson de Matin (oboe), and other graceful airs performed by a little chamber ...

   la Murder  The Couturi  re s Tale

‘May you gain your heart’s desire.’ Yvonne, Suzy, Jo, and Stephanie became friends over a shared affinity for misadventures, gluttony, the occasional book, and a lot of bickering. Although not entirely without intelligence or redeeming qualities, they displayed the usual giddy girlish interests in pretty things and fun, and had little else on their minds besides the blissful prospect of the upcoming Renaissance Ball and holidays. Nobody expected—least of all themselves—that these unprepossessing children would grow up to become the founders of a fashion empire or that they would fall into so many scandals along the way, in their public and private lives, with such far-reaching, sometimes fatal consequences. Many years later, another young woman receives a letter advising her of an inheritance and an apparently innocuous invitation. Summoned to a meeting at the offices of the House of Laurel with its three board directors, she proceeds to unravel the history and the untold secrets surrounding the inheritance, the Thomson & French invitation, and what happened to Stephanie Laurel. But secrets and stories—like choices—are complicated things. As the truth is revealed, the tentacles of that tangled past reach out into the present, and they are all confronted with another fork in the road... A novel in three parts of gentle ruminations on friendship, life and fate and other things which get in between the everyday business of living, seasoned with a few mildly distracting diversions such as murder, romantic entanglements gone awry, alternative uses for limoncello and rose petals, and the best laid plans of kind, well-meaning friends.

Daniels Orchestral Music

Andantino grazioso - Allegro Breitkopf Kalmus 6' Luck's Serenade No.10, K.361 (370a), B-flat major (Gran 43' partita) <1783–1784> 0 2 2 3[1.2.cbn] — 4 0 0 0 — 2basset horns — [no str] Double bass may substitute for contrabassoon.

Daniels  Orchestral Music

Daniels’ Orchestral Music is the gold standard reference for conductors, music programmers, librarians, and any other music professional researching an orchestral program. This sixth edition, celebrating the fiftieth anniversary of the original work, includes over 14,000 entries with a vast number of new listings and updates.

The Conductor s Legacy

Here are my choices : W. A. Mozart Gran Partita ( Serenade no . 10 in B - flat Major for Winds ) , K.361 " Dove sono i bei moment " from Le nozzle di Figaro , K. 492 , Kiri Te Kanawa , soprano Siegfried Idyll , WWV 103 Richard Wagner ...

The Conductor s Legacy


The Wind Band and Its Repertoire Two Decades of Research As Published in the CBDNA Journal

1558 MOZART , WOLFGANG AMADEUS Serenade in B - Flat K. 361 ( Gran Partita ) Ethington , Bradley , P .: WOLFGANG AMADEUS MOZART'S SERENADE IN B - FLAT K. 361 : MUSICAL INFLUENCES AND PERFORMANCE ... 56 , No. 10 , Apr. 1996 , p .

The Wind Band and Its Repertoire  Two Decades of Research As Published in the CBDNA Journal

For slightly over two decades, the College Band Directors National Association published the CBDNA Journal, a research outlet for all types of subjects of interest to the membership. Following cessation of activities in 2002, Michael Votta, Jr., the Journal's most recent editor, assembled representative articles on composers and their works, historical research and composition analysis investigations, and produced this fine collection of writings. As a source of well-constructed research by some of the country's leading musicians, it fills a much needed place in everyone's library.

Declassified

Ombra mai fu " from Handel's Xerxes • The third movement ( Adagio ) from Mozart's Serenade No. 10 in B Major , K. 361 , " Gran partita " · • " O Isis und Osiris " from Mozart's The Magic Flute The second movement ( Andante con moto ...

Declassified

The best masterclass in classical music you never knew you needed. Arianna Warsaw-Fan Rauch’s life-long fascination with classical music has taken her through Juilliard and into the shiny world of symphony halls and international concert tours. She’s loved classical music her whole life. But she’s also hated classical music her whole life. After all, if you can like Beyoncé without liking Bieber, you can certainly like Brahms without liking Bach—especially since they were born 148 years apart and the thing we call “classical music” is really just centuries of compositions shoved into one hodge-podge of a genre. In Declassified, Warsaw-Fan Rauch blows through the cobwebs of elitism and exclusion and invites everyone to love and hate this music as much as she does. She offers a backstage tour of the industry and equips you for every listening scenario, covering: the 7 main compositional periods (even the soul-crushingly depressing Medieval period), a breakdown of the instruments and their associated personality types (apologies to violists and conductors), what it’s like to be a musician at the highest level (it’s hard), how to steal a Stradivarius (and make no money in the process), and when to clap during a live performance (also: when not to). Declassified cheekily demystifies the world of High Art while making the case that classical music matters, perhaps now more than ever.

George Szell

... paired in the fourth program with Mozart's Serenade no. 10 in B~flat Major for 13 Wind Instruments, K. 361 (called Gran Partita)?" A titular coincidence not noted by program annotator or reviewers was the proximity of Hindemith's ...

George Szell

This book is the first full biography of George Szell, one of the greatest orchestra and opera conductors of the twentieth century. From child prodigy pianist and composer to world-renowned conductor, Szell's career spanned seven decades, and he led most of the great orchestras and opera companies of the world, including the New York Philharmonic, the NBC and Chicago Symphonies, the Berlin Philharmonic, the Vienna Philharmonic and Opera, and the Concertgebouw Orchestra. A protégé of composer-conductor Richard Strauss at the Berlin State Opera, his crowning achievement was his twenty-four-year tenure as musical director of the Cleveland Orchestra, transforming it into one of the world's greatest ensembles, touring triumphantly in the United States, Europe, the Soviet Union, South Korea, and Japan. Michael Charry, a conductor who worked with Szell and interviewed him, his family, and his associates over several decades, draws on this first-hand material and correspondence, orchestra records, reviews, and other archival sources to construct a lively and balanced portrait of Szell's life and work from his birth in 1897 in Budapest to his death in 1970 in Cleveland. Readers will follow Szell from his career in Europe, Great Britain, and Australia to his guest conducting at the New York Philharmonic and his distinguished tenure at the Metropolitan Opera and Cleveland Orchestra. Charry details Szell's personal and musical qualities, his recordings and broadcast concerts, his approach to the great works of the orchestral repertoire, and his famous orchestrational changes and interpretation of the symphonies of Robert Schumann. The book also lists Szell's conducting repertoire and includes a comprehensive discography. In highlighting Szell's legacy as a teacher and mentor as well as his contributions to orchestral and opera history, this biography will be of lasting interest to concert-goers, music lovers, conductors, musicians inspired by Szell's many great performances, and new generations who will come to know those performances through Szell's recorded legacy.

School of Music Programs

1 in E - Flat Major , K. 16 Allegro molto Andante Presto Serenade No. 10 , K. 361 ( K. 370a ) , " Gran Partita " Largo , molto allegro Adagio Menuetto Finale Symphony No. 41 in C Major , K. 551 , “ Jupiter " Allegro vivace Andante ...

School of Music Programs